Somebody Saved Me - Marty Stuart, Staples, Roebuck
Lord, Give Me Just a Little More Time - Marty Stuart, Brumley, Albert E.
Way Down - Marty Stuart, Stinson, Harry
Come into the House of the Lord - Marty Stuart, Stuart, Marty
The Gospel Story of Noah's Ark - Marty Stuart, Stuart, Marty
I Can't Even Walk (Without You Holding My Hand) - Marty Stuart, Croft, Colbert
It's Time to Go Home - Marty Stuart, Stuart, Marty
The Unseen Hand - Marty Stuart, Public Domain
There's a Rainbow (At the End of Every Storm) - Marty Stuart, Stinson, Harry
Slow Train - Marty Stuart, Bell, William
Move Along Train - Marty Stuart, Staples, Roebuck
Souls' Chapel - Marty Stuart, Stuart, Marty
In the grand tradition of the late Roebuck "Pops" Staples--patriarch of the Staple Singers, whose influence permeates this project--Marty Stuart's selection of classic and original spirituals is also his bluesiest release ... more »to date. Stuart's guitar carries the familiar Delta sting of his native Mississippi, as the harmony-laden choruses soar toward heaven. A revival of Staples's "Somebody Saved Me" sets the album-opening tone, while a duet with Mavis Staples on her father's "Move Along Train" provides the climactic epiphany. The vocal support of bandmate Harry Stinson--a drummer known as one of Nashville's finest high harmony singers--and the bedrock B-3 organ of Barry Beckett contribute to the music's saving grace. On "Way Down," Stuart sets an inspirational lyric to an insistent guitar progression that blues fans will recognize as "Baby, Please Don't Go," while "I Can't Even Walk (Without Holding Your Hand)" sounds like a timeless country waltz. Even those who don't share the faith will find it tough to resist the power and emotional purity of this music. --Don McLeese« less
In the grand tradition of the late Roebuck "Pops" Staples--patriarch of the Staple Singers, whose influence permeates this project--Marty Stuart's selection of classic and original spirituals is also his bluesiest release to date. Stuart's guitar carries the familiar Delta sting of his native Mississippi, as the harmony-laden choruses soar toward heaven. A revival of Staples's "Somebody Saved Me" sets the album-opening tone, while a duet with Mavis Staples on her father's "Move Along Train" provides the climactic epiphany. The vocal support of bandmate Harry Stinson--a drummer known as one of Nashville's finest high harmony singers--and the bedrock B-3 organ of Barry Beckett contribute to the music's saving grace. On "Way Down," Stuart sets an inspirational lyric to an insistent guitar progression that blues fans will recognize as "Baby, Please Don't Go," while "I Can't Even Walk (Without Holding Your Hand)" sounds like a timeless country waltz. Even those who don't share the faith will find it tough to resist the power and emotional purity of this music. --Don McLeese
John A. Gregorio | Castalian Springs, TN | 09/04/2005
(5 out of 5 stars)
"Marty Stuart went back to MS. to return to his roots and I believe to heal, physically and spiritually. Three cd's will be issued which are a result of this trip, I read somewhere. Soul Chapel is the first. The previous Amazon reviews tell why this cd is excellent.
I saw Marty perform, yesterday, on the Grand Old Opry and he performed two of the songs from this album. The instruments and vocals soared but it was the feeling, the spirit from the stage that blew the crowd away, and caused us to rise to our feet. I think standing ovations have become pat and usually meet nothing except the crowds bums are soar, but this one was heartfelt and was not "pre programed in the music." If you don't know what that means watch the reactions to music on "American Idol."
Marty looks and sounds great. I am glad Marty's MS retreat was a blessing."
Walking up the high mountain
Jerome Clark | Canby, Minnesota | 09/10/2005
(5 out of 5 stars)
"This has to be equal, maybe even superior, to any recording Marty Stuart has ever done. His last album, Country Music, was uneven, its high points stellar, but too often marred by inferior material. Here the material is excellent, but it's Marty's soulful singing -- has ever he sung better? -- that draws the listener into these stirring songs of the spirit. On the first cut, "Somebody Saved Me," Stuart puts forth a song written by the late African-American gospel legend Roebuck "Pops" Staples; not just that, he's playing Staples's guitar. Daughter Mavis Staples, a gospel luminary in her own right, shows up elsewhere. Make no mistake about it: in this company, you're walking with the Lord up the highest mountain.
Maybe the best thing to happen to Stuart was getting away from major-label craziness and putting his whole focus on the music. With Marty free at last, let us hope we're in for -- if Souls' Chapel is any indication (and how can it not be?) -- the for-the-ages American music Marty Stuart has always had in him."
Lord have mercy!!
Sam Hammond | El Cerrito, Ca United States | 09/02/2005
(5 out of 5 stars)
"Marty Stuart - perennial just to the left of middle of the road country singer (and secret hot dog guitar and mandolin slinger) has come out of left field with a searing, graceful gospel record. This is one for the books.
Congratulations, Marty Stuart."
Peerless!
Mustang | USA | 09/05/2005
(5 out of 5 stars)
"As an artist, Marty Stuart has no peers. Once again he has done something no one else would have the vision, talent and mileage to pull off. Just to hear Marty & Kenny Vaughn play guitar on this make it a landmark recording. The whole project is remarkable. I anxiously await the next two planned releases. This is the best disc I've heard all year."