"Released in 1966 with little fanfare on a long forgotten label, "Ridin' High" is symbolic of the nadir that big band jazz reached in mid-60's America. This was Maynard's last album with the vestiges of the Birdland Dream Band before he followed the throngs of great American jazz artists exiled to the more receptive climes of Europe. The band features some excellent musicians (Lew Tabakin, Pepper Adams, Slide Hamption) and arrangers (Don Sebesky, Slide Hampton).
However, the whole is less than the sum of the parts. Maynard was obviously dealing with some chops problems as his trademark high notes are either strained or non-existent and his midrange solos sometimes verge on the bizzare. I recall an interview where he mentioned having some dental problems after getting hit in the mouth by a drunk at a dance, and I suspect that is the issue here. I consulted Maynard's biography (MF Horn by William F. Lee) but the book is a puff piece that rarely addresses the low points in Maynard's life with much honesty and contains only passing reference to this album.
Many of the arrangements reflect a feeble attempt to create a more "contemporary" sound with rock-flavored head tunes that are surprisingly unsatisfying to 21st-century ears. A true fusion of jazz horns with rock sensibilities would have to wait for Chicago, BS&T and a new crop of arrangers that would gain attention only a few months later. Ironically, perhaps the most interesting arrangement is a pointillistic cover of "Alfie," but hearing Maynard struggle unsuccessfully to soar majestically is almost painful to hear. The sonic quality of the album is stunningly clear for a 39-year-old tape, but the discrete stereo separation and complete lack of reverb only enhance the warts in the playing.
For die-hard Maynard fans interested in a complete picture of the artist, this album should probably be heard. But for those seeking the fabled excitement of Maynard Ferguson and his piercing high notes, you would be better served by the first "Birdland Dream Band" album, "Verve Jazz Masters 52" (a collection from his 50's Mercury recordings), Columbia collections like "The Essense of Maynard Ferguson," or his commercial trumphs "Conquistador" and "New Vintage""
Read & Believe All the Reviews!
W. Beck | Chicago, IL United States | 10/04/2005
(1 out of 5 stars)
"Even though there are some fine musicians on this album, something went horribly wrong. The charts are mediocre, the band sounds awful, Maynard is really struggling. You will only listen to it once. For Maynard COLLECTORS only. Even then, you might think twice about your purchase.
Nice picture of Maynard on the motorcycle, though. Ridin' high???
Maybe Playin' "high"!"
I heard the man say it himself
Brad L. Stocker | Lexington, Ky. | 07/17/2005
(1 out of 5 stars)
"In 1969 or so I was a 17 year old Maynard fan in a small Kentucky town. Listening to late night air waves, I picked up an honest to God live interview with Maynard. Rodchester NY..a guy named Harry Abraham asked Maynard about this "album". I still remember his words " I must have been high on something to have let that album be released like that". That says it all. Nice cover!"
Curio
B. Urish | East Lansing, MI United States | 11/15/2004
(3 out of 5 stars)
"A good album, very good in parts, but not great. Also known under the title "Freaky" this has significance to MF's career as the last album by the band that grew out of the Birdland Dream Band in 1956. This album is from 10 years later, and has some good arrangements, but is not the best performance of MF.
On some numbers he is lacking his usual fire and zip, as though he is tired or having a bad night. Even so, he plays with command and flair throughout.
The first number is an odd one, with MF supplying an appropriate and equally odd solo, though the number doesn't quite come off. There are some jazzy pop numbers (Sunny, etc.) but fans of MF's pop fusion work from the 1970s will not hear what they expect here as the sound and style is closer to his earlier 1960s work. I'm a fan of both eras of MF's career, but this album is an uneasy mix of the two.
Notable sidemen include Lou Soloff, Lew Tabaken, Slide Hampton and others.
Not a bad effort, but it is MF in transition and just a tad off the mark. Fans of MF and/or big band sounds of the 1960s will find enough to enjoy, others might want to make this a lower priority."
Ridin' High (1968)
Michael Moore | Phoenix, AZ | 12/15/2004
(1 out of 5 stars)
"This was a very unusual period from Ferguson's career. This album is a neat novelty piece to have. I actually own the original LP of this recording. But it wasn't a very good album. It was probably recorded about the time Mr. Ferguson was having all of those dental problems, that he always spoke about. But the two highlights from the album are the cuts "Satan Speaks" and "Alfie". I'm really glad to see this album on CD though! I wish they would put all of Maynard's complete Mercury/EmArcy LP's on CD, like "Boy With Lots of Brass", or "Dimensions". That would be really cool!"