Intoxicating, gripping, fantastic 'Horse Opera'!
Antony Sellers | Dublin Ireland | 06/23/2000
(5 out of 5 stars)
"A curious but engaging libretto/scenario from Peter Greenaway, featuring labyrinthine turns of reference and plot that encompass serial murders, contemporary composers, sexual obsession, equine fondness, and Hollywood cinema westerns, only seems to sharpen Louis Andriessen's musical skills. Urgent phrasing, minimalist throbbing, and swirling developing melodies, orchestrated to the composers' unique taste in wind, brass, electric guitars and voices, makes for an addictive, flourishing, score, which works very well on CD. Andriessen throws in wild flourishes of jazz influence and wide, ranging, Western film music pastiche, but never sounds anything like the true original he is. This is highly recommended; if anything more coherent and complete than his major 'music theater' piece "De Materie" (a collaboration with director Robert Wilson). Teaming up with English arthouse filmmaker Peter Greenaway ("The Cook, The Thief, His Wife and Her Lover")works well, and more is promised is promised from the duo ("Waiting for Vermeer" being a cited title). Meanwhile this remains an exceptionally fresh and edgy piece, tolling, trumpeting and snarling into the contemporary conciousness."