Manon, opera in 5 acts: Act 1: Hol?! H?! Monsieur L'hotelier?
Manon, opera in 5 acts: Act 1: Hors D'oeuvre De Choix!
Manon, opera in 5 acts: Act 1: Entendez-vous La Cloche...Allez ? L'auberge Voisine les Voil?!
Manon, opera in 5 acts: Act 1: Je Suis Encor Tout ?tourdie
Manon, opera in 5 acts: Act 1: Partez! On Sonne!
Manon, opera in 5 acts: Act 1: Il Vous Parlait, Manon?...Regardez-moi Bien Dans Les Yeux!
Manon, opera in 5 acts: Act 1: Restons Ici...Voyons, Manon, Plus de Chim?res!
Manon, opera in 5 acts: Act 1: Quequ'un...J'ai Marqu? L'heure du D?part...Et Je Sais Votre Nom
Manon, opera in 5 acts: Act 1: Nous Vivrons ? Paris Tous Les Deux!...Plus un Sous
Manon, opera in 5 acts: Act 2: Manon! Avez-vous Peur Que Mon Visage
Manon, opera in 5 acts: Act 2: Enfin, Les Amoureux
Manon, opera in 5 acts: Act 2: Allons! Il Le Faut!...Adieu, Notre Petite Table
Manon, opera in 5 acts: Act 2: C'est Lui!...Instant Charmant...En Fermant Lex Yeux Oh! Ciel! D
Track Listings (15) - Disc #2
Manon, opera in 5 acts: Act 3: Entr'acte
Manon, opera in 5 acts: Act 3: Voyez Mules ? Fleurettes!
Manon, opera in 5 acts: Act 3: ? Quoi Bon L'?conomie...Bonjour, Poussette!
Manon, opera in 5 acts: Act 3: Voici Les ?l?gantes!...Suis-je Gentille Ainsi?
Manon, opera in 5 acts: Act 3: Je Marche Sur Tous Le Chemins
Manon, opera in 5 acts: Act 3: Ob?issons Quand Leur Voix Appelle
Manon, opera in 5 acts: Act 3: Et Maintenant Restez Seu
Manon, opera in 5 acts: Act 3: C'est Elle? Oui, C'est Manon!
Manon, opera in 5 acts: Act 3: R?pondez-Moi, Guillot!...Voici L'Op?ra!
Manon, opera in 5 acts: Act 3: Ballet...C'est F?te Au Cours-La-Reine!
Manon, opera in 5 acts: Act 3: Quelle ?loquence!
Manon, opera in 5 acts: Act 3: Bravo, Mon Cher...Epouse Quelque Brave Fille
Manon, opera in 5 acts: Act 3: Je Suis Seul!...Ah! Fuyez, Douce Image
Manon, opera in 5 acts: Act 3:Ces Murs Silencieux...Pardonnez-moi, Dieu de Toute Puissance
Manon, opera in 5 acts: Act 3: N'est-ce Plus Ma Main
Track Listings (10) - Disc #3
Manon, opera in 5 acts: Act 4: Faites Vos Jeux, Messieurs!...Le Joueur Sans Prude
Manon, opera in 5 acts: Act 4: Mais Qui Donc Nous Arrive...Manon! Sphinx ?tonnant
Manon, opera in 5 acts: Act 4: Un Mot, S'il Vous Pla?t...Ce Bruit de L'or
Manon, opera in 5 acts: Act 4: Au Jeu! Au Jeu!
Manon, opera in 5 acts: Act 4:Oui, Je Viens T'arracher ? La Honte
Manon, opera in 5 acts: Act 5: Manon! Pauvre Manon!...Capitaine, ? Gu?
Manon, opera in 5 acts: Act 5: Tu Pleures!...Ah! Je Sens Une Pure Flamme...N'est-ce Plus Ma Ma
Manon, opera in 5 acts: Act 3: Voici Les ?legantes!...Suis-je Gentille Ainsi?
Manon, opera in 5 acts: Act 3: Je Marche Sur Tous Les Chemins
Manon, opera in 5 acts: Act 3: Ah! Vous ?tes Vraiment...Oui, Dans Les Bois Et Dan
Beverly Sills's singing career is mainly remembered for her bel canto operas and bubbly talk-show appearances. But the title role of Manon was one of her very finest efforts, and it's heard here in an all-around excelle... more »nt recording. Caught here in her prime, Sills's thrilling singing technique illuminated her considerable theatrical mind with brilliant clarity. So while this is a spectacularly sung Manon, Sills also maintains a sense of childlike delight that keeps the character's greedier moments from becoming unduly repulsive. It's a great performance. Her leading man, Nicolai Gedda, sounds a bit vocally aged, but it's still Gedda (which is something). As Manon's father, the great Gerard Souzay makes one of his few full-opera recorded appearances. Conductor Julius Rudel leads a big, red-blooded, almost-Italianate performance that's also alert to how incredibly well-wrought and inventive this score is. --David Patrick Stearns« less
Beverly Sills's singing career is mainly remembered for her bel canto operas and bubbly talk-show appearances. But the title role of Manon was one of her very finest efforts, and it's heard here in an all-around excellent recording. Caught here in her prime, Sills's thrilling singing technique illuminated her considerable theatrical mind with brilliant clarity. So while this is a spectacularly sung Manon, Sills also maintains a sense of childlike delight that keeps the character's greedier moments from becoming unduly repulsive. It's a great performance. Her leading man, Nicolai Gedda, sounds a bit vocally aged, but it's still Gedda (which is something). As Manon's father, the great Gerard Souzay makes one of his few full-opera recorded appearances. Conductor Julius Rudel leads a big, red-blooded, almost-Italianate performance that's also alert to how incredibly well-wrought and inventive this score is. --David Patrick Stearns
"Jules Massenet's Manon contains some of the most touching and beautiful melodies in all of opera. And Beverly Sills and Nicolai Gedda make these melodies seem all the more beautiful. Sills is exceptional as Manon- a role she has performed all over the world. When we are first introduced to Manon, Sills' lovely lyric voice perfectly portrays Manon as the sheltered, innocent, yet inquisitive girl that she is. Later on the more experienced Manon is also convincingly sung by Sills. Nicolai Gedda may not have been a young man when this recording was made (1970) but he certainly wasn't too long in the tooth. No matter his age he sounds absoutely like the young, passionate lover Des Grieux. The other cast members also bring out the most in their characters, including Gabriel Bacquier as Le Comte des Grieux and Gerard Souzay as Lescaut."
A classic recording
M. Temple | Houston, TX USA | 12/08/1999
(5 out of 5 stars)
"Some don't like Beverly Sills' voice, but this recording shows how beautiful her voice could be and how insightful her acting always was. Excellent supporting cast with a slightly older Gedda still in good voice. If you buy only one recording of Manon, buy this one.... by far the very best recording(and soprano!)ever."
A real crowd pleaser!
C. G. King | Horse Country, VA USA | 08/06/1999
(5 out of 5 stars)
"I'm surprised this opera is not performed in the US more -- it's fabulous. This recording is the best -- clear and lush -- all the singers are wonderful and the instrumentals and chorals just make you want to 'conduct' and sing along with vigor. Even people who don't like opera will love this."
Beverly Sills In An Unforgettable Performance
Tracy L. Powell | 08/17/2003
(5 out of 5 stars)
"Beverly Sill's vocal talents were full of variety. She was just at home in the Italian bel canto operas of Donizetti as she was in the French operas (she sang as the three heroines of Offenbach's Tales Of Hoffman and in the other Massenet opera Thais). Jules Massenet composed fine French operas at a time when the "grand opera" style was diminishing in popularity. He even composed a successful "grand opera" himself, despite the already antiquated form when he composed "Le Cid". French opera is made up of beautiful melodies, romantic duets, elegant arias, dramatic ensembles and choruses, and a melodramatic plot. "Manon" (pronounced ma- no) is based on the novel by Andre Prevost, generally regarded as the first French novel. Manon deals with a flaky, seductive and materialistic young woman who falls for a handsome but dangerous man only to marry another for the sake of money. Eventually, she is reunited with her old and true love and dies in his arms. The melodrama is enhanced by fine music of many subtle tones- romance without being too buttery (and if it is too sentimental so what ? It's opera!) and the waltz-like, festive atmosphere of Paris, especially the glittering casinos are gorgeously expressed. Manon and Des Grieux join the ranks of the great opera lovers- at times this even resonates with touches of Verdi's La Traviata (another opera which Beverly Sills successfully mastered).Back to Beverly Sills. Beverly's Manon is considered her finest hour, second only to her towering portrayal of Queen Elizabeth in "Roberto Devereaux" which landed her a cover in Time Magazine in 1971. Manon was a role Beverly Sills flourished in with easy grace and great singing prowess. The role calls for lyric soprano, some coloratura and a lot of romantic dramatic styling. She sings French so easily and without flaw that one would think Beverly is not American but a native French lady. According to Sills, Manon was one of those operas she dedicated herself to singing with gusto. She recalls having to cook for her family and then singing Manon, stating it was the longest day of her life. She loved the theatre and found a great vehicle for expression through opera. Beverly made opera accessible to everyone, even those who would'nt be caught dead in an opera house. She made opera seem fun and very American, despite the continuing prejudice that opera is high-class foreign entertainment. Beverly's French diction is superb. It is rhythmic, flowing and highly musical. Her voice far exceeds that of Joan Sutherland and in acting ability she matches the drama diva Maria Callas. Beverly Sills will always be America's greatest soprano. Now in her seventies, she works for the Metropolitan Opera as chairman. When Manon was first released on LP in the 80's, fans of Beverly were buying the LP's and even bootlegs with as much enthusiasm and fervor as raving fans of The Grateful Dead. America embraces opera and its as American baseball and Church. Opera is now a household name. And all thanks to the first class human being Beverly Sills."
A sparkling Manon
Michel | Montreal, Quebec | 06/21/2001
(5 out of 5 stars)
"Some singers, it seems, are born to sing together. Beverly Sills and Nicolai Gedda are amongst them. Their voices blend together beautifully and they are on the same artistic wave-lenght. Sill s silvery soprano is ideal for Manon. She paints a complete portrait, from girlish awe to manipulative seductress, and her superd technique allows her to shine in the more showy passages. Gedda, as des Grieux, is elegant, refined, and quite smitten by his Manon. Their first act duet - Nous vivrons tous les deux a Paris - is delightful and revealing of their character, her frivolity, his idealism. They get excellent support from Gerard Souzay and Gabriel Bacquier. The comprimarios, important in this opera, are also very well done. Chorus and orchestra are excellent and Julius Rudel s conducting lively. My only little complaint about this brilliant set is the boomy sound."