Don't Cry for Me Argentina - Lester Bowie, Lloyd Webber, Andre
Beautiful People - Lester Bowie, Manson, Marilyn
In the Still of the Night - Lester Bowie, Porter, Cole
Notorious Thugs - Lester Bowie, Combs, Sean "Puffy"
Nessum Dorma - Lester Bowie, Puccini, Giacomo
If You Don't Know Me by Now - Lester Bowie, Melvin, Harold, Pen
You could've called Lester Bowie a pop-music Odysseus a long time ago, what with his awesome Great Pretender and almost all his other solo albums (and even some of the Art Ensemble of Chicago CDs). But this recording seeks... more » more than the others to get a snapshot of the musical present and filter it through a charged, multihued brass mix that stays amazingly keeled in both the blustery low end, with Bob Stewart's big tuba, Vincent Chancey's French Horn, and a trio of trombones, and also the leaping high end, with Bowie and three other trumpeters. The Spice Girls' "Two Become One" is a sleepy, mournful tune in Bowie & Co.'s hands, just as "Don't Cry for Me Argentina" is a study in extended melodic lines and colorfully blue harmonies. And if the combo of Spice and (Tim) Rice aren't enough, there's also a romping Marilyn Manson that is turned to a low-brass party and even Puccini's "Nessun Dorma." Along the way, you can catch a paean to Notorious B.I.G. and a smoldering take on Cole Porter's "In the Still of the Night." Taken with the Brass Fantasy catalog and Bowie's New York Organ Ensemble CDs, The Organizer and Funky T Cool T, this release deals us a new Odysseus, home, we hope, for a long spell. --Andrew Bartlett« less
You could've called Lester Bowie a pop-music Odysseus a long time ago, what with his awesome Great Pretender and almost all his other solo albums (and even some of the Art Ensemble of Chicago CDs). But this recording seeks more than the others to get a snapshot of the musical present and filter it through a charged, multihued brass mix that stays amazingly keeled in both the blustery low end, with Bob Stewart's big tuba, Vincent Chancey's French Horn, and a trio of trombones, and also the leaping high end, with Bowie and three other trumpeters. The Spice Girls' "Two Become One" is a sleepy, mournful tune in Bowie & Co.'s hands, just as "Don't Cry for Me Argentina" is a study in extended melodic lines and colorfully blue harmonies. And if the combo of Spice and (Tim) Rice aren't enough, there's also a romping Marilyn Manson that is turned to a low-brass party and even Puccini's "Nessun Dorma." Along the way, you can catch a paean to Notorious B.I.G. and a smoldering take on Cole Porter's "In the Still of the Night." Taken with the Brass Fantasy catalog and Bowie's New York Organ Ensemble CDs, The Organizer and Funky T Cool T, this release deals us a new Odysseus, home, we hope, for a long spell. --Andrew Bartlett
"Any jazz artist that can appreciate Marilyn Manson has got to be great. Thanks Lester."
Goodbye Lester
Colby Spath | New Orleans | 06/28/2001
(5 out of 5 stars)
"If this is the last CD put out by this late genius it is a fitting testament to the breadth of musical knowledge, skill and humor he truly possessed. A great CD."
Nothing like it
tasteful dude | chicago, IL | 05/31/2006
(4 out of 5 stars)
"If you've never listened to Lester Bowie's brass ensembles, you owe it to yourself.
He brings an orchestral sense of scale and sly sense of humor to his material, and he never forgets to swing. This music is utterly seductive, and accommodates itself to whatever mood you may be experiencing. It offers both emotional and intellectual rewards to delight the listener."
Inconsistent but good overall...
scifiman5 | San Mateo, Ca United States | 07/05/2006
(3 out of 5 stars)
"Bowie's musical exploits were gutsy for a number of reasons, and it makes this album, among his others, a pleasure. Despite some great moments on this album (including a beautiful "Two Becomes One"), it ultimately does not reach the mastery it should.
Part of this is simply overreach -- Nessun Dorma, the superb aria from Puccini's Turandot, is shown to be beyond the reach of Bowie's arranging skills. I'm inclined to think it's beyond the reach of any jazz arranger's skills, so I give Bowie props for trying. Other tracks simply can't overcome the shortcomings of the original composition (Andrew Lloyd Webber's "Don't Cry for Me" is the prime example here).
In the end, "Odyssey of Funk and Popular Music" has its moments, but is probably not your best Bowie pick. Grab "When the Spirit Returns" first, then come back for this.
(By the way, the Amazon reviewer seems to think "In the Still of the Night" is the Cole Porter song. In actuality, it is the song by the Five Satins . I don't know how the reviewer made this mistake; Bowie's version does not sound remotely like Porter.)"