Vogliatemi bene, un bene piccolino. - Madama Butterfly, Act 1
Ehi! Rodolfo!...O soave fanciulla (Schaunard/Colline/Marcello/Rodolfo/Mimì) (1997 Digital Remaster)
Oh, sarò la più bella! (Manon/Des Grieux). - Manon Lescaut (1997 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE
Principessa di morte!. - Turandot (2008 Digital Remaster), Act III - Scene I
Libiamo, ne' lieti calici (Brindisi). - La Traviata (1997 Digital Remaster)
Parigi, o cara. - La Traviata (1997 Digital Remaster)
Ah! veglia, o donna (Rigoletto/Gilda). - Rigoletto (1997 Digital Remaster), Act 1, Scene 2
È il sol dell'anima....Addio! speranza ed anima
Lassù in cielo
Miserere...Quel suon, quelle preci (Coro/Leonora/Manrico). - Il Trovatore (1957 Digital Remaster), ACT 4 Scene One
Mira, d'acerbe lagrime. - Il Trovatore (1997 Digital Remaster), ACT 4 Scene One
Ciel! mio padre (Aida, Act III)
O terra addio. - Aida (1997 Digital Remaster)
Son geloso del zefiro errante (Amina/Elvino). - La Sonnambula (1997 Digital Remaster), ACT 1,
Track Listings (12) - Disc #2
Mario! Mario! Mario! (Tosca, Act I)
Or tutto è chiaro (Tosca, Act I)
Senti, l'ora è vicina (Tosca, Act III)
Mira, o Norma....Sì, fino all'ore estreme (Norma, Act II)
In mia man alfin tu sei (Norma, Act II)
Ah, Talor del tuo pensiero....Verrano a te (Lucia di Lammermoor, Act I)
Soffriva nel pianto ... Une folle t'accese (Lucia/Enrico). - Lucia di Lammermoor (1997 Digital Remaster), ATTO SECONDO, Scena prima
Dunque io son (Il Barbiere di Siviglia, Act I)
Stella del marinar!....L'amo come il fulgor del creato! (La Gioconda, Act II)
Séguidille. Près des ramparts de Séville. - Carmen (1997 Digital Remaster), Act 1
Non, tu ne m'aimes pas (Act II) from Carmen (1997 Digital Remaster)
C'est toi!...Viva! viva! la course est belle!. - Carmen (1997 Digital Remaster), Act 4
These 2 CDs, the iconic Greek-American soprano Maria Callas is heard in duets with a number of the greatest opera stars of her day. Some were her regular partners on stage and in recordings, while others made only an occas... more »ional appearance in Callas's career, but her talent is such that she invariably establishes an affinity with each one in the studio that raises these duets to memorable musical and dramatic heights. This desire always to make the very best of her musical associations was part of Callas's total dedication to her work. The two singers with whom she recorded most were tenor Giuseppe di Stefano and baritone Tito Gobbi, who both appeared with her in her very first EMI Recording: Lucia di Lammermoor, made in Florence in February 1953. Like Callas, they were both able to bring their operatic characters to life not only by their superb singing but also by their vivid vocal acting. The program here includes five duets with each of these great artists.The much-loved American tenor Richard Tucker, who appears here with Callas in the closing scene from Aida, was Callas's partner in the very first performance of her main career when he sang opposite her in La Gioconda in the Verona Arena in August 1947, and they were together again at the very end of her stage career when she gave two performances of Tosca at the Metropolitan Opera House in New York in March 1965 -- one with Tucker and one with Franco Corelli. Other singers with whom Callas is heard on this album include the tenors Carlo Bergonzi, Eugenio Fernandi, Nicolai Gedda, Alfredo Kraus, Nicola Monti and Ferruccio Tagliavini; the mezzo-sopranos Fiorenza Cossotto and Christa Ludwig; and the baritones Piero Cappuccilli and Rolando Panerai.« less
These 2 CDs, the iconic Greek-American soprano Maria Callas is heard in duets with a number of the greatest opera stars of her day. Some were her regular partners on stage and in recordings, while others made only an occasional appearance in Callas's career, but her talent is such that she invariably establishes an affinity with each one in the studio that raises these duets to memorable musical and dramatic heights. This desire always to make the very best of her musical associations was part of Callas's total dedication to her work. The two singers with whom she recorded most were tenor Giuseppe di Stefano and baritone Tito Gobbi, who both appeared with her in her very first EMI Recording: Lucia di Lammermoor, made in Florence in February 1953. Like Callas, they were both able to bring their operatic characters to life not only by their superb singing but also by their vivid vocal acting. The program here includes five duets with each of these great artists.The much-loved American tenor Richard Tucker, who appears here with Callas in the closing scene from Aida, was Callas's partner in the very first performance of her main career when he sang opposite her in La Gioconda in the Verona Arena in August 1947, and they were together again at the very end of her stage career when she gave two performances of Tosca at the Metropolitan Opera House in New York in March 1965 -- one with Tucker and one with Franco Corelli. Other singers with whom Callas is heard on this album include the tenors Carlo Bergonzi, Eugenio Fernandi, Nicolai Gedda, Alfredo Kraus, Nicola Monti and Ferruccio Tagliavini; the mezzo-sopranos Fiorenza Cossotto and Christa Ludwig; and the baritones Piero Cappuccilli and Rolando Panerai.