Album DescriptionWho is Júpiter Maçã? Where has this man come from, a man who was only known until very recently by a very selected few in pop music's elite? The musical origins of this Brazilian filmmaker, multi-instrumentalist and composer take us back to the first half of the '90s, when he spawned a brief incursion in Dylan-esque territory under the moniker Woody Apple. He soon came back as Júpiter Maçã, his current name, with which he develops his personal version of a '60s inspired psychedelic sound in cult albums that don't cross the Brazilian borders, but do find an echo among an elite who whisper his name in each other's ears: among his following we find Tom Zé, Caetano Veloso, Arnaldo Baptista, Rita Lee, Sean Lennon, Tim Gane, Sean O'Hagan or Dean Wareham. Uma Tarde Na Fruteira is Júpiter's fourth album, the first with an international distribution (now with his name in English), with which he will undoubtedly convince the rest of the world of the timeless beauty of his delicious modern Brazilian sound. Jupiter Apple's actual sound takes us back, with its surrealistic, colourful imagery, to the most creative, explosive, exciting period in Brazilian music, the one going from the '50s to the '70s, the evolution that takes us from bossanova to MPB through Tropicalism. In his songs we find the same scents, the same colours and the same nostalgic yet optimistic exuberance that soaked the beloved recordings by Os Mutantes, Os Bracoes, Gilberto Gil, Caetano Veloso, Tom Zé, Gal Costa.