Though Kelly Joe Phelps initially attracted attention for his virtuosity on slide guitar, he continues to extend his musical dimensions with each release. Once a solo troubadour, here the singer-songwriter features his ric... more »hest arrangements to date, as producer Lee Townsend enlists stellar support from guitarists Bill Frisell and Steve Dawson, violinist Jesse Zubot, percussionist Scott Amendola (who's worked with Charlie Hunter), accordionist/keyboardist Chris Gestrin, vocalist Petra Haden (daughter of jazz great Charlie Haden), and bassists Andrew Downing and Keith Lowe. The musical atmospherics occasionally invite comparisons with kindred spirits such as Bruce Cockburn (the opening "Jericho"), Mark Knopfler ("Window Grin"), Richard Thompson ("Not So Far to Go"), and even a hint of Tom Waits ("Waiting for Marty"), but in the end Phelps defies categorization. A singer of bluesy grit, he remains a great guitarist, yet he plays with an understatement that enhances the material, rather than overwhelming the listener with hot licks. --Don McLeese« less
Though Kelly Joe Phelps initially attracted attention for his virtuosity on slide guitar, he continues to extend his musical dimensions with each release. Once a solo troubadour, here the singer-songwriter features his richest arrangements to date, as producer Lee Townsend enlists stellar support from guitarists Bill Frisell and Steve Dawson, violinist Jesse Zubot, percussionist Scott Amendola (who's worked with Charlie Hunter), accordionist/keyboardist Chris Gestrin, vocalist Petra Haden (daughter of jazz great Charlie Haden), and bassists Andrew Downing and Keith Lowe. The musical atmospherics occasionally invite comparisons with kindred spirits such as Bruce Cockburn (the opening "Jericho"), Mark Knopfler ("Window Grin"), Richard Thompson ("Not So Far to Go"), and even a hint of Tom Waits ("Waiting for Marty"), but in the end Phelps defies categorization. A singer of bluesy grit, he remains a great guitarist, yet he plays with an understatement that enhances the material, rather than overwhelming the listener with hot licks. --Don McLeese
"A Case in point, KJP 5th Release, "Slingshot Professionals" Each of Kelly Joe's Disc have shown growth that most Artist don't show in a life time. The Latest, this time with a full band, has shown the most growth so far. 2001's "Sky like a broken clock" KJP showed his progression as a Song writter, tunes like "Taylor John" and "Gold Tooth" with abstract lyrics, and Quirky beats Phelps took us to places that very few artist have. In "Slingshot Professinals" he continues to introduces his listeners to a cast of characters, and lets us draw our own conclusions about them. This is a mark of a great song writter.If you're looking for songs that have beginings, middles and ends to the story, you're in the wrong place, Because life can be abstract, and at times there are no answers. Phelps understands this, and it fuels his creativity, we just come along for the ride, and once again draw our own conclusions. The 5th Song on the Disc, "It's James Now" the Main Character, "Double r.j." I had to wonder...is it River Rat Jimmy? from shine eyed mister zen? In any case it is song full of rich characters and has as beautiful a melody has we've heard from Phelps yet. Phelps progression is quickly putting him among the eilte singer/songwritters/players of this generation."
Mesmerising
A. Butterfield | UK | 07/15/2005
(5 out of 5 stars)
"Some people worry that they don't know what Kelly Joe's songs are about, but it doesn't worry me. I kind of know what they're about anyway, once I've listened to them a few hundred times. In any case, it doesn't so much matter what they're meant to be about as what you think they're about. Like an abstract painting full of colour and texture, there's plenty to work with to build up your own picture. Listening to `Cardboard Box of Batteries', I see an old man and his memories, childhood trophies hidden away and that feeling you get looking at them again or just remembering. This is the image I get now, but I may well change my mind about it later on!
Very few songwriters have the courage, or the poetry, to do this. As a listener, you need a bit of both to appreciate these songs, but they are well worth the effort.
In this second outing with a band, KJP is clearly developing a style that's all his own and I'm certain makes up for the absence of his signature slide guitar. It's a seductive sound now, mostly gentle, even for the blues of `Knock Louder', with curious guitar and fiddle highlights creating the atmosphere to back up Kelly Joe's perfect vocals. If there's somebody around who does this sort of thing better, I can't think who they are.
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A great artist comes of age
Antony D. O'dowd | Honiara, Solomon Islands | 03/02/2005
(5 out of 5 stars)
"This album is where Kelly Jo really stakes out his ground as one of the premier acoustic artists of the last ten years. And not just for his guitar playing (phenomenal as it is) but equally as much for the emotional quality of his singing, and the floating artistry of his song constuction.
It is not always easy to tune into what Kelly Jo is on about. His music is somewhat elliptical, and is occasionally abstract or even obtuse. But like all great musicians he transcends the limitations of his genre through sheer artistic ambition. What would be (in the hands of even a good acoustic guitarist) a challenging, pretty and melodic blues improvisation, becomes in Kelly Jo's case, a towering jazz achievement. At his best Kelly Jo is right up there with Coltrane, or Parker, or Van Morrison. For example, when I saw him last year doing this stuff, it was like hearing "Astral Weeks" crossed with "Blue Trane". I bought this album that day, and I have played it over and over ever since.
And, on this album, you also get the added bonus of Kelly Jo working with a set of sympathetic and understated musicians who masterfully shade and embellish his profound artistic vision - and they are a joy to hear as well.
Are these great songs? Does the album fit a standard descriptive profile? Can you hum the words at the laundromat? No, not really. But this is the real deal. Just let yourself be swept up in the epic sweep, of a great musician creating wonderful music. One of the best albums of the last year. Spread the word.
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Continued Greatness
Russell Valent | Denver, CO United States | 03/15/2003
(5 out of 5 stars)
"I am typically one to like simple arrangements, and I really like Kelly Joe Phelps as a solo acoustic performer. As side note, make it a point to see him live, it is truly amazing what he can do with just a guitar and his voice. To my surprise the expanded backing for Kelly Joe on this albumn sound so natural and is just excellent. Which is what I have come to expect, but is still a pleasant surprise. If things were truly fair in the music industry, talents like Mr. Phelps would have much wider success. Here is hoping that he just continues to create music at such a high level."
Kelly Joe keeps growing
Stuart Rubinstein | Sherman Oaks, California United States | 03/14/2003
(5 out of 5 stars)
"In his latest release, Kelly Joe Phelps has expanded his musical horizons. His first releases were him and solo guitar. His last release added bass and drums. With "Slingshot Professionals" Kelly Joe has added electric guitar (by the venerable Bill Frisell), keyboards, Weissenborn, backup vocal on two tracks by Petra Haden (daughter of Charlie), violin and mandolin. The production quality is superb and the instrumentation never overtakes the vocals. The blend of voice and instruments is superb. The songs, if read without the music, are great poetry. Buy this CD and marvel at the continuing maturation of a major artist. It will be interesting to see where he goes next. Also, catch him live. He's mesmerizing."