Concerto in D Major for Piano and Orchestra, K. 175 - I. Allegro - 7:51
II. Andante ma un poco adagio - 8:13
III. Allegro - 4:46
Concerto in B-flat Major for Piano and Orchestra, K. 238 - I. Allegro aperto - 6:50
II. Andante un poco adagio - 6:22
III. Rondeau: allegro - 7:40
Concerto in C Major for Piano and Orchestra, K. 246 ('Lützow') - I. Allegro aperto - 6:57
II. Andante - 6:42
III. Rondeau: tempo di menuetto - 6:49
In spite of their originality and beauty, Mozart?s early piano concertos are, sadly, rarely performed today. With this recording, David Greilsammer and the Suedama Ensemble seek to illuminate these extraordinary works and ... more »open the door to the magical world of Mozart?s youth. This interpretation offers a unique and imaginative vision, revealing exuberant spontaneity fused with ever-present lyricism. In addition, the passionate relationship between soloist and orchestra here is based on complete balance and profound intimacy. It is in this magnificent spirit that David Greilsammer and Suedama carry a renaissance of Mozart?s young masterpieces.« less
In spite of their originality and beauty, Mozart?s early piano concertos are, sadly, rarely performed today. With this recording, David Greilsammer and the Suedama Ensemble seek to illuminate these extraordinary works and open the door to the magical world of Mozart?s youth. This interpretation offers a unique and imaginative vision, revealing exuberant spontaneity fused with ever-present lyricism. In addition, the passionate relationship between soloist and orchestra here is based on complete balance and profound intimacy. It is in this magnificent spirit that David Greilsammer and Suedama carry a renaissance of Mozart?s young masterpieces.
CD Reviews
Energy and Warmth
M. Robertson | Surrey, England | 08/22/2006
(5 out of 5 stars)
"In my eyes this is one of the greatest interpretations of these early piano concertos. One can immediately hear that David Greilsammer and the Suedama Ensemble take these rare works very seriously: There is true vision behind every note, behind every phrasing. The performance offers real intimacy, a very warm sound while at the same time outstanding energy. On top of that, I simply love Greilsammer's cadenzas.
This is a gorgeous recording.
I recommend it to all Mozart lovers!"
Incredible. Thoughtful. Inviting.
Jeffrey Rutzky | NYC | 08/22/2006
(5 out of 5 stars)
"Not being an avid classical listener, I am only qualified to say that the accessibility of Suedama's performance of Mozart's Early Piano Concertos is great for all ears. Technically, it's a precise work of art, musical direction, and sound engineering. Artistically, it's a balanced collection of concertos that makes the hour a pleasure to do nothing but listen.
It's also very appropriate for young listeners who might be shy about "classical music." For those adults always trying to get young people to open up to great composers (like my father did), this is a guaranteed ticket."
Pedestrian performance
william w | Newport, OR | 07/30/2009
(2 out of 5 stars)
"I'm not a musician. I am familiar with these two early Mozart pieces, though.
I bought the Greilsammer/Suedama CD after reading the first three Amazon reviews, but for me they were misleading. The performance is spirited, it moves quickly, and it probably could be called lively. It undoubtedly is competent.
But it seems flat. There's no feeling in the performance, none of the Mozart "life" that should come through in a good performance of it. It's just workmanlike. The musicians seem in a hurry to finish and go home.
If you want a really good performance of these pieces, get Alfred Brendel's, I believe with Marriner. It's exciting, as well as lively and spirited. There's passion in it. The music seems to talk to you."
Superb Early Mozart concertos
Oldnslow | Seattle, Washington USA | 02/19/2008
(5 out of 5 stars)
"Just to chime in with what has been said already. This is a wonderful recording of early Mozart piano concertos. Greilsammer and his young players put an amazing amount of energy and focus into these pieces. A real eye opener. I can't say I have listened before to these pieces until I read a profile of the pianist recently in Grammaphone. I'm, sure glad I did. Outstanding!"