The Life of Mary, poetry collection: The Birth of Mary
Ave maris stella, for vocal ensemble
The Life of Mary, poetry collection
Senex puerum portabat, motet for 4 voices
The Life of Mary, poetry collection: The Annunciation
Ne timeas, Maria (In Annuntiatione Benissimae Mariae), motet for 4 voices
The Life of Mary, poetry collection: Visitation of the Virgin
Magnificat antiphon: O radix Jesse, for organ
Ave Regina caelorum, for vocal ensemble
The Life of Mary, poetry collection: Joseph's Suspicion
Joseph fili David, for vocal ensemble
The Life of Mary, poetry collection: Annunciation of the Shepherds
Quem vidistis, pastores, motet for 6 voices
The Life of Mary, poetry collection: The Birth of Christ
Magnificat antiphon: O Oreins, for organ
Ave Maria, for 3 voices
The Life of Mary, poetry collection: Rest on the Flight into Egypt
Organ improvisation on Salve Regina (after Tom?s Luis de Victoria)
The Life of Mary, poetry collection: Of the Wedding at Cana
Ego sum fitis vera, for vocal ensemble
The Life of Mary, poetry collection: Before the Passion
Salve regina, antiphon for 5 voices
The Life of Mary, poetry collection: Piet?
Plorans ploravit, for vocal ensemble
The Life of Mary, poetry collection: Consoling of mary by the Risen Christ
Alma Redemptoris Mater, for vocal ensemble
The Life of Mary, poetry collection: Of the Death of Mary
Regina coeli, antiphon for 8 voices & organ
This recording offers a glimpse into the rich tradition of Marian devotion, uniting the music of Andrew Smith with the motets by Spanish composer Tomas Luis de Victoria. Victoria's rich polyphonic settings are heard here ... more »in tandem with Smith's sympathetic, contemporary interpretations of some of the most beautiful Marian texts. The musical worlds of Smith and Victoria are framed by a spoken narrative drawn from the work of German poet Rainer Maria Rilke, one of the great poetic voices of the past century. This newly conceived sequence of Rilke's poetry is not sung, but heard as the spoken narrative linking the Latin motets. His perceptive, commonsense voice unites his message with a playful, unaffected, almost impious joy in the ordinary/extraordinary course of the events he relates--The Nativity, Mary's relationship to her son, his first miracle at the wedding at Cana, before and during his Passion, his Resurrection, and finally Mary's own death.« less
This recording offers a glimpse into the rich tradition of Marian devotion, uniting the music of Andrew Smith with the motets by Spanish composer Tomas Luis de Victoria. Victoria's rich polyphonic settings are heard here in tandem with Smith's sympathetic, contemporary interpretations of some of the most beautiful Marian texts. The musical worlds of Smith and Victoria are framed by a spoken narrative drawn from the work of German poet Rainer Maria Rilke, one of the great poetic voices of the past century. This newly conceived sequence of Rilke's poetry is not sung, but heard as the spoken narrative linking the Latin motets. His perceptive, commonsense voice unites his message with a playful, unaffected, almost impious joy in the ordinary/extraordinary course of the events he relates--The Nativity, Mary's relationship to her son, his first miracle at the wedding at Cana, before and during his Passion, his Resurrection, and finally Mary's own death.