Prelude - Orch du Theatre National de l'Opera de Paris
Act One, Scene One: O coer ami! O coer promis! - Orch du Theatre National de l'Opera de Paris
Act One, Scene One: Depuis longtemps j'habitais cette chambre - Beverly Sills/Nicolai Gedda
Act One, Scene Two: Moi, je vous avais remarque bien avant ce jour-la! - Beverly Sills/Nicolai Gedda/Mignon Dunn
Act One, Scene Two: Eh bien! vous ne dites plus rien, chere Louise? - Nicolai Gedda/Mignon Dunn
Act One, Scene Three: C'etait mon adoree! - Beverly Sills/Mignon Dunn
Act One, Scene Four: Bonsoir... La soupe est prete? - Mignon Dunn/Jose Van Dam
Act One, Scene Four: Ah! quelle journee! - Beverly Sills/Mignon Dunn/Jose Van Dam
Act One, Scene Four: La bonheur, vois-tu, c'est d'etre comme nous sommmes - Mignon Dunn/Jose Van Dam
Act One, Scene Four: Une lettre?... Oui, une lettre du voisin - Orch du Theatre National de l'Opera de Paris
Act One, Scene Four: O mon enfant, ma Louise - Orch du Theatre National de l'Opera de Paris
Act One, Scene Four: Mais avant d'aimer, avant d'etre (aveugle) - Beverly Sills/Mignon Dunn/Jose Van Dam
Act Two: Prelude - Orch du Theatre National de l'Opera de Paris
Act Two, Scene One: Dir' qu'en c'moment y a des femmes - Christiane Chateau/Carla Rutili/Martyn Hill
Act Two, Scene One: Malice du destin qui revet de satin et de robes d'aurore - Carla Rutili/Martyn Hill/Marie Bertola/Jean-Jacques Doumene/Claude Vierne
Act Two, Scene One: Je suis le Plaisir de Paris! - Claude Vierne/Martyn Hill/Jacques Mars
Act Two, Scene One: Ah! je le connais... le miserable! - Jacques Mars/Carla Rutili/Jean-Jacques Doumene/Christiane Chateau
Act Two, Scene Two: Les bons lits! Les belles robes! - Christiane Chateau/Jean-Jacques Doumene/Claude Vierne/Sonia Nigoghossian
Act Two, Scene Threee: C'est ici?... C'est la qu'elle travaille? - Pierre-Yves Lemaigat/Robert Tallec/Nicolai Gedda/Tibere Raffali/Renne Massis/Guy Gabel/Guy De Kehrig
Act Two, Scene Three: Etre des dieux!... Bravo! - Renne Massis/Guy Gabel/Pierre-Yves Lemaigat/Mireille Laurent/Nicolai Gedda/Tibere Raffali
Act Two, Scene Four: Elle Va Paraite, ma joie, ma tourment, ma vie! - Nicolai Gedda
Track Listings (21) - Disc #2
Act Two, Scene Four: Mouron pour les p'tits oiseax! - Mireille Laurent/Nicolai Gedda
Act Two, Scene Six: Pourquoi te retourner? - Mignon Dunn
Act Two, Scene Seven: Laissez-moi... ah! de grace! - Beverly Sills/Nicolai Gedda
Act Two, Scene Seven: Ah! Louise, si tu m'aimes - Beverly Sills/Beverly Sills
Act Two, Scene Eight: Marchand d'habits! avez-vous des habits! a vendr'? - Pierre-Yves Lemaigat
Act Two, Second Tableau: Interlude - Orch du Theatre National de l'Opera de Paris
Act Two, Second Tableau, Scene One: La la la la la! C'est enervant... je n'peux y arriver - Elya Weissman/Sonia Nigoghossian/Matine Surais/Marie Bertola/Marie Mella/Carla Rutili...
Act Two, Second Tableau, Scene One: Voyez, Louise... Quell'drol de tete elle fait aujourd'hui - Christiane Chateau/Elya Weismann/Eliane Lublin/Maria Mella/Sonia Nigoghossian/Mireille Laurent/Bever
Act Two, Second Tableau, Scene One: Qu'apparaisse le predestine - Mireille Laurent/Eliane Lublin/Sonia Nigoghossian/Matine Surais/Elya Weismann/Marie Mella...
Act Two, Second Tableau, Scene Two: Ah? La musique! - Maria Mella/Eliane Lublin/Christiane Chateau/Sonia Nigoghossian/Mireille Laurent
Act Two, Second Tableau, Scene Two: Dans la cite lointaine - Nicolai Gedda/Beverly Sills
Act Two, Second Tableau, Scene Two: Louise, qu'avez-vous? - Matine Surais/Mireille Laurent/Beverly Sills/Christiane Chateau/Eliane Lublin
Act Two, Second Tableau, Scene Three: Qu'est-c' qui lui prend? - Christiane Chateau/Eliane Lublin/Sonia Nigoghossian/Elya Weismann/Mireille Laurent/
Act Three: Prelude-(Vers la cite lointaine...) - Orch du Theatre National de l'Opera de Paris
Act Three, Scene One: Depuis le jour ou je me suis donnee - Orch du Theatre National de l'Opera de Paris
Act Three, Scene One: Que puis-je regretter? - Orch du Theatre National de l'Opera de Paris
Act Three, Scene One: Ainsi tout enfant a le droit de choisir lui-meme - Orch du Theatre National de l'Opera de Paris
Act Three, Scene One: De Paris tout en fete - Beverly Sills/Nicolai Gedda
Act Three, Scene One: Julien!... Louise!... - Beverly Sills/Nicolai Gedda
Act Three, Scene One: Ah!... La parole ideale dont s'enivre mon corps tout entier! - Beverly Sills/Nicolai Gedda
Track Listings (18) - Disc #3
Act Three, Scene Two: lls sont la?... Oui!/Divertissement - Choeurs du Theatre National de l'Opera de Paris/Nicolai Gedda/Mignon Dunn/Jose Van Dam...
Act Three, Scene Three: Par Merure aux pieds legers - Martyn Hill
Act Three, Scene Three: O Jolie! Soeur choise! - Martyn Hill/Beverly Sills
Act Three, Scene Three: O Jolie! Soeur choise! - Nicolai Gedda/Eliane Lublin/Christiane Chateau/Beverly Sills
"Louise is interesting and lovely work, the most important French answer to Italian "verismo" wich was, by the way, deeply influenced by Massenet in the beginning. This good sound recording is well conducted and has an idiomatic cast in every roles - except the title one, unfortunately. Both the young lovers are declining stars. In 1977 Sills had a style but her voice was lost. Although 52 years old, Gedda still had his clear tone and style, but his French is unidiomatic. The best of all is Jose van Damm as Father, curiously 12 years younger then his "daughter" Sills. With better production it would be a valuable recording, because Louise has few issues now. I didn't hear CBS/Sony version, but could be Cotrubas better?"
A Grand Louise
02/05/2006
(5 out of 5 stars)
"At 3 hours long, Charpentier's all but forgotten Louise is a great opera. If only singers like Angela Gheorghiu and Roberto Alagna can revive this opera on a studio recording! The ligher, more elegant, French-style voices of Beverly Sills and Nicolai Gedda make this particular version a lot like Massenet's Manon. Rudel conducts with a mixture of dramatic realism, romance and bubbly music. Sills is past her prime but can still sing a difficult role like Louise with a style that is uniquely her own and with undying commitment. Jose Van Dam and Mignon Dunn are fine as the "baritone" father and "mezzo" mother, making their roles as convincingly real as possible, though mostly lyrical. This is a fine opera and you shouldn't hesitate to buy it if you are a fan of any of the singers."