Suite For Beaver Part 1, The - People Under The Stairs
Truth In Position - Maspyke
Chicago Babe - Trankilou
Wiggle And Giggle - Joshua
Shoplif - Ripshop feat. Mr. Lif
Keep Your Head Up - Laurnea
Original Beats - DJ Slave
No - Fat Jon
Mellow Soul Fruit - Wick Wack
Listen - Benny Blanko
Phone Tap - Bernal Boogie
Irreconcilable - Sub-Conscious
Seems To Know - Juluis Papp & Dave Warrin
Find Yourself - Space Hopper
Dayz - DJ Spinna
Big Fish - Dubbie-D
Bath Music - Greyboy feat. Dave Pike & Elgin Park
For the fourth release in his acclaimed Mushroom Jazz series, DJ Mark Farina lets the urban dance and hip-hop roll while staying true to the downtempo, rainy-day-jazz mode that inspired the series title. Farina has left a ... more »trail of devoted jazz-house fans in his wake, from Chicago to San Francisco. Some might not follow the path he walks on this record, which even more than Jazz 3 finds inspiration in the DJ flava of rappers like Mr. Lif and Fat Jon. Others will appreciate the easy, smooth vibe of the record, not to mention Farina's always dependable taste in selections and contrasts. Benny Blanko's "Listen" empties into the funky din of Bernal Boogie's "Phone Tap" with nary a ripple, while tracks from Scienz of Life and People Under the Stairs hypnotize and pleasantly disorient the listener with a sweaty serenity. By cradling rougher styles in smooth trip textures, Farina successfully expands his palette and keeps the series crispy fresh. --Matthew Cooke« less
For the fourth release in his acclaimed Mushroom Jazz series, DJ Mark Farina lets the urban dance and hip-hop roll while staying true to the downtempo, rainy-day-jazz mode that inspired the series title. Farina has left a trail of devoted jazz-house fans in his wake, from Chicago to San Francisco. Some might not follow the path he walks on this record, which even more than Jazz 3 finds inspiration in the DJ flava of rappers like Mr. Lif and Fat Jon. Others will appreciate the easy, smooth vibe of the record, not to mention Farina's always dependable taste in selections and contrasts. Benny Blanko's "Listen" empties into the funky din of Bernal Boogie's "Phone Tap" with nary a ripple, while tracks from Scienz of Life and People Under the Stairs hypnotize and pleasantly disorient the listener with a sweaty serenity. By cradling rougher styles in smooth trip textures, Farina successfully expands his palette and keeps the series crispy fresh. --Matthew Cooke
"I actually got int Mark Farina's series with volume 4 and volume 3 at the same time. What's fascinating about the series to me is that from volumes 2 on to volume 4, you actually see an already terrific DJ get that much better in selection and pitch control. Amazing stuff really, and the tracks? Class. This is off of the Om Label, a label that provided the liks of the Om Lounge series and has released countless other deep house tracks in addition to some R&B releases. And of course, the Mushroom Jazz series has plenty of good instrumentals.
Pete Rock's "A Little Soul" gets this one started and you've immediately got a head boppin' vibe to it. Scienz of Life's "Hot Banana's" has an old school sample through-out. People Under the Stairs (PUTS) "Suite for Beaver Pt. 1" is such a tight track that you can't help but to be taken to the bliss of the song. Whenever I spin it off their terrific "O.S.T." album people always asks who it is. Maspyke's "Truth In Position" is vintage Mush Jazz - deep beat, bass, and that hint of off-key. Sweet. STill trying to remember the samples used in "Listen"... like the beats and effects in it but want to check the originals now. Other songs on this that stood out were "Chicago babe", DJ Slave's "Original Beats", Dubble-D's "Big Fish", Tek-9 (think 4-Hero) with "7 Dayz" and I dug the way "Shoplif" was mixed into "Wiggle and Giggle" and "Keep Your Head Up", all the while giving some quick flashbacks of Mush Jazz volume 3. Heck... half the fun of this album was sitting around with friends trying to remember where the originals came from.
I loved this volume. I think for anyone that's a fan of acid jazz, deep house and some beautiful aspects of hip-hop and underground beats, this is for you. And for anyone that's into spinning tunes and knows the pain of going to a hack club with terrible DJ's that could care less about the flow of the music they're spinning, timing & cross-fading or the music itself, volume 4 of Mushroom Jazz is like silk for your ears. If you like this, you may also like the DJ Kicks series - check out Thievery Corporation's and DJ Cam's. Or you might like the Trust The DJ series - Gilles Peterson, Dr. Bob Jones and a slew of others have great releases there. Especially Phil Asher's... DEFINITLY Phil Asher, aka "Restless Soul". If you like Mark Farina, you'll probably like Phil Asher and his "In the House" series - I think there's about 14 of them now. Also don't miss some of the Defected "In the House" series and finally, check out "Air Farina" or Miguel Mig's works... other Om sounds or Naked Music releases. Oh yeah, volume 5 was released in 2005 and pretty much all of these are available on vinyl too."
Waking up or winding down was never so sweet
Jennifer Warner | Raves.com, CA United States | 04/19/2003
(5 out of 5 stars)
"Om is a label that lately can do no wrong. I've been listening to this and Kaskade every morning since I've gotten them, vibing off their low key but inspiring energy. Om's Winter Music party in Miami was packed wall to wall with the best vibe of the conference, a feeling that seems to flows right into their music. Mushroom Jazz actually started as a weekly club night in Chicago - perhaps getting a nod with "Chicago Babe" - then a mixtape series, finally finding a home at Om. This fourth installment with Mark Farina (he's done one, two and three too) is a smooth compilation of sweet earthy, jazzy mid to downtempo grooves. There's a sexy hip hop thing going on at the same time... you know what this music would be good for, right?? Opening up with Pete Rock "A Little Soul" a minimalist beat and high hat are punctuated with old instructional record samples, horns and claps. Standouts include DJ Spinna's remix of Tek 8 "Seven Days" and the soulful vocals on Laurnea "Keep Your Head Up." Waking up or winding down was never so sweet."
Farina has out done himself again
Jennifer Warner | 02/01/2004
(5 out of 5 stars)
"Just like the intro says "make sure you have your own personal copy to play again and again when you feel yourself getting off the track." Never before have I heard an album that can guide you through such a relaxing experience. No matter how horrible your day may have been or how bad you may be feeling, one spin of this cd and you will forget about all your troubles. With the smooth jazzy beats that seamlessly transition from tract to tract, Farina has produced another classic in the Mushroom Jazz series. If you are a fan or if you are just begining to discover the Mushroom Jazz series, this is must have in any collection."
Its Tight, its tight...
Quinton Harris | Fairbanks, AK United States | 11/26/2002
(5 out of 5 stars)
"I was turned off by MJ3's lack of heavy beats and the general un-funkiness about it. Sure it was head nodding but it just seemed wrong...
MJ4 completely redeemed the series in my eyes. All these tracks bump. It starts out kinda jazzy, tracks 1-2, the third track is a fantastic laidback hiphop instrumental and then he lays down the vocal, a good PUTS track about (suprise!) partying. After that he keeps it funky til track 8, which is currently my favourite, a soulful layered vocal thing produced by Ali Shaheed (muhammad!?). Tracks 9-12 really just sort of pass me by, sort of generic "mushroom jazz" tracks. They're good, but not ear catching. Track 13 is one of Mark's own productions, and it is TIGHT! wit a lot of vocal samples and a very interesting 'snare'... the rest of the album (save track 14), in my opinion, is somewhat generic, nothing really caught my ear, not even the dj Spinna remix... Yet nothing made me curl my lip, as was the case with Mushroom Jazz 3.
My only grievance is his sampling - Farina has a couple of like kitsch records he picked up with a bunch of 'obscure' vocal samples... and he uses phrases from these to keep the tracks varied and moving. I love 'minimalism', as minimal as these tracks are, and I think that all the vocal samples he uses really clutter up the record. He really beats you over the head with them in the first couple tracks... after that he lays off... but I wish he didn't use them so much.
Anyway, its completely tight, and I just hope that he puts the same care in track selection into MJ5. :>"