An index to the excellence of Leif Ove Andsnes's Liszt recital is that he makes familiar works exciting and fresh-sounding and obscure ones persuasive and accessible. Andsnes turns the "Mephisto" Waltz No. 1 from a tired c... more »ircus stunt into a tone poem daring in its effrontery and voluptuous in its lyricism. He plays the "Dante" Sonata without the usual penny-awful bludgeoning and sentimental blustering and lifts its treatment of love, chaos, and redemption to an exalted level. The infrequently performed "Andante lagrimoso" (No. 9 of the Harmonies poétiques et religieuses) is haunting in its unceasing alterations between pain and serenity. And in late works--such as the Second and Fourth "Mephisto" Waltzes and the "Valse oubliée" No. 4--the pianist shows us how far Liszt had traveled from romanticism toward both expressionism and impressionism, making us understand how these works lit the paths of composers as diverse as Debussy, Schoenberg, and Bartók. If you buy only one recording of Liszt's piano music this year, make it this. --Stephen Wigler« less
An index to the excellence of Leif Ove Andsnes's Liszt recital is that he makes familiar works exciting and fresh-sounding and obscure ones persuasive and accessible. Andsnes turns the "Mephisto" Waltz No. 1 from a tired circus stunt into a tone poem daring in its effrontery and voluptuous in its lyricism. He plays the "Dante" Sonata without the usual penny-awful bludgeoning and sentimental blustering and lifts its treatment of love, chaos, and redemption to an exalted level. The infrequently performed "Andante lagrimoso" (No. 9 of the Harmonies poétiques et religieuses) is haunting in its unceasing alterations between pain and serenity. And in late works--such as the Second and Fourth "Mephisto" Waltzes and the "Valse oubliée" No. 4--the pianist shows us how far Liszt had traveled from romanticism toward both expressionism and impressionism, making us understand how these works lit the paths of composers as diverse as Debussy, Schoenberg, and Bartók. If you buy only one recording of Liszt's piano music this year, make it this. --Stephen Wigler
Clark W. Sorensen | Seattle, WA United States | 07/30/2001
(5 out of 5 stars)
"Wow! It is as if I had never heard the Dante sonata before. A problematic work that never sounds as good as it ought to be suddenly came alive when I listened to the first cut on this CD. Andsnes has the necessary poetry and can tie the long lines of a complex work together. He can also reach that shattering climax when he needs to. The first Mephisto Waltz was as exciting as I have ever heard it, yet his fortissimos never become percussive. And what a treat to get Andante lagrimoso from Liszt's neglected Harmonies poetiques et religieuses. This is a must for those of you who love Lizst, and even more for those of you who think you might like Liszt (if you heard the right performance)."
Spellbinding Performances Of Liszt's Music
John Kwok | New York, NY USA | 03/02/2002
(5 out of 5 stars)
"Leif Ove Andsnes' latest recording most certainly has to be regarded as among his best. I haven't heard Liszt played with such vigor and passion before. Andsnes gives a fresh, exhilirating interpretation of the Dante Sonata, and his performances of other works such as the Mephisto waltzes are equally compelling. This is one of the most exciting recent recordings of solo piano music I've heard. My only regret is that Andsnes hasn't recorded Liszt's other works for the piano. I have no doubt that such performances would be equally spellbinding. The sound quality is superb, comparable in quality to what I've heard on EMI's recordings of Stephen Kovacevich's ongoing Beethoven piano sonata cycle."
A supreme recital
Sarp Demir | Izmir, Turkey | 06/10/2004
(5 out of 5 stars)
"Andsnes's superb Liszt performance deserves the attention. His interpretation of the Ballade No. 2 is among the best. The unusual light touch that he uses in every piece determines the characteristic property of the whole set. Also I have to say that his Mephisto Waltz No. 1 is the fastest I have seen recently, and he does that without a single misplaced finger ! Appreciated recording."
Northern Liszt
Lanja Samsdottir | Utrecht, Holland | 09/01/2005
(5 out of 5 stars)
"Some reviews of this disc and others have characterized Leif Ove's playing as cold and unemotional, and upon my first hearing of Liszt Recital, I could very well understand where these ideas were coming from. However, now I would beg to differ: I think that Leif Ove exhibits supreme control and discipline - which, particularly when applied to Liszt, could very well be interpreted as cold. One may perhaps feel that he is hesitant or even reticent to allow more emotion to colour his interpretations of the music given his clarity of tone and absolute precision in striking the keys. Yet I do not think that Leif Ove does any disservice to the music. Rather than indulge us in a wild frenzy of emotions, he is thoughtful and contemplative; he's passionate too, but on his own terms. He does not tell us, the listeners, any more than we need to know. This is northern Liszt, and I like it especially when I need something glorious yet tempered. However, for pure passion perhaps Bolet's 2-disc release on Decca London is better. (But Leif Ove has recorded here different pieces than Bolet, so maybe you should get both after all.)"
Moving and incredible
Frank M. Stalone | near Philadelphia | 11/22/2007
(5 out of 5 stars)
"This cd is amazing, I can't imagine listening to it without being moved. It will take you somewhere beyond the everyday experience, your imagination will come alive. True, the overall tone of it is dark, but I would hardly call it "depressing". After listening to the whole cd, I am left in a different state than before, a state of awe. This cd was the first time I heard Liszt, and he's been one of my favorites ever since."