Search - Mavis Staples :: We'll Never Turn Back

Hold On-Keep Your Eyes On The Prize, Thank You Jesus

prisrob | New EnglandUSA | 06/18/2007

(5 out of 5 stars)

"It saddens me that there is a negative cabal giving this beautiful CD negative votes. They have not listened to this CD. This CD is one to savour.



"This is a soulful, soulful album. Mavis Staples has a voice that is so full of faith and conviction that it just pours right out of the speakers and into your ear. About halfway through the album, you want to stand up and scream, "THANK YOU, JESUS!!! THANK YOU!" And, really... it doesn't get much better than that. Any album that can make me like a version of "Jesus Is On the Main Line" as much as the Bad Livers` is a standout in my book." Thom Jurek



Mavis Staples with the assistance of Ry Cooder has produced a CD that is ageless. It is a CD that will be revered and listened to through the next millineium. She, is of course, a memeber of the Staple Singers, most often rememmbered for Pop Staples and his guitar and leadership. But, this CD, even at the age of 67 has given Mavis Staples a new life.



'We'll Never Turn Back' is a CD of songs associated with the 1960s civil-rights movement. "It's 2007, and there are still so many problems in the world," she writes of why she's revisiting songs such as 99 and ½ and Eyes On the Prize. Mavis has the Freedom Singers, join her. We'll Never Turn Back`s opening song 'Down in Mississippi' "As far back as I can remember," Staples sings, "I either had a plow or a hoe...", working in the hot Black Belt sun. Danger was everywhere--someone would go to jail for shooting a rabbit out of the hunting season, but "the season was always open on me...". Water fountains were segregated; so were "washaterias". The traditional "Eyes on the Prize" is a spiritual with Ladysmith Black Mambazo's backing vocals. The Freedom Singers begin on the album's fourth song, 'In the Mississippi River,' with Charles Neblet. The rock version of "This Little Light of Mine" makes it a new song. Mavis sings pure Southern soul in her vocal. On the popping gospel '99 1/2 Won't Do,' she goes down into the groove for inspiration and finds it there. Ry Cooder and his son, Joachim provide the back-up of great music that helps make this CD great. The longest song is 'My Own Eyes,' which Mavis wrote. It is an emotional time, recounting her journey through the civil rights movement as inspired by Dr. King. She raises her voice to sing "I saw it with my own eyes/So I know it's true," I have no doubt. Mavis indicts politicians on the failure in New Orleans. The final song is 'Jesus Is on the Main Line'and Mavis lets the graininess in her voice shine through.



"Producer Ry Cooder keeps it all sounding dark and dangerous, while Staples avoids cheap slogans and hollow platitudes to soulfully deliver the straight goods on growing up under Jim Crow in Mississippi and the horrors of post-Katrina New Orleans while questioning why people are dying in a rich man's war. Her great success is making these protest songs personal, and she does it in a most profoundly moving way. This is powerful stuff." Will Hermes



Mavis Staples with her father and Dr Martin Luther King started her long fight for freedom for her people many years ago. "It has been almost 50 years, how much longer will it last? Why are we treated so bad?" sings Mavis Staples. She knows the fight is long from over. Katrina was testimony to what needs to be done. She "Saw It with my Own Eyes' and we can hear the sadness and longing and need for truth from Mavis Staples own voice. She brings reality to the light. When will we all listen?



Heartily, highly recommended. Listen everyday. prisrob 06-17-07



Have A Little FaithCD

A Piece of the Action CD

Soul to Soul (DVD with Soundtrack CD) DVD

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Mavis & Cooder Meet To Tell It Like It Is

Juan Mobili | Valley Cottage, NY USA | 05/25/2007

(5 out of 5 stars)

"What Mavis has chosen to do in this album is to reinterpret a number of classic anthems from the Civil Rights movement as well as including several compositions of her own, all of which are impeccably rendered by an extraordinary voice which may have lost some of its youthful shine but has gained a weary wisdom and lost none of its fierce commitment to tell it like it is, without frills but plenty of class.



Whether or not you share Staples' beliefs or consider yourself a long time fan of the Staples Singers, this is a phenomenal set of songs. If Mavis' voice wasn't enough the album is permeated by the magic of Ry Cooder's production who could not have been a better choice to give these songs, both, their gravitas and their groove. His guitar work in "Down In Mississippi" alone can justify buying this record. This is Cooder at his best, laying a sound as dense and ominous as a Louisiana swamp or as angelic as Gospel longings, as the songs require.



Another musician worthy of note is drummer Jim Keltner, Ry's compadre for so many years, who inhabit these songs with a powerful beat that will resonate in your chest even after the album's over. Along with his work in aforementioned "Down In Mississippi"--my pick from this album for one of the best songs of 07--he's exceptional in "Eyes On The Prize" or the slow shuffle of "In The Mississippi River."



All in all, this is not only a great album but a necessary one. What these songs may reawaken or introduce you to are words that have not lost their significance nor their relevance. Listen to Mavis sing those tracks already spoken for or "I'll Be Rested," "We'll Never Turn Back" or "On My Way." She'll show how much she knows about moving your soul and your body."

Mavis at her best -- and that's SAYIN' somethin'.

Larry D | Los Angeles, CA United States | 05/11/2007

(5 out of 5 stars)

"I almost wish I could think of something negative to say about this album, just to be different. But it is transcendent. No longer the angel-voiced young girl of her early years in gospel or the sassy soul sister of the "Respect Yourself" days, Mavis is a mature woman who's seen a lot in her 60-odd years ("With My Own Eyes"). Her burnished contralto is all mid-range and lows, but if the instrument itself isn't what it once was, like Billie Holiday, Frank Sinatra, and more recently Joni Mitchell, what's lost in vocal range is more than made up for in expressiveness and nuance. No filler here, every cut is a gem. My two favorite moments in an album filled with great moments: Mavis' spoken anecdote about inadvertently integrating a Mississippi "wash-a-teria" in "Down in Mississippi" (it had been a long while since I'd last heard the term "wash-a-teria" -- that's laundromat for those of you who don't know the South); and in "I'll Be Rested", her personal vision of heaven, a combination gospel jam session and civil rights movement reunion including Dr. King and Emmett Till, Clara Ward and Marion Williams, and Mavis' own father, Pops Staples, guitar in hand. Mavis has been one of my favorite singers since the Staple Singers' epochal "Hammer and Nails" album back in 1962 (Is that album EVER going to be released on CD?); and my only hope is that this amazing collection brings Mavis a bit of the popular acclaim she so richly deserves. Better forty-five years late than never."