Baby Won't You Please Come Home - Mezz Mezzrow, Warfield, Charles
Free Love - Mezz Mezzrow, Carter, Benny [1]
Dissonance - Mezz Mezzrow, Mezzrow, Mezz
Swingin' With Mezz - Mezz Mezzrow, Hill, Alex [1]
Love, You're Not the One for Me - Mezz Mezzrow, Carter, Benny [1]
Old Fashioned Love - Mezz Mezzrow, Johnson, James [01]
Apologies - Mezz Mezzrow, Mezzrow, Mezz
Sendin' the Vipers - Mezz Mezzrow, Mezzrow, Mezz
35th and Calumet - Mezz Mezzrow, Mezzrow, Mezz
Moon over Miami - Mezz Mezzrow, Burke, Joe [2]
I Feel Like a Feather in the Breeze - Mezz Mezzrow, Gordon, Mack
Suzannah - Mezz Mezzrow, Akst, Harry
Lights Out - Mezz Mezzrow, Hill, Alex [1]
A Melody from the Sky - Mezz Mezzrow, Alter, Louis
Lost - Mezz Mezzrow, Mercer, Johnny
Mezz Mezzrow was one of the great characters of early jazz, an enthusiastic convert who was responsible for leading many other young white Chicago musicians to the music in the 1920s. His autobiography, Really the Blues, i... more »s one of the enduring documents of the times, as much about a radical lifestyle as it is about the music. That comes through, too, in tune titles like "Free Love," "Dissonance," and "Sendin' the Vipers," and the recordings show the clarinetist-saxophonist's enthusiasm and eye for talent. The 1928 recordings from Chicago include skillful performances by the young cornetist Muggsy Spanier, Frank Teschemaker on clarinet, and Gene Krupa in a New Orleans-style band. Later performances offer Benny Carter arrangements for swing-oriented bands that include pianist Teddy Wilson and drummer Chick Webb. It's still arresting music today, with Mezzrow's own solos putting a blues imprint on almost everything he touches. --Stuart Broomer« less
Mezz Mezzrow was one of the great characters of early jazz, an enthusiastic convert who was responsible for leading many other young white Chicago musicians to the music in the 1920s. His autobiography, Really the Blues, is one of the enduring documents of the times, as much about a radical lifestyle as it is about the music. That comes through, too, in tune titles like "Free Love," "Dissonance," and "Sendin' the Vipers," and the recordings show the clarinetist-saxophonist's enthusiasm and eye for talent. The 1928 recordings from Chicago include skillful performances by the young cornetist Muggsy Spanier, Frank Teschemaker on clarinet, and Gene Krupa in a New Orleans-style band. Later performances offer Benny Carter arrangements for swing-oriented bands that include pianist Teddy Wilson and drummer Chick Webb. It's still arresting music today, with Mezzrow's own solos putting a blues imprint on almost everything he touches. --Stuart Broomer