This is a compilation of the music from the soundtrack of Theo Angelopoulos's film Ulysses' Gaze, the story of a photographer's quest for the beginnings of the art of filmmaking on its 100th anniversary. It's also the stor... more »y of his search for his own self and his home in the ruins of war-torn Europe, and his experiences along the way. But do not expect to find this, or any other information about the record, in the booklet: all it gives you are pictures from the film, most of them bleak, dark, and gloomy. The music underlines this atmosphere: uniformly slow except for a few lively moments of dance, it is mournful and lamentatious. Two very similar modal themes encompassing nine notes are repeated more than a dozen times, varied mostly in range and instrumental color. They are supported by a constant, unchanging drone in a melancholy minor mode, creating a sense not only of stasis but of all cessation of time and motion. The most arresting element is the playing, which is splendid on all hands. Kim Kashkashian stands out because of her prominent part and the extraordinary purity, warmth, and expressiveness of her tone. The interplay between the instruments is remarkable; sometimes it's hard to tell when a takeover occurs. --Edith Eisler« less
This is a compilation of the music from the soundtrack of Theo Angelopoulos's film Ulysses' Gaze, the story of a photographer's quest for the beginnings of the art of filmmaking on its 100th anniversary. It's also the story of his search for his own self and his home in the ruins of war-torn Europe, and his experiences along the way. But do not expect to find this, or any other information about the record, in the booklet: all it gives you are pictures from the film, most of them bleak, dark, and gloomy. The music underlines this atmosphere: uniformly slow except for a few lively moments of dance, it is mournful and lamentatious. Two very similar modal themes encompassing nine notes are repeated more than a dozen times, varied mostly in range and instrumental color. They are supported by a constant, unchanging drone in a melancholy minor mode, creating a sense not only of stasis but of all cessation of time and motion. The most arresting element is the playing, which is splendid on all hands. Kim Kashkashian stands out because of her prominent part and the extraordinary purity, warmth, and expressiveness of her tone. The interplay between the instruments is remarkable; sometimes it's hard to tell when a takeover occurs. --Edith Eisler
"Eleni Karaindrou, one of the leading contemporary Greek composers, is mostly known for her theatre and movie scores (33 plays and 16 films). In particular, since 1983, she has worked on seven films with the great, and somewhat controversial, film director, Theo Angelopoulos. The present CD is the result of her collaboration with Angelopoulos on his film, Ulysses' Gaze. This three-hour long film represents an enormous aesthetic achievement. Karaindrou's music is reinforced by the film images of stunning mystery and power, or is it the reversed? Actually, her music, full of ethereal melodies, aching with nostalgia, stands on its own. She mixes solo viola, oboe, accordion, trumpet, horn, cello, and string orchestra for a most lyrical and mystical sound. It is a wonderful recording, which I highly recommend.
"
Meditation Music
Napier | hershey pa usa | 07/12/2007
(5 out of 5 stars)
"Actually the sound track for the Greek movie 'Ulysses Gaze" with an eclectic mix of instruments; of viola & cello, oboe, squash box, trumpet and french horn, overlaid by Kim Kashkashian's viola. This is the very opposite of many current frenetic sound tracks; a simple slow theme with 7 variations, many featuring an individual instrument to evoke a visual image: accordion for peasant music, the pure tone of oboe, the authority of trumpet, flowing one into the other, held together by the viola, to produce, somehow, utter tranquility."
A Haunting Listening Experience
Karl W. Nehring | Ostrander, OH USA | 07/25/2009
(4 out of 5 stars)
"Greek composer Eleni Karaindrou (b. 1942) wrote this soundtrack for a film that won the Grand Jury Prize at the 1995 Cannes Film Festival. The music features a haunting theme that is echoed again and again by the viola of Kim Kashkashian, accompanied by several Greek musicians on oboe, accordion, trumpet, French horn, cello, voice, and a studio string orchestra.
My daughter recognized right away that the musical theme of Ulysses' Gaze is quite reminiscent--at least in overall emotional and musical feeling if not note for note--of the theme for Schindler's List. Whether this is a case of creative coincidence or a case of creative borrowing one way or the other is not a subject I am prepared to pursue, but I am prepared to say that this CD has provided a haunting listening experience that I have repeated many times. Time simply seems suspended in the hour that this CD spans, and the viola and oboe playing are particularly noteworthy."
Ulysses' Gaze sound track
S. Hales | San Francisco | 04/29/2010
(5 out of 5 stars)
"This is a fantastic sound track. I love the orchestral arrangements, the cello, other strings, accordion, and the haunting vocals. You will love it! I use it for massage because it's very relaxing; moody, (without being depressing, unlike the movie!); It repeats a theme, or motif, but stays interesting throughout, by variations in different instruments, some haunting Greek religious singing or chanting, and so forth. I'd like to hear more by the Greek orchestra, the cellist and the composer.. they are all amazing!"