Recitative: Ich Habe Genug. Mein Trost Ist Nur Allein
Aria: Schlummert Ein, Ihr Matten Augen
Recitative: Mein Gott! Wenn Kommt Das Schone: Nun!
Aria: Ich Freue Mich Auf Meinen Tod
Recitative: Mein Herze Schwimmt Im Blut
Aria And Recitative: Stumme Seufzer, Stille Klagen
Recitative: doch Gott Muss Mir Gnadig Sein
Aria: Tief Gebuckt Und Voller Reue
Recitative: Auf Diese Schmerzensreu
Chorale: Ich, Dein Betrubtes Kind
Recitative: Ich Lege Mich In Diese Wunden
Aria: Wie Freudig Ist Mein Herz
Lorraine Hunt Lieberson has been scantily represented on CD, and that makes this gorgeous, deeply felt release all the more valuable. Here she sings two Bach cantatas composed for solo voice. Her mezzo is not particularly ... more »heavy, but it can darken or lighten expressively, and she uses its dusky qualities handsomely. Ich habe genug was originally written for solo bass, but Bach revised it a few years later. The way the voice works with and around a solo oboe (amid the accompanying strings) is beautiful. Of particular note are the aria "Schlummert ein"--a lullaby which Lieberson sings with a long, sustained, hushed tone--and the final aria, in which the singer looks forward to her death and eternal peace; the latter is remarkable for its joyful, flowery vocal line, as upbeat as the lullaby is serene. Lieberson catches the mood, and her rhythmic accuracy, leaning on the beat, brings out the joy in the singer's religious fervor. The second cantata, similarly scored with a prominent solo oboe, begins with a recitative ("My heart swims in blood") and is a confession of guilt; by its close the tone has again turned vivacious, as the sinner looks forward to salvation. Lieberson's voice is capable of level upon level of dynamics, her soft singing is as impressive as her more outgoing expressions. This is a beautiful disc from an important singer. --Robert Levine« less
Lorraine Hunt Lieberson has been scantily represented on CD, and that makes this gorgeous, deeply felt release all the more valuable. Here she sings two Bach cantatas composed for solo voice. Her mezzo is not particularly heavy, but it can darken or lighten expressively, and she uses its dusky qualities handsomely. Ich habe genug was originally written for solo bass, but Bach revised it a few years later. The way the voice works with and around a solo oboe (amid the accompanying strings) is beautiful. Of particular note are the aria "Schlummert ein"--a lullaby which Lieberson sings with a long, sustained, hushed tone--and the final aria, in which the singer looks forward to her death and eternal peace; the latter is remarkable for its joyful, flowery vocal line, as upbeat as the lullaby is serene. Lieberson catches the mood, and her rhythmic accuracy, leaning on the beat, brings out the joy in the singer's religious fervor. The second cantata, similarly scored with a prominent solo oboe, begins with a recitative ("My heart swims in blood") and is a confession of guilt; by its close the tone has again turned vivacious, as the sinner looks forward to salvation. Lieberson's voice is capable of level upon level of dynamics, her soft singing is as impressive as her more outgoing expressions. This is a beautiful disc from an important singer. --Robert Levine
Thomas Frey | Cincinnati, Ohio United States | 03/13/2004
(5 out of 5 stars)
"This is not addressed to any particular cd, but to the woeful ignorance of Amazon.com in regard to classical music, particularly classical vocal music. My case lies in your "listen to" features that are supposed,I would assume, to allow a propective buyer to hear THE VOCALIST. What whoever manages thess things obviously does know or care about is that most classical vocals (arias, cantatas, songs etc.) have long orchestral introductions, so that your exceedingly generous 30 seconds of music often does not allow one to hear the VOCALIST!!!
If you do desire to sell classical vocal cds, why don't you do the smart thing and select that 30 seconds somewhere within the piece, so that one might more readily hear the VOCALIST and not 30 seconds of intro music. I doubt very much that you will listen to or act upon my suggestions as there is nothing more stubborn or resistant to change as stupidity."
Lorraine Hunt Lieberson - simply a phenomenon!
Grady Harp | Los Angeles, CA United States | 10/17/2003
(5 out of 5 stars)
"For those who have had the ecstatic pleasure of hearing Lorraine Hunt Lieberson in person this CD of two luminously performed Bach Cantatas will be no surprise, and will even be a welcome reprise. Surely one of the most sensitive, vocally gifted, insightful singers before the public today, Lorraine Hunt Lieberson is destined to become known throughout the world as the megastar she truly is. This may be despite her apparent selflessness of interpreting music as complex and subtle as Bach's cantatas # 82 and #199. Most singers who approach the Baroque repertoire emphasize pyrotechnic execution of Bach's seemingly brutal writing. Hunt Lieberson finds the poetry and the essence of the words and wraps them effortlessly with the music into extended moments of communication. In both of these cantatas the solo oboe is treated less like an incidental obbligato than as a voice, equal to the vocal line and to the orchestra in the singer's approach. Everything is in its place, the lush beauty of her mezzo soprano timbre is nothing short of stunning, and her musicianship qualifies her as a true 'Musician's Musician.' In some circles that connotation might suggest that this is a technically fine but 'dry' performer: Hunt Lieberson is without a doubt one of the most warmly compassionate singers of our time. This CD deserves not only the Grammy, but it also deserves a place in the collection of every music lover - Baroque and beyond. Lorraine Hunt Lieberson is a Phenomenon."
God revealed
Erin Matthiessen | Portland, OR USA | 11/01/2003
(5 out of 5 stars)
"Bach is God, and Lorraine Hunt Leiberson reveals Him. The purity of her line, the ardor of her phrasing, the total devotion to the music, the willingness to walk the line between insanity and humility (yes, there is such a line)- these are what make Hunt Leiberson the perfect channel for Bach. No one since Dame Janet Baker has understood so deeply, has inhabitated so fully the pulsing heart of Bach's humanity as well as his religiosity. While dancing in the Mark Morris Dance Group I had the priviledge of dancing to her singing (of Handel, as it happens in this instance), one of the high points of my career, a memory I cherish. And now through this CD we all can appreciate the heartfelt depth of her expression, the beautiful legato, the giving way to emotion that, in its restraint, is even more devastating. She is one of the best singers alive today."
Ethereal
Ahhling | NY, NY | 07/15/2005
(5 out of 5 stars)
"I admit to being a novice at hearing a lot of classical vocal music. I do listen to operas and I quite enjoy a lot of Bach - he is my favorite composer. I have heard of Lieberson a lot over the past few years. Last week, I stayed as a guest in a house where this cd was playing and I felt my whole spirit rise up. The musical selections are truly sublime and Ms Lieberson's voice is so magical. I enjoyed listening to it in perfect silence so that each note was audible and appreciated. It's truly a masterpiece. Thank goodness that music of this quality is still produced and out there. Thanks to the great master Johann and to the ethereal and talented Lorraine Hunt Lieberson."
Exquisite
R. Owen | Hartford CT United States | 04/02/2005
(5 out of 5 stars)
"Will my written word be able to say what is in my heart? This CD is a stunning experience of the alchemy of Bach and voice. Lieberson is all about the expressiveness of the line and allows the grace and beauty of the music to float on her voice. I was moved to a sort of frozen bliss when I first listened to this, perhaps the most profound musical experience I have had for months. In our world of overproduced discs wringing reaction from our overtaxed attention, this quiet and amazing performance of these extraordinary cantatas is the balm to shattered nerves."