The Magnificent Mr Handel
300157viv | Bristol, England | 01/23/2000
(5 out of 5 stars)
"A superb recording - it simply has to be as it was recorded by the Royal Philharmonic Orchestra and conducted by the great Sir Charles Groves.A wonderful introduction to one of the great great composers - even if you have never heard his works other than the Royal Fireworks and the Water Music this will really get you going. Lots of small snippets for the beginner and yet wonderful for all Handel enthusiasts such as me.Wonderful for putting in your personal stereo and walking the dogs to! I doubt if Mr Handel would have entirely have approved. Very good also if you are down or tired - it perks you up.Superb CD - a wonderful experience - nerve tingling"
Magnificent is the word
David A. Kemp | Plano, TX USA | 04/01/2003
(5 out of 5 stars)
"For anyone seeking to explore Handel beyond his most popular works (Messiah, Royal Fireworks Music, Water Music), it would be hard to beat this collection of 30 short pieces from many sources, forming a generously filled (78:46) CD of splendid music, and demonstrating why Handel was a great and major composer, and a revered and beloved musical figure in his lifetime. These recordings were made in the St. James Church, Great Packington, Warwickshire, England, in September, 1969, and originally released on two Columbia LPs, in 1970 and 1972. I bought and grew fond of them then, and I'm happy to see them available again on a budget-priced CD. The music here, entirely instrumental, is "culled for the most part from the operas and oratorios that were the bread-and-butter of Handel's work," to quote the liner notes. This music celebrates the grand, the impressive, the ceremonial, the magnificent side of Handel; the disc is well named. If this CD has a fault, it is that there is too much of grandeur, of splendor, of the stately (there are no less than eleven marches), and too little of the intimate, the introspective, the quiet, the meditative; it makes no attempt to strike a balance.The engineering is good, if not exceptional; while the sound does not provide the ultimate degree of clarity and focus (not unusual in recordings made in churches), it is smooth and pleasing; these recordings carry their years honorably and wear well. Biggs's role here is a modest, supporting one (the two brief concertos included are not for organ): he plays organ continuo and occasional passages of accompaniment or decoration. His instrument is the Great Packington organ on which Handel himself performed, but it is not prominently displayed. Overall I cannot fault the idiomatic, engaging, alternately spirited or stately performances of Groves, the Royal Philharmonic, and Biggs. These recordings predate the obsession with period instruments and the efforts to recreate the conditions of performance heard in Handel's day; they are old-fashioned, full-blooded "modern" performances on modern instruments. I find them thoroughly satisfying, and the sonorities and tonal balances more pleasing to my ears than those of period-instruments ensembles. But period-instruments purists may want to be warned away; they, however, probably will not be drawn to this kind of free-ranging anthology in the first place. If you like baroque instrumental music, I think you'll find this CD pretty hard to resist."
The Magnificent Mr. Handel
George Dean | Foster City, California | 01/01/2000
(4 out of 5 stars)
"I have owned the two record set of this CD that I purchased in the early eighties. They are both well worn. This was simply the best Handel sampler I could find. And now that I own the CD - I can listen two the same tracks that were on the original recording.This is definitely a must have for all Handel admirers. The playing is strong and inspired, and the choices for the various tracks are among the best I have heard in thirty years of Handel collecting. If you don't believe me, just sample the first track "The Entree for Alceste." It will knock your socks off! Best of all, there are over thirty tracks of music. HIGHLY RECOMMENDED."
Track Listings (30) - Disc #1
