Over the Moor to Maggie, Fred Finn's, the Hunter's House
Baile Mhúirne
Rolling in the Ryegrass [The Killavil Fancy]
Rocking the Cradle/The Twin
The Kilmovee Jig/The Maid at the Well/The Old Geese on the Bog
Bonny Wood Green
Miss Monaghan/Maggie on the Shore
Dr. Gilbert, Queen of the May
Tommy Coen's/The Otter's Holt/Mcfaddens Handsome Daughter
Garrett Barry's/Miss Mcleod
Kilkelly
Sgaríunt Na Gcompanagh
A Set of Single Jigs Learned from Kevins Father/John's Grandfather
Larry Redigan's/The High Reel
The Boys of Ballinahinch/The Castle/Miko Russell's
The Scotsman over the Border/The Tenpenny Bit
The Millionaire
Westport Set-Dancers
Molloy, the Chieftains' flutist, owns a pub on Bridge Street in Westport in the County Mayo, where musicians from all over Ireland gather for a pint, a slice of pizza, and the kind of impromptu sessions where traditional I... more »rish music thrives best. Last year Molloy allowed sound engineers to set up in the upstairs room and hang microphones above the musicians' favorite tables in the pub. On the resulting tapes, the conversation and clinking glasses soak into the music, as they should. Except for Molloy and Patrick Street's Arty McGlynn, the musicians aren't famous, but they are quite skillful and contribute some mighty lively music--which, as the liner notes point out, is not the same as fast music. --Geoffrey Himes« less
Molloy, the Chieftains' flutist, owns a pub on Bridge Street in Westport in the County Mayo, where musicians from all over Ireland gather for a pint, a slice of pizza, and the kind of impromptu sessions where traditional Irish music thrives best. Last year Molloy allowed sound engineers to set up in the upstairs room and hang microphones above the musicians' favorite tables in the pub. On the resulting tapes, the conversation and clinking glasses soak into the music, as they should. Except for Molloy and Patrick Street's Arty McGlynn, the musicians aren't famous, but they are quite skillful and contribute some mighty lively music--which, as the liner notes point out, is not the same as fast music. --Geoffrey Himes
"Live and alive, this is an excellently done CD with superb sound/recording quality, catching the musicians in their joy at what they love to do and do well. Fiddler Cora Smyth has gone on since this recording to become one of the two main fiddlers in the production Lord of the Dance. Matt is excellent, as always, on his flute, with his friends backing him. Some of his friends have the spotlight. The rendition of "Kilkelly" is not to be missed. It is emotionally well-done and moving. You can hear the pub conversation as a back-drop, with the clinking of glasses and the warmth of laughter. You hear the musicians and patrons enjoying eachother's company. It is LIVE, it is Ireland, it is what the Irish traditional session is all about, and I wish more recordings like this one were made available. It's the next best thing to actually being there! If you love Irish traditional music, and Matt Molloy's style, this CD will NOT disappoint you. It is worth buying. It lives in my CD player."
Almost as good as being there
P. Lozar | Santa Fe, NM USA | 05/22/1998
(5 out of 5 stars)
"If you can't make it to Westport, County Mayo, to spend an evening at Matt Molloy's pub, this is the next best thing. A thoroughly high-caliber group of musicians contributed to this album in a variety of styles, from traditional unaccompanied "sean-nos" singing to "everyone on board" instrumentals. The recordings are live and unedited (amazingly enough, given the quality of the performances), and the pub atmosphere is imparted by background conversations, clinking bottles, and even a broken glass. Part of the flavor of traditional Irish music is the interaction between the musicians, the tunes, and the audience, and this recording conveys that better than anything else I've ever heard. I could have done without the Westport step-dancers thumping their way through the final track, but Iarla o Lionard's solo is a knockout. Almost as much fun as being there -- and your clothes don't reek of the smoke afterwards."
The sound of a session, not a studio
Doc Dave | 04/12/2004
(5 out of 5 stars)
"The album does a fantastic job of capturing the sound of a pub session, which is the natural habitat of the music. Many other traditional music CD's sound sterile, as if they're classical pieces."
This CD is the quintessential Trad Irish experience.
Doc Dave | 09/09/1999
(5 out of 5 stars)
"We enjoyed this CD so much we built a our vacation around the pub in Westport where it was recorded. The combination of the great musicianship, the atmosphere (created by the background sounds) and the voices rich in character all make for a 'grand time'. Every time we listen to it we are returned to those special nights."