Lou's 1982 RCA album, his first after returning to the labelfrom Arista. Dedicated to his long-time inspiration, poetDelmore Schwartz, the album features guitarist Robert Quineand 10 tracks, including 'My House', 'Women' a... more »nd 'The DayJohn Kennedy Died'.« less
Lou's 1982 RCA album, his first after returning to the labelfrom Arista. Dedicated to his long-time inspiration, poetDelmore Schwartz, the album features guitarist Robert Quineand 10 tracks, including 'My House', 'Women' and 'The DayJohn Kennedy Died'.
Michael D. Hoffman | huntley illinois | 01/25/2008
(5 out of 5 stars)
"Ive put time in on almost every Lou disc out there(except Metal Machine Music-I dont get it).This is one of my all time faves that consistantly get played.Great playing,great sound and some real pretty music(Our house)-----along with the most brutal music Ive heard from Lou.Crank the vol. up on Waves of Fear and The Blue Mask,and raise some goosebumps.(These 2 songs MUST be played LOUD)GREAT stuff!Ghosts of the VU will rise from the smoke of the ashes of yer speakers.I love this album!No way does "Growing Up In Public"( which I DO like)come close to this disc but the following;Legendary Hearts Is damn good also."
Better than Metal Machine Music
Jizmo | Boston | 05/02/2008
(5 out of 5 stars)
"This is better than Metal Machine Music
Really. It is!"
A classic, if not for 1966 - 1973
Mactavish | 08/10/2008
(3 out of 5 stars)
"I am amazed at the amount of praise this good CD gets. After The VU to Berlin in 1973, a great Lou Reed album now seems to be one where half the songs are strong, a decent album is one with 2 great songs, and a lousy album is consistently bad.
The Blue Mask has 3 stand-out tracks: "My House", with evocative lyrics, a melodic chord progression and quite nimble singing for the usually monotone Lou. "Waves of Fear" is a cousin to "Kill Yr Sons". Same kind of chords & menace, with Lou really belting/bellowing out the words. "Heavenly Arms" finishes the album in style with impassioned singing, a good melody & soulful female backing vocals. Robert Quine adds a lot. A fine guitarist whose reputation is making noise, but here Quine is usually very clear & melodic. (Obviously this CD was a big influence on Matthew Sweet & especially Lloyd Cole who used Quine extensively in the 90's.)
That being said, there are some serious turkeys on this album that would have fit right in on any of Lou's 20 bad records. "The Blue Mask" is just a tuneless rant over droning chords & feedback that goes nowhere. Monotonous & unmelodic. This would have been thrown off of a VU or Sonic Youth album.
"Average Guy" is sung in his Transformer voice, but is otherwise awful. Lou is sometimes a genius, sometimes lame, but he is never average. He sounds like he is trying way too hard on this, and doesn't believe it.
"The Day John Kennedy Died" could have been great, but it concentrates on Lou not JFK, and the corny title hook ruins it.
I'm glad Lou loved "Women" at this point (as opposed to men who dress like women) but if Michael Bolton sang this song, it would be universally hated.
Yes, The Blue Mask is Lou Reed's best work of the '80's, but most artists don't have the legacy of Velvet Underground with Nico, Loaded, Transformer & Berlin to compete with. Early genius is a b*tch!
Suspend your expectations and you will enjoy The Blue Mask."
The definition of a consistent album...
C. R. Newton | Raleigh, NC United States | 10/15/2009
(5 out of 5 stars)
"In short - this is Lou Reed's greatest album.
'Transformer', 'Berlin' and 'Street Hassle' may get the most press, but 'The Blue Mask' is the real deal.
Yes, that's a steep claim; but after listening to Lou's output over the years, 'The Blue Mask' holds up like none other. It's an absolutely beautiful, moving and soulful album. Lou is at his most mature, honest and vulnerable. He's also brutal, as this album contains two of Lou's most devastating songs - "Waves of Fear" and "The Blue Mask". And man, what a doozy that title track is - we're talking psychopathic, desperate and intensely powerful! (Like a lost GG Allen tune that GG could never competently express.)
I've owned different versions of The Blue Mask, and the 2006 BMG Japan Mini LP remaster is the best (although pricey). The expanded sound quality finally do justice to the intricate, almost avant-garde guitar play between Lou and Robert Quine. Their harsh, angular riffs rock like the greatest Sonic Youth material.
Beleive the hype - The Blue Mask is the definition of a consistent, rewarding album. A true comeback album. One of the greats."