Elias, Op. 70: Part I; Einleitung - So wahr der Herr
Elias, Op. 70: Part I; Ouverture - Nr.1 Chor - Hilf, Herr!, Rezitativ - Die Tiefe ist Versieget!
Elias, Op. 70: Part I; Nr.2 Duett mit Chor - Herr, hore unser Gebet!
Elias, Op. 70: Part I; Nr.3 Rezitativ - Zerreisset eure Herzen, Nr. 5 Chor - So ihr mich von ganzem Herzen suchet
Elias, Op. 70: Part I; Nr.5 Chor - Aber der Herr sieht es nicht
Elias, Op. 70: Part I; Nr.6 Rezitativ - Elias! Gehe weg von hinnen
Elias, Op. 70: Part I; Nr.7 Droppelquartett - Denn er hat seinen Engeln befohlen, Rezitativ - Nun auch der Bach vertrocknet ist
Elias, Op. 70: Part I; Nr.8 Rezitative, Arie und Duett - Was hast du an mir getan
Elias, Op. 70: Part I; Nr.9 Chor - Wohl dem, der den Herrn fuerchtet
Elias, Op. 70: Part I; Nr.10 Rezitativ mit Chor - So wahr der Herr Zebaoth lebet
Elias, Op. 70: Part I; Nr. 11 Chor - Baal, erhoere uns!
Elias, Op. 70: Nr.12 Rezitativ und Chor - Rufet lauter! Denn er ist ja Gott
Elias, Op. 70: Part I; Nr. 13 Rezitativ und Chor - Rufet lauter! Er hoert euch nicht!
Elias, Op. 70: Part I; Nr. 14 Arie - Herr Gott Abrahams
Elias, Op. 70: Part I; Nr.15 Quartett - Wirf dein Anliegen auf den Herrn
Elias, Op. 70: Part I; Nr. 16 Rezitativ mit Chor - Der du deine Diener machst
Elias, Op. 70: Part I; Nr. 17 Arie - Ist nicht des Herrn Wort
Elias, Op. 70: Part I; Nr. 18 Arioso - Weh ihnen, dass sie von mir weichen!
Elias, Op. 70: Part I; Nr.19 Rezitativ mit Chor - Hilf deinem Volk
Elias, Op. 70: Part I; Nr. 20 Chor - Dank sei dir, Gott
Track Listings (22) - Disc #2
Elias, Op. 70: Part II; Nr.21 Aria - Hoere, Israel, hoere des Herrn Stimme!,Rezitativ - So spricht der Herr, Arie - Ich bin euer Troester
Elias, Op. 70: Part II; Nr. 22 Chor - Fuerchte dich nicht
Elias, Op. 70: Part II; Nr.23 Rezitativ mit Chor - Der Herr hat dich erhoben
Elias, Op. 70: Part II; Nr. 24 Chor - Wehe ihm, er muss sterben!
Elias, Op. 70: Part II; Nr. 25 Rezitativ - Du Mann Gottes, lass meine Rede
Elias, Op. 70: Part II; Nr. 26 Arie - Es ist genug!, Nr.27 Rezitativ - Siehe, er schlaeft unter dem Wacholder
Elias, Op. 70: Part II; Nr. 28 Terzett - Hebe deine Augen auf zu den Bergen
Elias, Op. 70: Part II; Nr. 29 Chor - Siehe, der Hueter Israels
Elias, Op. 70: Part II; Nr. 30 Rezitativ - Stehe du auf, Elias
Elias, Op. 70: Part II; Nr. 31 Arie - Sei stille dem Herrn
Elias, Op. 70: Part II; Nr. 32 CHor - Wer bis an das Ende beharrt
Elias, Op. 70: Part II; Nr. 33 Rezitativ - Herr, es wird Nacht um mich
Elias, Op. 70: Part II; Nr. 34 Chor - Der Herr ging vorueber
Elias, Op. 70: Part II; Nr. 35 Rezitativ - Seraphim standen ueber ihm, Quartett mit Chor - Heilig, heilig heilig
Elias, Op. 70: Part II; Nr. 36 Chor und Rezitativ - Gehe wiederum hinab
Elias, Op. 70: Part II; Nr. 37 Arioso - Ja, es sollen wohl Berge
Elias, Op. 70: Part II; Nr.38 Chor - Und der Prophet Elias brach hervor
Elias, Op. 70: Part II; Nr. 39 Arie - Dann werden die Gerechten leuchten
Elias, Op. 70: Part II; Nr. 40 Rezitativ - Darum ward gesendet der Prophet Elias
Elias, Op. 70: Part II; Nr. 41 Chor - Aber einer erwacht von Mitternacht
Elias, Op. 70: Part II; Quartett - Wohlan, alle die ihr durstig seid
Elias, Op. 70: Part II; Nr. 42 Schluss - Chor - Alsdann wird euer Licht hervorbrechen
This is undoubtedly the most successful oratorio composed since Handel's Messiah, and for a long time in mid-19th-century England, where Mendelssohn had conducted the first performances, it was even more popular than Messi... more »ah. It has lost some of that popularity, along with the oratorio form generally, in our less reverent time, but opera-lovers can appreciate the dramatic treatment of the life of the prophet--summoning the people to righteousness, performing miracles, struggling against idol-worshippers, confronting the wicked queen Jezebel, and finally rising to heaven in a fiery chariot. This recording has not been properly appreciated in English-speaking countries, probably because it uses a German text rather than the familiar English, and Philips does not help by its failure to provide a text or translation. But the performance is very dramatic; the singing is generally excellent, particularly from Ameling and Schreier (Adam has a few small problems); and the price is attractive. --Joe McLellan« less
This is undoubtedly the most successful oratorio composed since Handel's Messiah, and for a long time in mid-19th-century England, where Mendelssohn had conducted the first performances, it was even more popular than Messiah. It has lost some of that popularity, along with the oratorio form generally, in our less reverent time, but opera-lovers can appreciate the dramatic treatment of the life of the prophet--summoning the people to righteousness, performing miracles, struggling against idol-worshippers, confronting the wicked queen Jezebel, and finally rising to heaven in a fiery chariot. This recording has not been properly appreciated in English-speaking countries, probably because it uses a German text rather than the familiar English, and Philips does not help by its failure to provide a text or translation. But the performance is very dramatic; the singing is generally excellent, particularly from Ameling and Schreier (Adam has a few small problems); and the price is attractive. --Joe McLellan
"I don't like Mendelssohn's Elijah very much (too Victorian for me), but this recording deserves five stars. The choruses sound much better in the original German, and the Leipzig chorus is awesome. Sawallisch conducts brilliantly, and the recorded sound is warm and well-captured. While I would recommend buying Handel's oratorios before coming here, Elijah certainly has its great moments."
Powerful, expressive, captures all the drama
11/09/2003
(5 out of 5 stars)
"Sawallisch does a phenomenal job with the Gewandhaus Orchestra, starting with solid bass lines, all the counterpoint articulated precisely. The music is very expressive. Unlike some performances focusing on choral technique, this one captures all the drama of the biblical story of Elijah. The cast of soloists (Ameling, Krahmer, Burmeister, Schreier, Rotzsch, and Adam) all handle their roles very well. One example of great drama comes on Track 17 "Ist nicht mein Wort wie ein Feuer" (Is not my Word like a fire). Also dramatic is the section where Elijah stands at the mountain with the wind, fire, and earthquake. The final chorus shines forth the glory of God. The only disappointment is that this recording does not include the libretto, either German or English (this recording is sung in German)."
De referencia
Ignacio Tejeda Achondo | Santiago Chile | 07/17/2007
(4 out of 5 stars)
"Dentro de las pocas grabaciones que existen de esta obra, esta es probablemente una de esas que se acostumbrar llamar como "de referencia". Excelente la interpretación del barítono "Elías" y en general lo solistas La orquesta emociona e impacta en todo momento. Unico detalle, en algunos momentos la cuerda de sopranos se pierde un poco."