Theme From The Thomas Crown Affair (The Windmills Of Your Mind) - Noel Harrison
Whose Head Are You After? - Film Dialogue
Room Service
Think You'll Get Me? - Film Dialogue
A Man's Castle
Chess - Film Dialogue
The Chess Game
Cash And Carry
His Eyes, Her Eyes
Playing The Field
Something Else - Film Dialogue
Moments Of Love
The Boston Wrangler
Doubting Thomas
Please Come With The Money - Film Dialogue
The Crowning Touch
Theme From The Thomas Crown Affair (The Windmills Of Your Mind)
His Eyes, Her Eyes
One of the tricks in utilizing a contemporary form like jazz in scoring a film is to avoid the idiom's passing fads and clichés, which have severely dated many lesser projects. Paris-born composer Michel Legrand was c... more »lassically trained in Europe and worked as an arranger and film scorer there, but also had the good fortune to work with jazz greats such as John Coltrane and Miles Davis in America. This background helped elevate his "symphonic jazz" score to director Norman Jewison's romantic caper The Thomas Crown Affair beyond the excesses of much late '60s "contemporary" film music--with the exception of Noel Harrison's Rod McKuenesque rendering "The Windmills of Your Mind." Harrison may have gotten the Oscar for it, but Dusty Springfield made the song a classic. One minor fault: Ryko's generous interspersing of film dialogue between the cuts of its reissues occasionally distracts from Legrand's symphonic intent, but these cuts can easily be programmed out. --Jerry McCulley« less
One of the tricks in utilizing a contemporary form like jazz in scoring a film is to avoid the idiom's passing fads and clichés, which have severely dated many lesser projects. Paris-born composer Michel Legrand was classically trained in Europe and worked as an arranger and film scorer there, but also had the good fortune to work with jazz greats such as John Coltrane and Miles Davis in America. This background helped elevate his "symphonic jazz" score to director Norman Jewison's romantic caper The Thomas Crown Affair beyond the excesses of much late '60s "contemporary" film music--with the exception of Noel Harrison's Rod McKuenesque rendering "The Windmills of Your Mind." Harrison may have gotten the Oscar for it, but Dusty Springfield made the song a classic. One minor fault: Ryko's generous interspersing of film dialogue between the cuts of its reissues occasionally distracts from Legrand's symphonic intent, but these cuts can easily be programmed out. --Jerry McCulley
"I'm a huge Steve McQueen fan, so I thought what better way to satisfy my McQueen fix than with the soundtrack to one of my all time favorite films! Man, I'm so happy that I did. The music is fabulous! I can't help but feel I AM Mr. Crown, about to get the girl, fool the Feds, and pull off the greatest heist!Excellent music, excellent movie! Can't wait for the remake"
The sublime Monsieur Legrand at his very best!
Music Lover | United Kingdom | 08/25/2000
(5 out of 5 stars)
"It's incredible to think that a whole generation of moviegoers think that 'Windmills Of Your Mind' was written for Sting's contribution to the 1999 hit remake of 'Thomas Crown'. Some 32 years earlier the young Noel Harrison was whispering his way through this captivating melody, with lyrics from the incomparable Alan & Marilyn Bergman, as Steve McQueen slipped his way through the traps set by the elegant and sexy Faye Dunaway. Michel Legrand's remarkable score embraces his jazz upbringing, providing the perfect catalyst for an ultra cool blend of high romance and 60's 'caper' action. As love songs go, Michel Legrand's own vocal interpretation of the beautiful 'His Eyes, Her Eyes' also has to be about as good as it gets. The other jazz cues fare just as well away from the split screen frames that characterised Norman Jewison's memorable film. 'The Thomas Crown Affair'is one of the sublime M.Legrand's musical milestones, in partnership with the best of 1960's American filmmaking."
One of the best sound tracks of a movie.
Music Lover | 09/07/1999
(5 out of 5 stars)
"I saw the movie in 1968 and recently bought it to add to a small collection. It was great seeing it again and the music is superb. I play it almost constantly."
However good the remake, the original retains it's sparkle.
B WILLMOTT | Southampton UK | 04/20/2000
(4 out of 5 stars)
"Comparing the soundtrack of the remake to this the original is like comparing the two films. They are both good for different reasons. This soundtrack stands as interesting on it's own, without the film. It has two main theme's... (the two feature songs "Windmills of your mind" and "His Eyes, Her Eyes" and these are used in the composer's exploration of the jazz idiom. While I say that it stands on it's own as interesting..... it won't appeal to everyone, but whatever you do make sure you see the film! It's one you can't miss :-)"
Older is Better
edward g. macomber | New Bern, N.C. | 04/07/2000
(5 out of 5 stars)
"To anyone who saw the recent attempt to re-write the script and music to this classic, is like trying to re-write Bach for the Moog. It will have little staying power. The LeGrand score is beyond wonderful, and the music is as steamy as the original scenes! You ain't seen or heard nothing til you've heard THIS one!"