Search - Marlon Saunders :: Enter My Mind

Enter My Mind
Marlon Saunders
Enter My Mind
Genres: Jazz, Pop, R&B
 
  •  Track Listings (14) - Disc #1

Crooning over a back-in-the-day riff reminiscent of 70s soul, there's nothing "neo" about Marlon Saunders. Blending the intense devotion to groove that made 70s r&b so great with a modern edginess steeped in the powerf...  more »

     
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CD Details

All Artists: Marlon Saunders
Title: Enter My Mind
Members Wishing: 0
Total Copies: 0
Label: Black Honey Records
Original Release Date: 3/25/2003
Re-Release Date: 10/28/2003
Genres: Jazz, Pop, R&B
Styles: Bebop, Funk, Soul
Number of Discs: 1
SwapaCD Credits: 1
UPC: 659057727325

Synopsis

Album Description
Crooning over a back-in-the-day riff reminiscent of 70s soul, there's nothing "neo" about Marlon Saunders. Blending the intense devotion to groove that made 70s r&b so great with a modern edginess steeped in the powerful spoken word dazzle of hip hop, Saunders recreates a movement without sounding like a knock-off sampler. Which is exactly what he had in mind. "I want to combine the richness of the 70?s - all of it, the music and psyche of black folks, the sense of beauty and awareness - and incorporate that into what I find unique and special about today?s music," he says. And the emphasis, like his idols Marvin and Stevie and Rufus, will be songwriting. "In r&b music, we need to go back to the basic songwriting," says Saunders. "I was listening to a Roberta Flack/Donny Hathaway record the other day and I was amazed at the beauty of it. It?s simple recording in terms of instrumentation, but those sturdy, beautiful songs transcend everything. You can do anything to that music - bop to it, make love to it, hang out with your friends to it, cook a good meal to it. I want my music to have the same effect. Or like the way Curtis Mayfield could marry the groove with the spiritual concept to the lyrics and still keep it ambiguous. I want my music to have that sense of discovery."

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CD Reviews

Mr. Marlon
C. Eberlein | Boston, MA | 06/17/2004
(4 out of 5 stars)

"Marlon Saunders is one of my voice coaches. He rocks. This album is cool too."
What IS this?!
Enkognito | San Antonio, TX | 12/13/2004
(2 out of 5 stars)

"I am an avid music lover who doesn't mind taking risks when it comes to purchasing music from an artist i've never heard of even if i haven't previewed the album. At the expense of good money, you win some, you lose some. After reading the positive reviews concerning this album i was pretty anxious to give it a listen. BIG MISTAKE. This album is complete garbage. The only reson i gave it 2 stars is because on a couple of the tracks i dug the lyrics. But, as a whole the album is crap. This brother has a lack of control over his voice, bad pitch, and attempts to impress with poorly executed and mostly failed vocal acrobatics. It pained me to force myself to listen to a complete track without skipping to the next song. Nothing about his style is catchy nor is it unique. Not to say that catchy is good (i prefer more unique artists) but this cat couldn't even pull off a catchy hook. In too many songs he *ATTEMPTED* a flavor similar to Maxwell and sounded so bad he actually hurt my feelings. People, there is a reason why the songs on this album cannot be previewed, for if they were you surely would not purchase this cd. So, as a forewarning to all lovers of genuinely good music...stay far far away from this album, for my copy rests in the trash at this very moment."
Sophisticated Soul
hyperbolium | Earth, USA | 06/01/2004
(4 out of 5 stars)

"Saunders is best known as a founding member of the acid jazz combo Jazzhole. Though his songwriting is featured prominently in the group context, his vocals typically only adorn a few tracks. On this first solo album his singing is pushed to the fore to match his songwriting contributions. The result is surprisingly old-school, given that fellow Jazzhole founder Warren Rosenstein produced over half the album's tracks (Shawn V. Lucas filled the chair for the rest). The backings are sophisticated, but smooth and melow, without the aural explorations or jamming passages of Jazzhole. This keeps the focus on Saunders and his lyrics - right where it should be for a solo album. A fine record for playing with the lights low.
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