High Noon (Do Not Forsake Me) - Merle Travis, Tiomkin, Dimitri
Lonesome Road Blues - Merle Travis, Broonzy, Big Bill
Bye Bye Blues - Merle Travis, Bennett, David
Cannonball Rag - Merle Travis, Travis, Merle
La Marcha de los Mexicanos - Merle Travis, Travis, Merle
After You've Gone - Merle Travis, Creamer, Henry
Love Letters in the Sand - Merle Travis, Coots, J. Fred
Mack the Knife - Merle Travis, Blitzstein, Marc
I'll See You in My Dreams - Merle Travis, Jones, Isham
Back in the Saddle Again - Merle Travis, Autry, Gene
Liza (All the Clouds'll Roll Away) - Merle Travis, Gershwin, George
Swanee - Merle Travis, Caesar, Irving
El Rancho Grande - Merle Travis, Ramos, Silvano
The World Is Waiting for the Sunrise - Merle Travis, Lockhart, Eugene
I Saw the Light - Merle Travis, Williams, Hank [1]
Dance of the Golden Rod - Merle Travis, Travis, Merle
If I Had You - Merle Travis, Campbell, Jimmy [Fi
On the Jericho Road - Merle Travis, Christian, M.
Guitar Rag - Merle Travis, Travis, Merle
These 20 instrumentals are plucked from Merle Travis's association with CMH in the late 1970s and early 1980s and present the master fingerpicker in a variety of settings and styles. Travis moves from hard-driving country ... more »rags to jazz to pop to Mexican to cowboy with a consistent reverence for the integrity of the melodies and hardly a flubbed note at any speed. Travis is joined on many of the cuts by Joe Maphis, whose flat-picking style contrasts nicely with Travis's sound. Though into his 60s, Travis hardly shows any loss of dexterity, command, or flair. --Marc Greilsamer« less
These 20 instrumentals are plucked from Merle Travis's association with CMH in the late 1970s and early 1980s and present the master fingerpicker in a variety of settings and styles. Travis moves from hard-driving country rags to jazz to pop to Mexican to cowboy with a consistent reverence for the integrity of the melodies and hardly a flubbed note at any speed. Travis is joined on many of the cuts by Joe Maphis, whose flat-picking style contrasts nicely with Travis's sound. Though into his 60s, Travis hardly shows any loss of dexterity, command, or flair. --Marc Greilsamer
"This CD includes some of the sweetest music Merle ever recorded. Not from guitar complexity but from the stand point of excellent arrangements especially on Swannee and Liza. White Heat demonstates his technical excellence in terms of lightning speed and accuracy."