Search - Bayerisches Staatsorchester, Theo Adam, Wolfgang Brendel :: Mozart: Cosi fan tutte (Munich, 1978)

Even in its opera-buffa manifestation, the utterly disastrous wife-swapping experiment in Cosi fan tutte so scandalized the entire 19th century, from Beethoven to Wagner, that desperate attempts were constantly made to conceal the works frivolity under any number of respectable rewrites. It was Hermann Levi and Richard Strauss who recreated the original work for Munich with through-composed recitatives instead of spoken dialogues. Amazingly, it took this Munich production of the 1970s to bring Mozarts absolute masterpiece to life in its original language; yet anything else from a great master of musically subtle, rapid-reaction word-play is sheer sacrilege! In any case, the acoustic account captures an almost unbearably intense moment in the history of music theatre. The music director of those days, true to local tradition and to his own history, once again shows himself to be not only a consummate Wagner and Strauss conductor but also, as in the previously released Don Giovanni from that era, a hugely skilled interpreter of Mozart. The pieces ensemble qualities, lifting it from the chasms of deep disgrace to a pinnacle of Mozarts operatic writing, are brought out with breathtaking drama and vivid versatility, due not least to the cumulatively sensational qualities of the various protagonists.