Lou Reed Transformer 1. Vicious 2. Andy¦s Chest 3. Perfect Day 4. Hangin Round 5. Walk On The Wild Side 6. Make Up 7. Satellite Of Love 8. Wagon Wheel 9. New York Telephone Conversation 10. I¦... more »m So Free 11. Goodnight Ladies 12. Han« less
All Artists:Lou Reed Title:Transformer Members Wishing: 1 Total Copies: 0 Label:RCA Release Date: 10/22/2002 Album Type: Original recording remastered Genres:Alternative Rock, Pop, Rock Style: Number of Discs: 1 SwapaCD Credits: 1 UPC:078636513225
Synopsis
Product Description
Lou Reed Transformer 1. Vicious 2. Andy¦s Chest 3. Perfect Day 4. Hangin Round 5. Walk On The Wild Side 6. Make Up 7. Satellite Of Love 8. Wagon Wheel 9. New York Telephone Conversation 10. I¦m So Free 11. Goodnight Ladies 12. Han
Weston J. Kathman | Lakeside Park, KY USA | 10/06/2004
(4 out of 5 stars)
"A wonderfully bizarre and entertaining album, TRANSFORMER features many of the qualities that make Lou Reed such a unique figure in rock. Like his work with the underrated Velvet Underground, this album is quirky, unpredictable, and awfully clever. "Vicious" offers a perfect intro to a fun and wacky endeavor. Regardless of how one feels about Reed's music (or his notorious extracurricular activities), he is never dull or derivative. Of course, the fifth track, "Walk on the Wild Side," became the biggest song of his career, including his work with the VU. Though "Wild Side" is a classic about the seamier side of New York City, it is probably not even the best song on the album. That honor may likely go to the third track, "Perfect Day," a haunting, dream-like tune that foreshadows the sorrow that would characterize Reed's subsequent BERLIN, one of the most thoroughly miserable albums of all time (though not bad, actually). Though the music is pretty strong throughout, the second half of TRANSFORMER pales in comparison to the first. "Satellite of Love," perhaps the second most famous song from this record, is a little overrated, but memorable nonetheless. "Goodnight Ladies" provides a nearly flawless ending to an extremely impressive effort. The key ingredient in the mix may be Reed's tremendous sense of humor which shows up in various ways in most of the numbers. Unfortunately, it is this essential Reed characteristic that is sadly missing on BERLIN, which pales in comparison to this triumphant accomplishment."
A Masterpiece !
Hallstatt Prince | MA. USA | 04/21/2005
(5 out of 5 stars)
"Lou Reed staring from the cover of this album like Frankenstein in mascara gives us a feeling we are going to be in for a rough ride of the heavy metal kind. Nothing could be further from the truth. The album is probably most famous for the seventies hit "Walk on the Wild Side". However most of the album is unlike that classic rock song. The songs seem like somewhat sweet ballads that lull us almost into complacency until they slap us in the face. One of the great things about this album is how the music is so sweet and somewhat like show tunes and the lyrics are so subtly deviant and oh so clever.
Take for example the song vicious. These days a song called "vicious" would have speed metal guitars. But that would be much too heavy handed for Lou Reed.
Here are a few selected lines from that song.
"You hit me with a flower
You do it every hour
Ohh, baby you're so vicious"
But Lou Reed does not stop there as he brings up the lyric a notch or two a few lines later.
"Hey, why don't you swallow razor blades
You must think I'm some kinda gay blade
But baby, you're so vicious"
In the next song "Andy's Chest" (most likely referring to the scars Warhol received after the attempt on his life) Reed again accompanies his slightly twisted lyrics with sweetly sounding music.
The song begins just like a love song with the line
"If I could be anything in the world that flew"
But is followed by a line that leads us into a type of horror movie
"I would be a bat and come swooping after you"
One of my favorite songs is Perfect Day. And it is a love song (if a some what twisted one) with a swelling chorus
"Oh it's such a perfect day,
I'm glad I spent it with you.
Oh such a perfect day,
You just keep me hanging on,
You just keep me hanging on."
On the surface it seems so wholesome but the perfect day includes drinking sangria in the park as well as the wonderfully twisted line
"You made me forget myself.
I thought I was someone else,
Someone good."
It is an incredible album well worth owning and savoring.
"
Lou's glam-rock classic
Pieter | Johannesburg | 09/22/2002
(5 out of 5 stars)
"Over these eleven perfectly crafted tracks, Lou showed us various little panoramas of Andy Warhol and The Factory, transvestitism, New York's [homosexual] scene, urban decadence, [narcotics] use and more in a wonderful blend of humour and irony and in a brilliantly diverse musical setting. The guitar-driven hard rock of Hangin' Round and Vicious is balanced by the subdued power of the poetic Perfect Day and the imaginative arrangements of Walk On The Wild side and Goodnight Ladies. Transformer is a literate, intelligent and enduring statement of an era and is one of the few albums of the glam-rock movement that has survived with its artistic integrity intact and that still has something to say today. David Bowie and Mick Ronson produced it with all the expertise they lent to the Ziggy Stardust album. But its varied styles, broader subject matter and feel of personal experience make it a better album than Ziggy Stardust. Unlike on most of Reed's other albums, there is great melodic variety too, and classic pop like the poignant Satellite of Love which by the way, is beautifully covered by Eurythmics on their Sweet Dreams video. It ought to have been as great a hit as Walk On The Wide Side! This most accessible album of Reed's was a deserved commercial success and spawned a million dreams."
A satellite of.... yeah, love....
(KKC) M. S. Artaxerxes Dionysus | Denmark | 06/07/2006
(5 out of 5 stars)
"THE Lou Reed album (though 'Berlin' is just as good), 'Transformer' is simply the closest any album comes to Bowies 'Ziggy', and I encourage anyone, who has just fallen in love with that Bowie-album, to proceed straight on to 'Transformer', even before exploring the rest of Bowie's catalogue.
On the other hand, Lou Reed DOESN'T betray his own muse by jumping on the glam rock-wagon, cos' this is simply a great album, imbued precisely with that energy field known as pure rock'n'roll, that Lou has always worshipped.
'Vicious' may be his best rocksong, and is certainly the track on the album, you'll enjoy the most. It is vain, glorious, playful and absolutely stunning.
'Andy's Chest' offers a somewhat weird, romantic song in just the same vein, another classic. 'Perfect Day' is even more melancholic, pure doomed romance, and precisely the kind of song, which would later inhabit 'Berlin' with feelings.
'Hangin' 'Round' returns us to straight-ahead rock'n'roll. It's a fun & blistering rock song, with a lyric both haunting and hilariously funny. It is followed by the transatlantic Top 20 hit, 'Walk On The Wild Side'.
Some say this song has aged, well, they're wrong. It is a mysteriously, romantic, harrowing epic about the residents of the N.Y. streets.
'Make Up' may be very commecial, it may also be very weird, but there's no denying, that it is funny in its crass commerciality, and that it actually is a very good song.
'Satellite of Love' is another classic, stranded somewhere between 'Walk...' and 'Perfect...' on the mood-scale. Bowie in the background is amazing, while Lou himself beats even that, and the song just perfects the album.
As for 'Wagon Wheel' and 'I'm So Free', they're solid, and more spectacular than given credit for, rock-songs. They blend seamlessly with the very strange 'New York Telephone Conversation' and 'Goodnight Ladies', and together these four tracks ensure, that the chief moods of the album; romance, doom, rock'n'roll & [weird] humour, all survive till the last note ends, and therefor makes the album a consistent whole.
Definently one of those albums one just HAS TO HAVE! Also definently one of those rare albums, which are among the greatest artistic statements of a decade, but at the same time will be recieved with EQUAL joy by an average pop fan!"
Lou Reed for the masses
Damon Navas-Howard | Santa Rosa, CA USA | 08/11/2001
(4 out of 5 stars)
"This is the closet Lou Reed got to the mainstream. With the help of David Bowie, Lou Reed made "Transformer," a seventies pop classic. It isn't as great as "Berlin" and "Rock 'N' Roll Animal" but it doesn't even come close to one of Lou Reed's many crimes against humanity("New York," "The Bells," etc.) "Transformer" is simply good pop with the Velvet Underground underground New York scene lyrics. Lots of people will remember such hits as "Perfect Day, "Walk On The Wild Side," and "Satellite Of Love" which indeed are the best offerings on this album. The rest are good but not as well perfected. "Transformer" is great but not Lou Reed's best, it's just his most popular for obvious reasons. Check out "Berlin" if you want to see the REAL Lou Reed."