Goodbye Miss Goodavich/Rosie's Reel - L?nasa, Crawford, Kevin
The Floating Crowbar/McGlinchey's/The Almost Reel
The Butlers of Glen Avenue/Sliabh Russell/Cathal McConnell's
January Snows/Laura Lynn Cunningham
The Miller of Drohan
Dr. Gilbert/Devils of Dublin/Black Pat's
Autumn Child/Heaton Chapel - L?nasa, Crawford, Kevin
Stolen Apples - L?nasa, Dalglish, Malcolm
Taylor Bar, 4am/Ceol Na Mara - L?nasa, Hennessy, Donogh
Lafferty's/Crock of Gold/Lady Birr/Abbey Reel
O'Carolan's Welcome/Rolling in the Barrel
Taking their name from an ancient Celtic harvest festival, Lúnasa are a veritable dream team of Irish musicians whose thrilling groove is found courtesy of former members of the Waterboys and Sharon Shannon's band, on... more » cello, bowed upright bass, and acoustic guitar. Melodies, both poignant and frolicsome, soar on the exceptional wings of fiddle, flute, whistles, and Uilleann pipes. From the warm belly of Celtic tradition, the quartet (rounded out by guest players and piper-whistler Cillian Vallely, a touring member) radiates outward, incorporating elements of jazz improvisation as it swings low and wide, high and tight, delving wholeheartedly into each piece's unique rhythmic pulse. Otherworld, in the unprecedented vernacular of Lúnasa, is nothing short of astonishing. --Paige La Grone« less
Taking their name from an ancient Celtic harvest festival, Lúnasa are a veritable dream team of Irish musicians whose thrilling groove is found courtesy of former members of the Waterboys and Sharon Shannon's band, on cello, bowed upright bass, and acoustic guitar. Melodies, both poignant and frolicsome, soar on the exceptional wings of fiddle, flute, whistles, and Uilleann pipes. From the warm belly of Celtic tradition, the quartet (rounded out by guest players and piper-whistler Cillian Vallely, a touring member) radiates outward, incorporating elements of jazz improvisation as it swings low and wide, high and tight, delving wholeheartedly into each piece's unique rhythmic pulse. Otherworld, in the unprecedented vernacular of Lúnasa, is nothing short of astonishing. --Paige La Grone
"Two summers ago, my wife and I rented a summer house in County Kerry, along the shore of the Iveragh peninsula. Of course, that meant that we had to eat many meals and drink many glasses of stout (my wife) and shots of Jameson's (me) in the local bars while we listened to local musicians and danced to them as well.
Neither of us were aficionados of Irish music until then. Coming from California, I equated 'Irish' music with the local "Celtic" groups at home that played a limpid New Age/folk pap --short on substance and no muscle at all --Ireland via Windham Hill, if you were.
A month in Ireland changed all that. In the pubs, we heard live, muscular music --it was energizing and great fun. We began experimenting with contemporary Irish recorded music --Christie Moore first, Hammy Hamilton, Con O'Drisceoll and Seamus Creigh, Mary Black (whom we heard live on our last night in Ireland), and, my favorite, KILA.
I left Ireland hooked on the music. Recently, I ordered three more albums by contemporary Irish groups: KILA: Lemonade and Buns --out of circulation, alas!; Lunasa: Otherworlds; and Sharon Shannon: Live in Galway.
In both Sharon Shannon's album and this one by Lunasa, I appreciate the verve that the musicians bring to the songs as well as the exceptionally high level of musical talent.
Lunasa is more adventurous and musically more diverse than Sharon Shannon, blending wood flute, guitar, bass or strings, and (occasionally) pipes. The best of the songs on this album--'Goodbye Miss Goodovich,' 'The Floating Crowbar'-- are exceptional music and every cut on this fine album pleases the ear. Sharon Shannon and her colleagues are more traditional but equally virtuosic. They provide first-rate foot-tapping versions of traditional Irish music.
If I were to differentiate among them, I would say that Lunasa and KILA are the groups I would most like to listen to on my iPod, and Sharon Shannon's is the group I'd hire if I were hosting a dance or party.
Lunasa is outstanding music. It satisfied me both intellectually and viscerally. Why isn't most American pop music as satisfying?
David Keymer
Modesto CA"
New Generation of Celtic Music
Kevin Gamble | 05/04/2000
(5 out of 5 stars)
"Lunasa is the Gaelic name for a harvest festival, and this CD is a real musical harvest. Celtic music became internationally known with groups such as the Bothy Band, the Cheiftains and Altan. Then there was Solas and we are now into a new generation of new bands, including Gaelic Storm, Danu, and Shantalla. These are exciting young musicians with talent and enthusiasm. Lunasa is a new band comprised of veteran players. Some of the very best piping I have heard are on the first two Lunasa CD's. It is my hope that distributors will start selling their first album, "Lunasa." It was the first album that started the raving reviews in Ireland. In Otherword, Lunasa demonstrates outstanding lead instruments, including bagpipes, fiddle and flute. It is the foundation of uniquely Celtic arrangements, and rhythm set up with guitar and bodhran that displays the band's gut musical instinct. This tends to leave you repeating the songs mentally long after listening. It is some of the very best Celtic Music on CD and I am eager to buy and hear future CD's."
Hands-down Lunasa's best
M. A. Brewer | Portland, ME United States | 01/06/2005
(5 out of 5 stars)
"Though the first album of theirs I actually purchased was their brilliant debut, the first taste of this incredible group I ever had was the tenth track of this album, the explosive "Lafferty's/Crock of Gold/Lady Birr/Abbey Reel". Years after that first sampling of their outstanding musicianship and innovative arrangements, I now own all their albums save "Kinnitty Sessions", and "Otherworld" outshines them all. While all of Lunasa's arrangements are great fun to listen to, I find they are truly spectacular when it comes to faster pieces: jigs, reels, etc. "Otherworld" has no shortage of these. The group has great talent for beginning with slow airs and building the music up to driving finishes, as seen in tracks 4 and 11. You really can't go wrong with this band if you prefer instrumental music with a traditional Irish flavor, but "Otherworld" clearly demonstrates the pinnacle of their talent and musicianship. Bravo to Lunasa!"
A terrific band in the Bothy vein
Kevin Gamble | Columbia, MO USA | 01/08/2002
(5 out of 5 stars)
"Delightfully melodic, with wonderfully interweaving melodies, including some of the freshest piping I've heard in a long, long time. Unlike many lesser bands, they integrate thrumming acoustic guitar and bass into the traditional sound without diluting it--rather, they seem inspired by the mix and take everything to a higher level. If I was asked to pick one album that shows the "state of the art" in top-drawer Celtic music, this would be it--it dazzles and inspires. Invigorating and satisfying."
Great!
Kevin Gamble | 11/19/1999
(5 out of 5 stars)
"On the strength of this one album(more! more!), Lunasa may be my second favorite(behind Dervish)Celtic band currently active. Hooray! A new band that features uillean pipes. Awesome flute and whistle playing, too."