Red Roses for a Blue Lady, song - Mantovani, Tepper
Chim Chim Cher-ee (for Disney's Mary Poppins) - Mantovani, Sherman, R. B.
Love Me with All Your Heart, song - Mantovani, Rigual, C.
Goodnight, Sweetheart (for the Earl Carroll "Vanities of 1931") - Mantovani, Noble
Cara mia - Mantovani, Trapani
I Wish You Love, for orchestra - Mantovani, Trenet
Lover, song (from film "Love Me Tonight") - Mantovani, Rodgers
Stardust - Mantovani, Carmichael
Mona Lisa, song - Mantovani, Livingston
The Most Beautiful Girl in the World, song (from "Jumbo") - Mantovani, Rodgers
Auf wiederseh'n - Mantovani, Storch
Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 - Mantovani, Debussy
[E - Mantovani, Granados
La Can-Can - Mantovani, Rossini
Pieces (2) ("Chanson de matin" & "Chanson de nuit"), for violin & piano - Mantovani, Elgar
Zigeunerweisen, for violin & piano (or orchestra) ("Gypsy Airs"), Op. 2 - Mantovani, Sarasate
Automne, concert etude for piano, Op. 35/2 - Mantovani, Chaminade
Song of India - Mantovani, Rimsky-Korsakov
Schön Rosmarin, for violin & piano - Mantovani, Kreisler
Méditation, for violin & orchestra (or other arrangement) (from opera " - Mantovani, Massenet
Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orch - Mantovani, Strauss, Johann II
Decca used the 1966 Mantovani Magic to spearhead their sales campaign for that year; it was also the company's way of honoring Mantovani, who had brought so much success and kudos to the label. If you've never heard a Mant... more »ovani album, then this is the one to start with because it is typical of his elegant orchestral style and features a choice collection of truly romantic melodies. Concert Encores was recorded at the end of 1957 and sees Mantovani turning to the world of light classics for inspiration.« less
Decca used the 1966 Mantovani Magic to spearhead their sales campaign for that year; it was also the company's way of honoring Mantovani, who had brought so much success and kudos to the label. If you've never heard a Mantovani album, then this is the one to start with because it is typical of his elegant orchestral style and features a choice collection of truly romantic melodies. Concert Encores was recorded at the end of 1957 and sees Mantovani turning to the world of light classics for inspiration.