Ballad albums can be tricky affairs. How do you create tempos that are sensuous but not sluggish? What makes a ballad moody and beautiful and not just boring? Those questions seem moot when the musicians involved are tenor... more »-sax titan Michael Brecker, guitarist Pat Metheny, drummer Jack DeJohnette, pianist Herbie Hancock, and bassist Charlie Haden, but heavy hitters don't necessarily insure success. Nearness of You: The Ballad Book begins with Hancock's willowy "Chan's Song." Performed at a sleepy tempo, it is a languid introduction, even for an all-ballad album. Brecker and Metheny blow mighty solos, but the song remains passive. James Taylor guests on a mellow rendition of "Don't Let Me Be Lonely Tonight" and on the title track. Taylor's yearning tenor is warm and expressive, but the band treats him with kid gloves, as if playing too closely might break the singer in half. Things look up on Joe Zawinul's "Midnight Mood," a twilight vehicle with sumptuous solos all around. Nearness is divided into Chapter One and Chapter Two, and Chapter Two really shines, particularly the original contributions by producer Metheny and Brecker. The entire ensemble becomes more involved and animated, with rapt solos on Brecker's "Incandescence" and Metheny's bittersweet "Sometimes I See" and "Seven Days." Nearness features ample performances, but for truly inspired ballad fare, check out singer Johnny Hartman's I Just Dropped by to Say Hello, or the quintessential Ballads, by John Coltrane. --Ken Micallef« less
Ballad albums can be tricky affairs. How do you create tempos that are sensuous but not sluggish? What makes a ballad moody and beautiful and not just boring? Those questions seem moot when the musicians involved are tenor-sax titan Michael Brecker, guitarist Pat Metheny, drummer Jack DeJohnette, pianist Herbie Hancock, and bassist Charlie Haden, but heavy hitters don't necessarily insure success. Nearness of You: The Ballad Book begins with Hancock's willowy "Chan's Song." Performed at a sleepy tempo, it is a languid introduction, even for an all-ballad album. Brecker and Metheny blow mighty solos, but the song remains passive. James Taylor guests on a mellow rendition of "Don't Let Me Be Lonely Tonight" and on the title track. Taylor's yearning tenor is warm and expressive, but the band treats him with kid gloves, as if playing too closely might break the singer in half. Things look up on Joe Zawinul's "Midnight Mood," a twilight vehicle with sumptuous solos all around. Nearness is divided into Chapter One and Chapter Two, and Chapter Two really shines, particularly the original contributions by producer Metheny and Brecker. The entire ensemble becomes more involved and animated, with rapt solos on Brecker's "Incandescence" and Metheny's bittersweet "Sometimes I See" and "Seven Days." Nearness features ample performances, but for truly inspired ballad fare, check out singer Johnny Hartman's I Just Dropped by to Say Hello, or the quintessential Ballads, by John Coltrane. --Ken Micallef
thejazzdoctor | Boca Raton, FL United States | 06/29/2001
(5 out of 5 stars)
"The reactions to this album have been very mixed indeed, with ratings from 5 stars to 0 (!). I think that part of the confusion is that this certainly is not a typical Michael Brecker album. Whereas Brecker's playing is often quirky and outside (e.g. "Delta City Blues" on Two Blocks From The Edge - what a track), this album is much more "inside". The longing tone is perfectly suited to the material, and the sidemen add to the overall effect.If you are looking for a fusion album, this isn't it. Further, NO EWI, which I was disappointed by. That said, I personally found this album highly satisfying. The two tracks with vocals both feature James Taylor, and provide a gentle rendition of two of my favourite tunes. I am certainly looking forward to the next "funky" album from Brecker, but I am not in any way disappointed with the work here. It's got a depth which is worthy of further listening, and is worth every cent I paid for it. Highly recommended."
Warm ballads you'll want at midnight
rash67 | USA | 08/10/2001
(4 out of 5 stars)
"I believe it is in ballad playing that a jazz player exposes himself or shows us the depth of his personality or emotions (or lack thereof). The faster jazz gets, the more difficult it may be to play, or co-ordinate parts (Many famous Jazz names spring to mind, here) but the frenetic sounds don't communicate to people's souls like the slower music.I like this CD and the warm feelings it creates in the listener. James Taylor goes from Folk-rock to Jazz without missing a beat - his style is well adapted to Jazz. Pat Metheney avoids showing off his rapid-fire technical skills and subordinates himself, playing well in a supporting role, as do the other all-stars on the album. Michael Brecker pays careful attention to tone.you'll find yourself returning to this again and again. After the sound and fury is over, contemplate this at midnight.three and a half stars for an all-star ballad performance! five stars for recording quality"
Classic Brecker
Steve A. | Los Angeles, CA United States | 07/07/2001
(5 out of 5 stars)
"I've always been a pretty huge Michael Brecker fan. I've especially enjoyed his Tenor solos on the pop-oriented ballads of James Taylor ("Don't Let Me Be Lonely.."), Donald Fagen ("Maxine"), Michael Franks ("When She Is Mine"), etc. He floats so effortlessly and lyrically over the changes that I'm always left wanting more.I bought "Nearness" because it seemed like an opportunity to finally hear him stretch out over some ballads. As it turns out, I was correct.I love this record. Everyone on it layed down a solid performance. And Michael Brecker's sound seems to have a kind of haunting melancholy thing going on that really sings out on these tunes.No disappointment here...I highly recommend it."
Jazz Dream Team produces good but not great disc.
zimri-lim | London, England | 08/07/2001
(4 out of 5 stars)
"This album represents a serious effort by Michael Brecker to widen his appeal by recording a disc of ballads, that is to say more lyrical and less astringent material than his recent output. As such he has built around himself a very impressive group of Jazz leaders: Charlie Haden, Pat Metheny, Herbie Hancock amongst others. In addition for the few vocal cuts James Taylor(!) has been recruited. The material used is a combination of standards, some written by the band members and new material including a number from Pat Metheny and Brecker himself. The disc also includes the beautiful and magical "Nascente" from Brazil, popularised by Milton Nascimento. So, here we have what sounds like all the right elements for a seminal, one-off triumph of melodic jazz, right? Well, not quite. You see, while the standards of musicianship are consistantly high and the production values are also excellent there is a sneaking suspicion that all these wonderful musicians aren't actually as compatible as one might like. Putting Charlie Haden, with his wonderfully measured and soulful bass in the same room as Michael Brecker and expecting them to sound great together is perhaps not being fair to either. If you were looking for a saxophonist with similar sensibilities to Charlie Haden you might think Joe Lovano a better match. Other matchings work rather better, for instance James Taylor comes across very well in the two vocal cuts.The most disappointing thing for me was Pat Metheny's take on "Nascente". I am a great fan of Pat Metheny in general but when he makes this track sound like something from "Off-Ramp", itself a great disc, I am left disappointed. He seems to have discarded much of the essence of this song and replaced it with something rather different.However, there are many highlights in this disc and I would not like the two points above to put anyone off what is generally a very muscal and enjoyable disc. In addition there are new compositions by Metheny which, alone, are probably worth buying this disc for. I have been listening to this disc a great deal since it's recent release and have been enjoying the experience greatly as have my friends, not usual Jazz lovers. In summary then, this disc is probably a worthy must-have for followers of any of the key musicians involved and is a genuinely pleasant and involving listening experience. In the mind of this reviewer, however, is a slight feeling of disappointment that perhaps the stellar line-up were not really playing off each other as they would do with their more frequent collaborators."
Ballads by the masters
ornen | Norway | 06/23/2001
(5 out of 5 stars)
"This review is written, reckoning the reader knows who Michael Brecker is.What is one to expect from this kind of a team: Michael Brecker/Pat Metheny/Herbie Hancock/Charlie Haden/Jack DeJohnette (and James Taylor on one track) ?!? Re-invention of the wheel? How does one rate a collective effort like this? Anyone interested in the musicianship of any of these players can surely add this one to their collection, for a gentler side of their wide scope.This is five star music, if there is such a term. Whether or not you favor it as much as me will be up to you to decide. For those intrigued by Brecker's mastery of the saxophone AND of getting an emotional message across, this is sure to be a winner. Add to that all the other players playing their hearts out, and you have even more of a winner.This is likely to go down in history as one of the greatest albums by one of the greatest sax players in the history of jazz."