Search - :: Ke Ala Mano (The Way of the Shark)

It's an inside joke: The All Rectangle is actually a trio, but they round up after adding a fourth (guest) musician. With the unpredictability of the fourth member, The All Rectangle always keeps close to the edge. Ke Ala Manomarks this group's first appearance on record, after live performances in a variety of settings. The bedrock foundation of The All Rectangle's rhythm section groundsKe Ala Mano.Derek Crawford's insistently thrusting drums push and prod the beat forward, drawing heavily from rock and fusion styles but rarely sticking in a specific groove for long. The addition of electronics (wielded by Brad Bowden) drenches the beat with thick textures, evolving effects, and plenty of distorted sounds. Rounding out the core trio, bassist Alana Rocklin often plays a surprisingly up-front melodic role, in addition to her vital efforts to thicken up the groove. The opener, "The Body Language of a Race Horse," starts out gently with spooky ambient textures, then the bass and drums step in to add understated punctuation. Little by little, the music defines itself with a reverberant Eastern-sounding bass melody. Then, with a whisper, it's gone-and the next tune carries on. Like a locomotive, once the group gets up to speed, it's hard to stop. By the time electric trumpeter Mark Kirschenman (!) takes the stage, they're powering forward. Searing, distorted energy marks the peak; then, after a moment of reflection, the group ascends the mountain from a different angle. Track Listing: The Body Language of a Race Horse; Little Friend; Dr. Such & Such; El Toro; Pinky Taun Taun; Dr. Such & Such (radio edit); Pinky Taun Taun (radio edit). Personnel: Brad "Kali" Bowden: electronics, keyboards, bells, etc; Alana Rocklin: bass, bells, keyboards, etc.; Derek Crawford: drums; Mark Kirschenman: electric trumpet; Frank Catalano: saxophone; Fareed Haque: guitar; Spencer Bowden: bells, additional noise; Brutis Brockman: bells, additional noise.