Magnificat, Pour le Port-Royal, motet for 3 high sopranos, chorus & continuo, H. 81
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: après un petit prélude
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Me expectaverunt peccatores
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: L'Orgue joue le premier couplet
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: Kyrie eleison
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: L'Orgue joue un couplet
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: Christe eleison
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: L'orgue joue
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: Kyrie eleison
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Kyrie: L'Orgue joue pour finir
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Gloria: Le célébrant entone
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Gloria: après un petit prélude
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Gloria: et in terra pax hominibus
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Gloria: Amen pour l'orgue
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Graduel pour Ste-Marguerite: Adjuvabit eam Deus
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Credo: Le célébrant entone
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Credo: Un petit prélude
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Credo: Patrem omnipotentem
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Diffusa est gratia
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Sanctus: L'orgue joue devant
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Sanctus: Sanctus
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: O clementissime domine Jesu
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Benedictus: Benedictus
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Benedictus: ici se joue ou se chante l'élévation
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Agnus Dei: L'orgue joue devant
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Agnus Dei: Agnus Dei
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Agnus Dei: L'orgue joue le troisième
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Communion pour Ste-Marguerite: Feci judicium
Messe Pour le Port Royal, for 3 sopranos, chorus & continuo, H. 5: Communion pour Ste-Marguerite: Deo gratias pour l'orgue
Dixit Dominus, Pour le Port Royal, motet for 3 high sopranos (or chorus) & continuo, H. 226
Laudate Dominum omnes gentes, motet for 3 voices, chorus & continuo, H. 227
Stabat mater pour des réligieuses, motet for soprano, chorus & continuo, H. 15
The works recorded here were written by Charpentier for the convent of Port-Royal-de-Paris in a very plain style: typically in unison (occasionally in two parts) with organ accompaniment; variety was provided by alternatin... more »g between solo voices and choir and between sung sections and solo organ. The bulk of the disc is a complete Mass setting (including propers) that Charpentier composed in honor of the convent's abbess (and her brother the Archbishop); where the composer specifies that the organist should improvise solos, Foccroulle plays colorful items from a collection of organ pieces for parish use by André Raison. Charpentier's music is tuneful and attractive but austere--when, at the elevation, we hear a luscious motet for three sopranos, the effect is almost shocking. --Matthew Westphal« less
The works recorded here were written by Charpentier for the convent of Port-Royal-de-Paris in a very plain style: typically in unison (occasionally in two parts) with organ accompaniment; variety was provided by alternating between solo voices and choir and between sung sections and solo organ. The bulk of the disc is a complete Mass setting (including propers) that Charpentier composed in honor of the convent's abbess (and her brother the Archbishop); where the composer specifies that the organist should improvise solos, Foccroulle plays colorful items from a collection of organ pieces for parish use by André Raison. Charpentier's music is tuneful and attractive but austere--when, at the elevation, we hear a luscious motet for three sopranos, the effect is almost shocking. --Matthew Westphal
CD Reviews
A beautiful and moving recording.
06/12/2001
(5 out of 5 stars)
"If you are a fan of baroque choral music this is an absolute must have. The recording is crystl clear and the music and choral performances are incredibly moving. I am very disappointed to see that this item is no longer in stock because this has become one of my all time favorites."