Weaving electroclash and Euro-sleaze through a strong set of tech-pop, Miss Kittin continues to evolve on I Com. Kittin is still known primarily for the campy, droll persona she perfected while collaborating with the Hacke... more »r (First Album), and especially Felix Da Housecat (Kittenz and Thee Glitz). But she brings more to the table than just a talent for irony; her 2003 mix record Radio Caroline 1 showed off an impressive authority in the studio. I Com shows the same ear for production, and makes an admirable effort to stretch, pushing songs forward with an aggressive futurism. The formula results in songs like "Dub About Me," which uses patient, Massive Attack-like development and a rude chunk of electric noise to induce a brooding hypnosis. It?s a cerebral record, but Kittin herself is such a natural tease you hardly care how much skill is involved: you?d rather grab a French-to-English dictionary to find out what salacious bits you can translate on songs like "3eme Sexe." Sophisticated and incorrigible, I Com's detached sensuality is tough to resist. --Matthew Cooke« less
Weaving electroclash and Euro-sleaze through a strong set of tech-pop, Miss Kittin continues to evolve on I Com. Kittin is still known primarily for the campy, droll persona she perfected while collaborating with the Hacker (First Album), and especially Felix Da Housecat (Kittenz and Thee Glitz). But she brings more to the table than just a talent for irony; her 2003 mix record Radio Caroline 1 showed off an impressive authority in the studio. I Com shows the same ear for production, and makes an admirable effort to stretch, pushing songs forward with an aggressive futurism. The formula results in songs like "Dub About Me," which uses patient, Massive Attack-like development and a rude chunk of electric noise to induce a brooding hypnosis. It?s a cerebral record, but Kittin herself is such a natural tease you hardly care how much skill is involved: you?d rather grab a French-to-English dictionary to find out what salacious bits you can translate on songs like "3eme Sexe." Sophisticated and incorrigible, I Com's detached sensuality is tough to resist. --Matthew Cooke
Matthew D. Mercer | Chicago, IL United States | 06/24/2004
(3 out of 5 stars)
"When I heard Miss Kittin was going to be launching her solo album without the production help of the Hacker or Golden Boy (with whom she's released one album each, plus a few singles), I was skeptical to say the least. Considering the last time I heard a DJ set by her, she spent a lot of the time vocalizing like a bad haunted house effects box or ghost cat, I had little faith in how she would pull it together for a full length.The album is scattered, with varied results. Some tracks are electroclash rockers like "Meet Sue Be She" and "Professional Distortion," although the lyrics are so awful that it really detracts from what is otherwise pretty decent music. It is refreshing that she isn't completely relying on her "I'm bored, I'm bored" schtick that brought her attention originally, with tracks on which she sings quite well as well as more aggressive vocals (a la T.Raumschmiere's "The Game Is Not Over").All this considered, I suppose it's no great surprise that the best songs are produced by the Hacker and Smash TV. "Soundtrack of Now" is light on the vocals and heavy on the stiff, 4 to the floor sound that characterized the duo's album on Gigolo. "Dub About Me" is a dub reworking of Smash TV's "What About Me" (from their outstanding 2002 album "Electrified," on BPitch Control) with floating vocals by Miss Kittin as well as the original vocoded vocals from Smash TV.While the album is a bit uneven, honestly it's better than I had expected. Miss Kittin is more of an artist than her image tends to let on, and she has proven capable of assembling a reasonable set of tracks. The genre-hopping doesn't always work, but it's never dull."
Oh miss kittin...
Wesley Walton | salem, or United States | 06/24/2004
(3 out of 5 stars)
"ok so i finally got this cd the other day, i've been waiting to buy it for months. well it's not so great. i mean it's not bad, just nothing as jaw-dropping good as any of her collabos. the first single "professional distortion" sounds like it was written to be a single, but its pretty ok. it sounds a little matmos/aphex twin-ish, the lyrics are a little silly (the lyrics only get worse the further the album goes, making you almost wish that miss kittin would just sing/speak her vocals in french, check out the "rocker" meet sue be she, the lyrics are cringe-inducingly bad.)another song (beat for a hit) could be good, with the strange pairing of the kittin and some m.c., kind of going for a bit of slowed down ghetto tech. the song gets longish and very repetitive though. yea... the only song on the album that the hacker does the music for (soundtrack of now) is also almost all instrumental, which is sad cuz its the best music on the album. so i'm sad because i really wish she would've just done another album with the hacker. he really seemed to know how to utilize her talents. this album is meandering and at times just kinda boring. it gets 3 stars cuz its still better than most crap that gets put out."
Dazzle me
alexander laurence | Los Angeles, CA | 07/05/2004
(4 out of 5 stars)
"Miss Kitten is a busybody from France. She is a DJ and singer. She did a record with The Hacker, which was one of the first Electroclash records. Everyone knows that song "Frank Sinatra." This her first solo record that also has a lot of people showing up here. Miss Kitten does a lot of talking over these songs in her deadpan style. She is not repeating the now clichés of Electroclash. "Requiem For A Hit" goes from fast rock to R&B. The changes in speed are very unique. She covers a lot of styles, like punk rock in "Meet Sue Be She," minimal techno in "Soundtrack Of Now," and more ambient sounds. This is a must have for electronic music in 2004. Miss Kitten is a cool French chick that wishes she was from Berlin."
A Collection of Singles
Jessica Winney | Houston, TX USA | 06/14/2004
(3 out of 5 stars)
"Warning: If you are expecting this album to sound like "Miss Kittin & The Hacker, Volume 2," then prepare to be disappointed. "I Com" is much tougher and rocks much harder, with electric guitars and a more pop music sound. Unfortunately, with this album, the transition from "collaborator" to "solo artist" has proven to be a difficult one for Miss Kittin. Owing to a multitude of collaborators and producers, this album has a very choppy, confused sound, incorporating elements of pop music, electroclash, and hip-hop. On some of the more pop-oriented tracks (Professional Distortion, Happy Violentine, Meet Sue Be She), Miss Kittin sings (she has a fair though unremarkable singing voice). On other tracks (Allergic, Soundtrack of Now, I Come.com), she speaks in the icy cool electroclash persona she perfected with The Hacker. On one track (Requiem for a Hit) she attempts hip-hop in a collaboration with L.A. Williams. Miss Kittin's version of the Indochine song "3eme Sexe" is great, particularly the French vocals. Taken individually, these songs are great on their own, but collectively they give the impression that Miss Kittin has not yet found her own voice as a solo artist. "I Com" is not a complete miss though, it is rather like an interesting experiment. Excluding "Requiem for a Hit," the remaining songs are very good. A must-have for any Miss Kittin fan, this album proves that Caroline Herve continues to evolve and mature as an artist."
Not Electroclash -- just sophisticated and smart!!!
Yoav Morahg | New York, NY USA | 06/21/2004
(5 out of 5 stars)
"Although I love the album that Miss Kittin did with the Hacker (First Album) and would have loved more of the same, I must say that this album truly impressed me. It covers many different styles and is artistic, sophisticated, and smart. Ever since she did "Rippin' Kittin" with Golden Boy, I have been a fan of Miss Kittin as a singer and this album has quite a bit of her in this mode. The songs range from beautiful, calm numbers to rocking numbers to a taste of The Hacker's great Europop (I think it sounds very Kraftwerk-ish) to Trip Hop. Overall. I'd say this album holds your interest and is a lot of fun. If you are a Miss Kittin fan for her personality and not just her Electroclash style you will not be disappointed by this album. Awesome!!!"