String Quartet No1 in E-flat maj, Op12: Canzonetta
Serenata
Suite Espanola - No.1: Granada
Suite Espanola - No.3: Sevilla
Danza Espanola No.10 in G major, Op.37
Fandanguillo
Suite Castellan: Fandanguillo
Sonatina In A Major: Allegretto
Preludio
Nocturno
Petite Valse
Suite In A Major: Prelude: Allemande
Suite In A Major: Gavotte
Suite In A Major: Sarabande
Suite In A Major: Gigue
Recuredos de la Alhambra
The Segovia heard in these recordings, made between 1927 and 1939, is quite different from the somewhat enfeebled legend who toured and recorded through his 80s. The flashing virtuosity and color of the best of these 78s c... more »ompares better with the virtuosic standards of the '90s. Just hearing Tárrega's familiar Recuerdos de la Alhambra in this 1927 recording is enough to convince you that you're listening to one of the great guitar virtuosos of all time. It's unclear why Segovia's often-sentimentalized Bach became so famous, and the transcriptions that lead off this disc are quite unstylish by our contemporary standards. But once you get past those and the following Baroque items, which take up only a few minutes, you're into the romantic and 20th-century repertoire that Segovia played so brilliantly. The amazing transfers make the recordings sound much more recent than they actually are. --Leslie Gerber« less
The Segovia heard in these recordings, made between 1927 and 1939, is quite different from the somewhat enfeebled legend who toured and recorded through his 80s. The flashing virtuosity and color of the best of these 78s compares better with the virtuosic standards of the '90s. Just hearing Tárrega's familiar Recuerdos de la Alhambra in this 1927 recording is enough to convince you that you're listening to one of the great guitar virtuosos of all time. It's unclear why Segovia's often-sentimentalized Bach became so famous, and the transcriptions that lead off this disc are quite unstylish by our contemporary standards. But once you get past those and the following Baroque items, which take up only a few minutes, you're into the romantic and 20th-century repertoire that Segovia played so brilliantly. The amazing transfers make the recordings sound much more recent than they actually are. --Leslie Gerber
A "must have" album for classical guitar enthusiasts.
02/15/1999
(4 out of 5 stars)
"Andre Segovia is a master story teller who shares his insights of the classic lute, voilin and cello compositions of J. S. Bach. I find the Suite No. 3 (cello) part 5 Bourree to capture the essence of classical guitar music. This album is at the top of my gift list and has been shared with a dozen of my friends."
To listen both while reading a book an in silence
Audrius Alkauskas | Lithuania, now in Switzerland | 01/27/2002
(5 out of 5 stars)
"I used to play a classical guitar once, but, of course, i never played like Segovia. If you like silent music, music for the heart, you should purchase thi album. Both for silent listening and listening while doing something else. It nice like eraly spring."
Exceptional guitar work
Astomis | Burnsville, MN USA | 10/17/2002
(5 out of 5 stars)
"Segovia makes his brilliance shine on this compilation. You can't deny the musicianship in these early recordings that, if you are familiar with any of his later sessions, were never left behind. Buy it, you'll love it. I'm sure you'll be scouring for more Segovia to grace you cd player."
Editorial review
Peter Spence | London | 02/23/2007
(5 out of 5 stars)
"I don't agree with Leslie Gerber's editorial review of this disc, Segovia's playing of Bach is beautiful and he infuses this music which is so easy to play in a sterile fashion with great attention to the melodic line, contrapuntal texture and form, skills which are often sadly lacking in todays performances of Bach. Leslie Gerber blindly follows the politically correct mood of the day which is to deny that there is any romance in this music, truly great performers don't just play the dots they bring something special of their own to the music, a point completely missed by Leslie Gerber and other critics and commentators of her kind.