Symphony No. 1, "Klippepastoraler" (Pastorals of the Rocks): I. Braendinger og Solglimt (Surf and Glimpses of Sun): Maestoso
Symphony No. 1, "Klippepastoraler" (Pastorals of the Rocks): II. Fjeldblomster (Mountain Flowers): Lento
Symphony No. 1, "Klippepastoraler" (Pastorals of the Rocks): III. Sagn (Legend): Lento
Symphony No. 1, "Klippepastoraler" (Pastorals of the Rocks): IV. Opad Fjeldet (Mountain Ascent): Marcato - Andante e con espressione - Tempo I
Symphony No. 1, "Klippepastoraler" (Pastorals of the Rocks): V. Livsmod (Courage): Maestoso allargando
Track Listings (6) - Disc #2
Symphony No. 2, "Varbrud" (Awakening of Spring), BVN 53: I. Allegro con anima - Lento - Con moto - Tempo primo - Maestoso festivo alla marcia
Symphony No. 2, "Varbrud" (Awakening of Spring), BVN 53: II. Lento religioso quasi adagio
Symphony No. 2, "Varbrud" (Awakening of Spring), BVN 53: III. Molto con moto (with soprano solo)
Symphony No. 3, "Ungdonsbrus - La Melodia" (The Flush of Youth - La Melodia), BVN 96: I. Poco animato festivo - Lento (Cadenza) - Animato festivo (Tempo primo) -
Symphony No. 3, "Ungdonsbrus - La Melodia" (The Flush of Youth - La Melodia), BVN 96: II. Grave maestoso - Lento misterioso -
Symphony No. 3, "Ungdonsbrus - La Melodia" (The Flush of Youth - La Melodia), BVN 96: III. Allegro ma non troppo - Piu lento - Vivace
Track Listings (22) - Disc #3
Symphony No. 4, "Lovfald" (Fall of the Leaves): Fortvivlet skovbrus: Allegro -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Solstrejf: Quasi allegretto -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Allargando espansivo -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Torden: Allegro -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Piu lento -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Allegretto pastorale -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Hostligt!: Allegro con moto -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Traet: Poco adagio -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Fortvivlelse: Allegro appassionato -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Tranquillo -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Comodo sempre -
Symphony No. 4, "Lovfald" (Fall of the Leaves): Sondag-morgen-klokkerne: Sostenuto pesante -
Symphony No. 4, "Lovfald" (Fall of the Leaves): forbi!: Piu con moto
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Lento misterioso (Introduzione) - Allegro fiero -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Lento -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Allegro fiero -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Lento misterioso
'Sonate': Lento misterioso - Fiero pesante preciso -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Florido -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Pesante -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Coda: 'Sonate' con variazioni: Fiero pesante -
Symphony No. 5, "Steppenatur" (Nature of the Steppe): Andante
Track Listings (15) - Disc #4
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Thema- Version I -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Thema- Version II -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Var. I (Introduzione) -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Var. II (Fuga) -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Var. III (Toccata) -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Var IV (Sonata) -
Symphony No. 6, "Det Himmelrivende" (The Heaven-Rending): Var. V (Coda) -
Symphony No. 13, "Undertro" (Belief in Wonders): Ret hurtigt (Fairly fast) -
Symphony No. 13, "Undertro" (Belief in Wonders): Andante -
Symphony No. 13, "Undertro" (Belief in Wonders): Lidt hurtigere (A little faster) -
Symphony No. 13, "Undertro" (Belief in Wonders): Langsomt - Temmelig hurtigt (Slow - Rather fast) -
Symphony No. 13, "Undertro" (Belief in Wonders): Samme tempo (vildt) (Same tempo (wildly)) -
Symphony No. 13, "Undertro" (Belief in Wonders): Elegant! -
Symphony No. 13, "Undertro" (Belief in Wonders): Hurtigere (Faster)
Symphony No. 14, "Morgenen" (The Morning): I. Indledningsfanfare (Introductory fanfare)
Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars)
Symphony No. 14, "Morgenen" (The Morning): III. Marmorkirken ringer (The Marble Church rings)
Symphony No. 14, "Morgenen" (The Morning): IV. De traette star op til livet (The tired get up for life)
Symphony No. 14, "Morgenen" (The Morning): V. Radio-Caruso og tvangsenergi (Radio-Caruso and forced energy)
Symphony No. 14, "Morgenen" (The Morning): VI. 'Farmaend' farer til kontoret ('Dads' rush to the office)
Symphony No. 14, "Morgenen" (The Morning): VII. Sol og bøgeskov (Sun and beech forest)
Track Listings (14) - Disc #7
Drapa (On the Death of Edvard Grieg), BVN 20 (1913 final version)
Sfinx (Sphinx), BVN 37 (1913 revised version)
Hvidbjerg-Drapa, BVN 343
Danmarks Radio (Radio Denmark), BVN 351
Res absurda!?, BVN 354
Symphony No. 15, BVN 375, "Sostormen" (The Sea Storm): I. Bevaeget (Moving)
Symphony No. 15, BVN 375, "Sostormen" (The Sea Storm): II. Scherzo
Symphony No. 15, BVN 375, "Sostormen" (The Sea Storm): III. Adagio funebre
Symphony No. 15, BVN 375, "Sostormen" (The Sea Storm): IV. Finale: Allegro molto agitato
Symphony No. 16, BVN 417, "Syndflod af Sol" (Sun Deluge): I. Allegro -
Symphony No. 16, BVN 417, "Syndflod af Sol" (Sun Deluge): II. Scherzo
Symphony No. 16, BVN 417, "Syndflod af Sol" (Sun Deluge): III. Straffedans (Punishment Dance)
Symphony No. 16, BVN 417, "Syndflod af Sol" (Sun Deluge): IV. Elegi (Elegy)
Symphony No. 16, BVN 417, "Syndflod af Sol" (Sun Deluge): V. Finale
With his symphonies the Danish composer Rued Langgaard — (1893-1952) offered 16 vastly different versions of what a symphony — can be. His captivating, complex genius made room for — all conceivable idioms and a wealth of sty... more »les ranging from the
grandiosely Late Romantic to the purest Absurdism. This box
is the first collected recording of Langgaard's 16 symphonies
based on the critical edition of the scores; recordings which
demonstrate, with spectacular sound quality, Langgaard's
masterly grasp of the orchestra and his ecstatic view of art.« less
With his symphonies the Danish composer Rued Langgaard
(1893-1952) offered 16 vastly different versions of what a symphony
can be. His captivating, complex genius made room for
all conceivable idioms and a wealth of styles ranging from the
grandiosely Late Romantic to the purest Absurdism. This box
is the first collected recording of Langgaard's 16 symphonies
based on the critical edition of the scores; recordings which
demonstrate, with spectacular sound quality, Langgaard's
masterly grasp of the orchestra and his ecstatic view of art.
CD Reviews
Langgaard Would Have Been Proud
J. Rich | 04/05/2009
(5 out of 5 stars)
"Let's face it with all the Mahler, Sibelius, Dvorak, and Brahms that floods the market it's truly great to have this box set of the obscure Danish composer Rued Langgaard available for the first time in a space saving, special edition hybrid SACD box set (wow that was a mouthful). For those who don't know and just happen to be curious, Langgaard was composer who lived in obscurity all of his life. He composed epic pieces of music in the late-Romantic vein. He spent much of life dazzling audiences with his virtuosic organ skills and he landed a job as organist at a cathedral in a village in Denmark. He composed music much of his life and the only fame he received had been when his Symphony No. 1 was premiered by the Berlin Philharmonic, but it didn't garner much admiration or attention. He died in 1952.
Fast forward almost 50 years later, we now have this beautiful box set of Langgaard's works brought to us by a true visionary Thomas Dausgaard and the Danish National Symphony Orchestra. There have been attempts at Langgaard's music in particular with Neeme Jarvi with the same orchestra here. As much as I love Jarvi, he can't quite grasp this music. This is where Dausgaard and his forces raised the bar. This is the box that all other performances are measured against, especially since most of these works are world premiere recordings and have never been available to the public before.
Right from the opening measures of Symphony No. 1, you are catapulted into the wildly emotional world of Langgaard. This music is played with such sustained intensity that you will not believe the virtuosity and amount of feeling it takes to pull this work off. This is Mahler on steroids. Exceptional playing and you will find that throughout this box set the playing and conducting are consistent.
The sound quality is also very good. The acoustics are well defined and there is plenty of bottom end (an important aspect to this music).
If you are interested in traveling outside of the composers we're all familiar with: Mahler, Bruckner, Wagner, etc., then look no further than this box. Seven discs of pure excitement, joy, emotional intensity, drama, and beauty. Highly recommended."
Packaging
Leonard Warren | Midwest | 04/20/2009
(5 out of 5 stars)
"I am very happy with the CDs.
But the packaging seems to leave the very good possibility of damage to the CDs when removed or replaced in their slots. I can not remove a CD without touching the playing surface. At best it's a two-handed job and the CDs in front are in a precarious position. The booklet is all the way in the back in its own slot and not very easily removed. I would have prefered to have had the standard clamshell case with individual envelopes for the discs. At least then when you are trying to get a disc you are only fumbling with one disc rather than all of them.