"These shows were not for anyone looking for a reprise of "Rock 'n Roll Animal". In truth, this "Live CD" can barely qualify as music. This is the REAL Lou Reed. If you're a diehard fan, you'll appreciate his performance immensely. If you want a reprise of "Rock 'n Roll Animal", stay very far away!"
A live album with a reason for living
Andrew R. Golden | 11/23/2001
(4 out of 5 stars)
"In my opinion, most live albums are redundant - often the live versions of the songs are just poor facsimiles of the studio versions. But Take No Prisoners may be uniquely worth hearing for two reasons. First, Lou Reed's stage patter is often very funny in this performances and seamlessly becomes part of the song he is playing; he alternates between monologuing and singing in a way that seems very natural and comfortable. And somehow it doesn't get old for me - you would think after a while, the talking would get annoying after repeated listenings, but somehow it doesn't - perhaps because his monologs are so well integrated into the music. The other reason that this is a good live album is that the songs are often radically re-configured for this performance - for instance, "Coney Island Baby" is transformed from a singer-songwriter sort of thing into a Springsteen-and-the-E-Street-Band-style workout. "Berlin" is similarly fleshed out by the presence of a horn section and background vocalists. "Waiting For The Man" is a sort of slow, bluesy vamp (this number isn't quite as successful as some of the others, admittedly). "Sweet Jane" and "Street Hassle" stay fairly close to the originals, but they are still strong performances. I'm not a fan of Lou's other live albums without the Velvet Underground (particularly Rock n Roll Animal, which I find borderline unlistenable except for "Sweet Jane" (minus the guitar intro) and "White Light/White Heat"), but this one is definitely recommended."
Its Like Witnessing the Scene of an Accident
Andrew R. Golden | Redwood City, CA United States | 01/13/2002
(4 out of 5 stars)
"Take No Prisoners presents a fascinating view of the rock 'n' roll ego soaked in absurd doses of the whole gammet of drugs. Lou's drug-raged banter decorates many of thye songs, especially Sweet Jane and Walk on the Wildside. The band is good, but the real appeal of this album is more as a sociological oddity. Lou is smart enough that his wasted babbling is really quite funny and interesting. I really do like this album!"
Needs a revamp
J. Howe | Dover, NH | 02/26/2002
(3 out of 5 stars)
"This album is the Everyman Band at it's best, and I would give it a five-star rating in a minute if it weren't for one thing: the edits. This album was compiled from a series of shows, some of which were more than three hours long (with some versions of songs reportedly lasting up to forty minutes.) When it came time to release the original double LP set, editing decisions of course had to be made. Thus, "Waiting For My Man," starts in near the last verse, even while clocking in at twelve minutes. "Walk on the Wild Side," another long entry, never even gets to the proper song. Instead, it's Lou spouting off while the band patiently plays the riff and waits for him to get going. Don't get me wrong, even these truncated versions are very enjoyable, however with the longer CD format, there is NO EXCUSE for such a short version of this album. At a minimum, the cut-up songs that appeared on the orginal should be full-length for the CD release. Even better would be a box set with tons of songs from the hours and hours of tapes made for this release. Or even better than that, how about ALL of the shows as a multi-volume series?"