Where Does That Leave Me - Lorrie Morgan, Majeski, Cathy
I Did - Lorrie Morgan, Leigh, Richard
Strong Enough to Cry - Lorrie Morgan, Barnes, Max D.
Maybe Not Tonight - Lorrie Morgan, Hill, Dan [1]
Here I Go Again - Lorrie Morgan, Richey, Kim
Between Midnight and Tomorrow - Lorrie Morgan, Satcher, Leslie
The Only Thing That Looks Good on Me Is You - Lorrie Morgan, Adams, Bryan
Never Been Good at Letting Go - Lorrie Morgan, Bruce, Trey
My Heart - Lorrie Morgan, Satcher, Leslie
On This Bed - Lorrie Morgan, Randall, Jon
It has become common to dismiss contemporary Nashville country as suburban lite rock aimed at middle-aged housewives. And now we have Lorrie Morgan's 10th record, a set where that aim is most overt. On the opening "The Thi... more »ngs We Do," she laments a life filled with pressed shirts, brushed teeth, mowed yards, and wound watches, and instead she hopes to "kiss some guy that I don't know ... parasail and learn to fly." On the title track, she complains that her life needs "a lot less charge account and more Wile E. Coyote" before she blasts both Diet Coke and remote control. On "Maybe Not Tonight," her duet with Sammy Kershaw, she is hurt by a man who never says "I love you" and just sits behind his paper, but she hasn't the nerve to leave because he's "still the only one." Attention Mrs. Jones of Overland Park, Kansas: put the kids to bed and draw a bath--your album is waiting. --Marc Greilsamer« less
It has become common to dismiss contemporary Nashville country as suburban lite rock aimed at middle-aged housewives. And now we have Lorrie Morgan's 10th record, a set where that aim is most overt. On the opening "The Things We Do," she laments a life filled with pressed shirts, brushed teeth, mowed yards, and wound watches, and instead she hopes to "kiss some guy that I don't know ... parasail and learn to fly." On the title track, she complains that her life needs "a lot less charge account and more Wile E. Coyote" before she blasts both Diet Coke and remote control. On "Maybe Not Tonight," her duet with Sammy Kershaw, she is hurt by a man who never says "I love you" and just sits behind his paper, but she hasn't the nerve to leave because he's "still the only one." Attention Mrs. Jones of Overland Park, Kansas: put the kids to bed and draw a bath--your album is waiting. --Marc Greilsamer
"Lorrie Morgan's penchant for dramatic ballads and big production sometimes gets a bit over-the-top, which is why MY HEART is such a delightful surprise. The CD is stripped-down and full of sparse, tasteful arrangements, which let her terrific voice shine through. The songs are winners, too; well-written and encompassing more than just the usual topics of love gained and lost. In fact, Morgan sounds so incredibly relaxed on MY HEART that she even breaks into giggles at the end of a few tracks. On one of these, "The Things That We Do," Morgan and special guest Jo Dee Messina ruefully check off a humorous list of everyday drudgeries.Another standout, "Between Midnight and Tomorrow," is a great hard country song detailing the struggles of a woman in love with an alcoholic. Morgan even manages to turn Bryan Adams' glam-rocker "The Only Thing That Looks Good On Me Is You" into a country number without losing any of the song's energy and humor. MY HEART does contain some big ballads--"Where Does That Leave Me," "On This Bed" (written by Morgan's husband Jon Randall) and the emotional Sammy Kershaw duet "Maybe Not Tonight"-- but none of them are overdone. And it's this restraint that lets MY HEART beat true."
Underrated album
Jake Z | Canada | 11/04/2003
(4 out of 5 stars)
"Lorrie Morgan's career seemed to peak in 1997 with the release of her 1997 album SHAKIN THINGS UP. She had a few hits off there, but that was it. Afterwards came the standards album SECRET LOVE, and the vastly underappreciated MY HEART album. I admit when I first heard it, I didn't quite like it as much as her previous albums. It really grew on me though and it's quite a good album overall. MY HEART is Lorrie's 10th studio album. There's some fun cute songs, like her take on Bryan Adams' "The Only Thing That Looks Good On Me Is You", or the fun title track. There's also the classic ballads Lorrie is famous for, like "Where Does That Leave Me", "Never Been Good At Letting Go", "I Did", "Strong Enough To Cry", "On This Bed" and more. Overall it's a great album, my favorites include "Where Does That Leave Me", "I Did", "Between Midnight and Tomorrow", "My Heart", "Never Been Good At Letting Go" and "On This Bed"."
Hit and Miss
gemini_j | Canada | 05/10/2001
(4 out of 5 stars)
"My Heart was the long awaited album from Lorrie Morgan, her first since 1997's Shakin Things Up. The album is a bit of a departure from her past music. My Heart though is filled with some great material, and some not so great stuff. Songs like The Things We Do, I Did, Strong Enough To Cry, Maybe Not Tonight, Between Midnight and Tommorow, Never Been Good At Letting Go and My Heart are great songs. The other ones though are less than perfect, not to say they are so horrible, but they didnt really seem to suit her voice. This is by far not her best album, but its not that bad either."
One of the best
05/06/2002
(5 out of 5 stars)
"Okay so Lorrie Morgan has married Sammy Kershaw and caused a lot of contraversey but so did Trisha Yearwood and Garth Brooks and everyone still loves them. Lorrie has a lot of talent that is both over looked and underated. This album is one of many that prooves it. Her voice is pure and strong and also natural unlike some of todays, so called female singers. Forget Shania and Faith and lets get back to some real talent."
A great contemporary country album
Peter Durward Harris | Leicester England | 07/25/2005
(5 out of 5 stars)
"Lorrie's eclectic musical tastes didn't exactly endear her to American country radio station programmers who prefer singers that stick within a basic formula. Lorrie liked to record covers of pop oldies (usually from the sixties and seventies) and country oldies as well as contemporary songs. She even recorded a whole album of songs from the forties and earlier (Secret love) that obviously was never intended for country fans, except those (like me) who also enjoy that kind of music. Given all that, it seems ironical that when Lorrie recorded an album that dispensed with all the oldies and focused entirely on contemporary songs, it didn't do as well as was hoped. Perhaps the cover artwork, featuring Lorrie framed by a giant purple heart, alienated some people Nevertheless, the music is classic Lorrie. It isn't my favorite Lorrie album (that would be either Leave a light on or Watch me - it's hard to choose between them) but, like all of Lorrie's albums, this one is well worth hearing.
For this album, Lorrie recorded songs by some of the finest contemporary writers. The seven backing singers include Jo Dee Messina, though you would need to be a very astute and alert Jo Dee fan to identify her voice. The album opens with The things we do, in which Lorrie contrasts things she does with things she wants to do. It's interesting but I'm not sure if she really wants a one-way ticket to Mexico. It's a lovely country but everything I've heard suggests that human migration is mostly in the other direction. Nevertheless, it is a brilliant song. Another great upbeat song is The only thing that looks good on me you, which was co-written by Bryan Adams. The title track is an excellent mid-tempo song.
While Lorrie can sing any type of song, she is particularly good at ballads, which make up the rest of this album. All of them are brilliant - they are On this bed (written by Jon Randall, who was married to Lorrie at the time). Maybe not tonight (a duet with Sammy Kershaw, a more recent husband of Lorrie's), Here I go again (written by the brilliant singer-songwriter Kim Richey), Where does that leave me, I did, Strong enough to cry and Never been good at letting go.
While this was not one of Lorrie's big selling albums, there is much for Lorrie's fans to enjoy here. Do not worry about the cover - if you enjoy some of Lorrie's other music, I expect you'll enjoy this too."