"Hag was Merle's first album of original songs following the meteoric rise he experienced from the success of "Okie." Released in 1971, Hag found Merle straddling the new-found establishment success and anti-hippie sentiment of much of his audience with his naturally tolerant, introspective, egalitarian, and contrarian nature.
Given the rift in America at that time over race relations, poverty, civil rights, and the war in Vietnam, several songs on Hag seem to directly address these issues: the opener, a chilling cover of Ernie Tubbs' "Soldier's Last Letter," updates this classic against the backdrop of Vietnam. Given that we are again involved in a war with dubious meaning foisted upon us by leaders who have been less than candid, this song resonates as if it was written yesterday. "Sidewalks of Chicago" addresses homelessness and poverty, and "The Farmer's Daughter" is about tolerance and respect for others. The poignant "Jesus Take a Hold" asks for Jesus to intervene and help us, given that our leaders have failed us and the country is hopelessly divided.
But the best songs on Hag are the ones where Merle turns inward, and writes of uncertainty, lost love, and whether he can accomplish what his heart really wants. "Shelley's Last Love," a deft and moving love song, finds Merle hitting his stride as a songwriter. "I Can't Be Myself" and "I'm a Good Loser" continue in this vein, as does the heartfelt "I've Done It All." In sum, Hag finds Merle in top form as a singer, songwriter, and performer, it is easily one of his best records.
The follow up, Someday We'll Look Back, is a much looser, more relaxed affair. Filled with fine western swing and easy harmonies, this is Merle's backporch album, enjoyable from start to finish. The band rocks and rolls and Merle is clearly having a good time.
By the time you done listening to this great two-fer, you will, too."
Haggard shines as he expands his songwriting territory
Elliot Knapp | Seattle, Washington United States | 01/10/2007
(5 out of 5 stars)
"Out of all the recently remastered/reissued Merle Haggard twofers, Hag/Someday We'll Look Back is the least characteristically "Bakersfield"-sounding one. It's not really heavy on those wicked steel guitar licks or the go-for-broke background singers that I love so well, but guess what?? It's great anyway! On these two records, Merle really stretches out his songwriting, drawing more from blues, jazz and folk than ever before and crafting the most personal and emotional songs he'd ever done.
The first album, Hag, probably has more of a conservative bent than the second, with the heartfelt "Soldier's Last Letter," the plea "Jesus, Take A Hold," and the tender "Farmer's Daughter." Throughout the album, Hag uses subtle textures (listen to the piano on "Shelly's Winter Love") to convey his subtly powerful songs. "Sidewalks of Chicago is another highlight with its hard living tale. Other highlights are the honky-tonkin' "I'm A Good Loser," the homage-paying yodel in "I Ain't Got Nobody," and the humorous, true-to-life "I've Done it All." Any fan of Merle Haggard knows he really did do it all, working the cotton fields and doing time in jail before becoming one of country music's greatest songwriters.
The second album, Someday We'll Look Back, might be even better than Hag. Like Hag, Someday We'll Look Back reflects subtly on life's hard times (especially with the title track) but it also finds Merle wistfully telling tales from his childhood. "One Row at a Time," "California Cotton Fields" and "Tulare Dust" all reflect a rough but character-building agrarian childhood and a sentimental sympathy for Haggard's hard-working father. "Huntsville" is a great, brooding somewhat autobiographical prison song with some great lines--"the man better keep both eyes on me, or they're gonna lose ol' Hag." The album also has some of Haggard's trademark humorous and upbeat moments, like on the easy-going "The Only Trouble With Me" and on the rock-influenced "Worried, Unhappy, Lonesome and Sorry."
I heartily recommend this economically-priced twofer to people who are already fans of Hag--I think you'll really enjoy the songwriting risks and growth he accomplishes. I also recommend Merle to fans of classic rock and folk--modern country music's sorry state sometimes obscures the genre's rich history--there's a lot to enjoy here, even for rock and roll fans who usually think they're too cool for country."
Listen And Let Merle Show You The Way To Bakersfield
Shell-Zee | Long Island, NY | 10/12/2006
(5 out of 5 stars)
"I guess one of the things that makes country music so overwhelmingly appealing is the wide range of styles. Today country encompases everything from rockabilly, (Joe Diffie and Dwight Yoakham) to southern boogie, (Toby Keith and Charlie Daniels) to contemporary pop, (Dixie Chicks and Shania Twain). The question is how far astray can an artist go before the fans and critics begin to cry "Sell-Out". Well one artist that will never be accussed of 'selling-out" is Merle Haggard.
Merle has been recording for more than forty years. He along with fellow Californian, Buck Owens helped to forge a new sound in country back in the early 1960's. It became known as the Bakersfield Sound and it defined what main stream country music would sound like right up until today. This two-fer offering comes from Merle's most productive period and contains some of his all-time best songwriting.
Merle Haggard embraces everything that folks have come to expect from an artist who never needed to change or compromise. He never saw any need to adapt his style to satisfy a fickled and trendy record-buying public. His songs are the expression of one who has lived a life born of struggle, hardships and more than a fair share of mistakes. But along the way he used these life experiences to shape a unique style and a distinct sound that can never be duplicated. I don't think Merle Haggard ever put out a bad record and here are two of his very best. Listen...Open up your ears and open your mind and let Merle show you the way to Bakersfield."
Maybe the best hag twofer
Johnny Thursday | NYC Metro Area | 09/15/2006
(5 out of 5 stars)
"Merle really comes into his own on these records. His voice oozes assurance. "Hag" has many great tunes and most come from his own pen, my favorite probably being "Shelly's Winter Love" but they're all great. Even better is the flipside LP, "Someday We'll Look Back". This is one of the greatest C&W records of all time, subtly flowing together and deepening with every listen. It isn't built around any monster hits, but I listen to it all day long. A beautiful record. As far as the packaging goes, they don't list musicians or chart info, which is inexplicable, but the center photo of a thoughtful Merle chilling on an old log clutching his guitar makes up for it."