"One of Strauss' most grand &controversial works.You may question his family values after listening to it.The orchestration is ornamental as usual&the themes are hair raising.Karajan,the greatest strauss conductor of our day,sets the standards,as usual for a brand opulant performance&the berliners set the adrenaline running as always.his stting of strauss' architecture & blend of the phrases with his care for details &sense of line is simply incomparable.The recording is not ideal,anyhow,&congested in the climaxes at times,but is one of EMI's best especially after the 1 bit transfere.a highly recomended recording."
Karajan surpasses even his own great Strauss performances
Santa Fe Listener | Santa Fe, NM USA | 09/11/2005
(5 out of 5 stars)
"The Sinfonia domestica stands as the embarrassing stepchild of Strauss's tone poems, and even though other former outcasts like the Alpine Symphony have moved into the standard repertory with a new affection, orchestras avoid this piece because of its rambling structure, lack of narrative design, and the inherited sense that Strauss shouldn't have employed a huge orchestra to glorify his petty family imbroglios.
Karajan sweeps all those objections away, in one of his most amazing exhibitions of virtuoso conducting. The affection and detil of the phrasing, the stupendous playng of hte BPO, and the gorgeous recording--rare from EMI in the 70s where Karajan was concerned--bombine to make this the one and onnly recording of Sinfonia domestica to own--a total triumph.
P.S. - Sept. 2009: Despite my unstinting praise, I must add that Kempe's equally classic account of Sinfonia domestica from Dresden (EMI) is more touchingly tender and less rhetorical than Karajan's. It's now my favorite."
'Big Music' sampler
B. Marold | Bethlehem, PA United States | 04/17/2007
(5 out of 5 stars)
"Richard Strauss, Richard Wagner, and Herbert von Karajan oh my! This is 'big music' at its grandest, easily comparable to recently seeing George Lucas, Stephen Spielberg, and Martin Scorcese together on the recent Academy Awards stage. Oddly, it's the kind of album I tend to avoid, as it has bits and pieces of works from these giants' output. Why not rather simply have copies of 'Tristan und Isolde' and 'Lohengrin' on hand. But then, there is the lesser work from Strauss, the 'Sinfonia Domestica', which he wrote after the great 'Ein Heldenleben' tone poem, and which is not as often recorded. So, here we have this lesser work conducted by the great Karajan, a Strauss specialist, plus other goodies. Images of a candy store come to mind. So, if you can get this at a good price, and you don't have the Strauss piece on another recording, this one is a keeper!"
The Magical Karajan Conducts Strauss And Wagner
Rudy Avila | Lennox, Ca United States | 09/23/2005
(5 out of 5 stars)
"Karajan's nickname was "Der Wunderkind" which means "Wonder-maker". He was a gifted and superb conductor and ranks among the 20th century's finest conductors, right up there with the likes of Toscanini, Stokowski and Bernstein. Karajan's affiliation with the Berlin Philharmonic as principal conductor shaped that orchestra into the world's greatest. Here, in this beautifully remastered recording, we find Karajan and the Berlin forces in great shape. This recording dates from the 70's and is a fine memento to the glory days of his time with the Berlin Phil. The rare work "Domestic Symphony" by Richard Strauss is definately a must have for fans of classical music and Strauss. It ought to be played more often in classical music stations. It is a very beautiful, elegant and jovial piece of music, more along lines of his orchestral tone poems. It is also supremely German in its romanticism.
Karajan had a life long love affair with the music of Richard Wagner. He conducted many of his operas and orchestral music. Featured on this disc is the transcendental, spiritual and climatic Liebestod, the Finale from Tristan and Isolde, considered to be Wagner's most profoundly personal and romantic opera. It was written as a love song to his Muse Matilde Wessendock (whom some claim was his lover while still married to his first wife Mina). The Liebestod "Love Death" is a soulful swan song of love and death, Isolde declares her love and dies along with her lover Tristan. Karajan knew how to step up the radiant and spiritual parts of this piece of music. It is the best work of 19th century orchestral music ever composed. Also on here are the Act 1 and 2 Overtures to Lohengrin, which are bursting with energy and orchestral magic. Karajan does justice to both Strauss and Wagner, and its not unlikely that he felt an affinity for these particular composers being German-Austrian himself. A must have for fans of Karajan."