On the Sunny Side of the Street - Lionel Hampton, Fields, Dorothy
April in Paris - Lionel Hampton, Duke, Vernon
Don't Be That Way - Lionel Hampton, Goodman, Benny
These Foolish Things - Lionel Hampton, Link, Harry
The Way You Look Tonight - Lionel Hampton, Fields, Dorothy
It's Only a Paper Moon - Lionel Hampton, Arlen, Harold
Vibraphonist Hampton as ever boasts a struck-bottle tone and watery vibrato, energy to spare, and timing few jazz musicians could equal. He used to bat around small bands like balloons, their performances caught on a stri... more »ng of quality jam-session records stretching back to the 1930s. This 1954 version, originally on two LPs, makes good with a slightly unlikely cast. Clarinet modernist Buddy DeFranco is swept back toward the piping, driving style of swing-era heroes like Hamp's old boss Benny Goodman, without sacrificing his own attractively full but not heavy tone. DeFranco gets plenty of space and soars to the occasion, reminding us what such sessions are good for. As on other studio jams for producer Norman Granz, flashy pianist Oscar Peterson and drummer Buddy Rich are admirably self-effacing, laying down a firm but pliant groove in conjunction with bassist Ray Brown. Hamp's oddball pop-tune quotes help establish an air of good humor the band sustains even on "Paper Moon," which he missed. --Kevin Whitehead« less
Vibraphonist Hampton as ever boasts a struck-bottle tone and watery vibrato, energy to spare, and timing few jazz musicians could equal. He used to bat around small bands like balloons, their performances caught on a string of quality jam-session records stretching back to the 1930s. This 1954 version, originally on two LPs, makes good with a slightly unlikely cast. Clarinet modernist Buddy DeFranco is swept back toward the piping, driving style of swing-era heroes like Hamp's old boss Benny Goodman, without sacrificing his own attractively full but not heavy tone. DeFranco gets plenty of space and soars to the occasion, reminding us what such sessions are good for. As on other studio jams for producer Norman Granz, flashy pianist Oscar Peterson and drummer Buddy Rich are admirably self-effacing, laying down a firm but pliant groove in conjunction with bassist Ray Brown. Hamp's oddball pop-tune quotes help establish an air of good humor the band sustains even on "Paper Moon," which he missed. --Kevin Whitehead
"This is such a blast - the lead track, "flyin' home" is a ferociously swinging workout with some really empathetic jamming.
There's plenty of "pretty" vibes work here, but no mush. A very musical, very entertaining, very hip 50s jazz recording."
Swingin Cats
Colin | West Hartford, Ct. United States | 08/21/2003
(5 out of 5 stars)
"This session is the definition of swing, particularly exemplified on the first track. The quintet swings long, and they swing hard, with a good song selection and all star personnel. For jazz listeners from beginners to advanced, this record is a must-have in the jazz collection. 5 stars."
High Flyin'
Colin | 09/16/2002
(5 out of 5 stars)
"The first number on the CD, by itself, is worth the price. You have five all-time great jazz artists improvising for over 17 minutes on "Flying Home", a Lionel Hampton and Benny Goodman composition -- I dare you to try not to smile."
This music makes you smile and dance
kornelio | Budapest, Hungary | 02/21/2003
(5 out of 5 stars)
"This is an all star session, and a very succesful one. What we hear is highly inspired, swinging, timeless jazz. Vibes and clarinet together sound unconventional, elegant and really entertaining. I highly recommend this CD."
Damn this is great.
Stan Tomczak | 10/03/2009
(5 out of 5 stars)
"I saw Mr. Hampton back in 1975.And remember how impressed was with his performance. Years later i heard his take on Sunnyside Of The Street, and was blown away. Little did i know that the rest of his album, was just as beautiful. Start to finish."