"This CD is a nice sample of music from the former bass player of the British '80s group Japan. The music is very experimental, with influences ranging from ethnic music from all over the world, to modern electronic dance music. The best part of Karn's music, though, is his style of bass-playing. He is an absolutely unique player. He really gets the full potential out of his fretless bass - he must have elastic wrists. Truly a unique musician. (They still exist!) I recommend Mick Karns music to everyone who likes experimental contemporary music, but also to everyone who enjoys virtuoso, original bass playing."
A Brilliant Career - long may it continue!
02/01/2000
(4 out of 5 stars)
"As an "old romantic", I have recently got back into the habit of listening to Japan, Mick Karn and Rain Tree Crow. Mick Karn is versatile, diverse, multi-talented (just look at his sculptures) and can play 22 different instruments. How many people can boast that? And, this is particularly amazing - if as it has been documented - as he cannot read a note of music. I love "Titles" particularly "Sensitive" which is the embodiment of what I actually feel. And also love "Sound of Waves" - very evocative. This collection is more macho, darker and more jazz-influenced than I thought it would be. "There was not anything but nothing" should be used as a TV soundtrack. Mick - keep it up!"
A Best Of.....this has got to be love
Scott Boepple (luvdoc5540@aol.com) | Los Angeles, California | 04/18/1999
(5 out of 5 stars)
"Oh and what a wonderful slew of special guests on this album. You know, Mick has been on a host of brilliant work for years, AND IT'S NICE TO SEE THE OLD CHAP CAPITOLIZING ON HIS COLLABORATORS ALBUMS. He's a brilliant man, and the buck ain't gonna stop here. Want some advice? Find the rare albums, THE TOOTH MOTHER, BESTIAL CLUSTER. This man is beautiful, and if you're a bassist (as am I), he will blow your mind and reshape your world. Goodbye earthlings, and here's to better tomorrows."
Good overview of Karn's CMP years.
Michael Stack | North Chelmsford, MA USA | 04/12/2005
(5 out of 5 stars)
"This compilation collects materail from Karn's tenure on CMP. one track from "Bestial Cluster", three from "The Tooth Mother", two from "Polytown", and one each from the Lonely Universe project and Andy Rinehart's superb "Jason's Chord". In addition, there's three unreleased tracks, "Bestial Cluster" without the edited in crowd noise, a new mix of "Liver and Lungs" (from "Bestial Cluster"), and a leftover from "The Tooth Mother" sessions, "Drawings We Have Lived".
Of the new material-- the "Bestial Cluster" edit isn't particularly interesting, but the "Liver and Lungs" mix is bizarre-- drums and sax way up front, with Liebman wailing away on soprano in a way that wasn't nearly as distinct on the original release. "Drawings We Have Lived" is an interesting track, similar in feel to the Polytown material, with Torn just all over the place, but it feels the emphasis isn't really on Karn on this one-- his bass is superb, but Torn steals the show.
As a compilation, this is certainly a great overview of this period of Karn's career, we get some jaw dropping bass playing, a view of Karn as a composer or setting up atmosphere, and even some playing where he's not the main focus, courtesy of other songs. And while I'd recommend seeking out the original records, there's a lot of great stuff on here that might help this serve as a fantastic introduction to Karn's work."