Search - Juan Calle & his Latin Lantzmen :: Mazeltov, Mis Amigos

Mazeltov, Mis Amigos
Juan Calle & his Latin Lantzmen
Mazeltov, Mis Amigos
Genres: Folk, Pop, Latin Music
 
  •  Track Listings (11) - Disc #1

This 1961 Riverside Records album is one of the greatest ruses of 20th century American pop music, a forgotten masterpiece of cross-cultural disguise and masquerade. Neither Juan nor his Latin Lantzmen were actually Lantzm...  more »

     
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CD Details

All Artists: Juan Calle & his Latin Lantzmen
Title: Mazeltov, Mis Amigos
Members Wishing: 0
Total Copies: 0
Label: Reboot Stereophonic
Original Release Date: 1/1/2009
Re-Release Date: 8/11/2009
Genres: Folk, Pop, Latin Music
Styles: Traditional Folk, Jewish & Yiddish, Latin Pop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 824247018525, 0888072316522

Synopsis

Product Description
This 1961 Riverside Records album is one of the greatest ruses of 20th century American pop music, a forgotten masterpiece of cross-cultural disguise and masquerade. Neither Juan nor his Latin Lantzmen were actually Lantzmen, and only some were actually Latin. Juan was John Cali, an Italian-American banjo picker and radio veteran best known for his work with the Vincent Lopez Orchestra and a string of solo banjo outings. His Latin Lantzmen included some of the biggest names in 50s and 60s Latin music conguero Ray Barretto, timbales guru Wilie Rodriguez, pianist Charlie Palmier playing alongside African-American jazz greats Clark Terry, Doc Cheatham, Lou Oles, and Wendell Marshall. The sole Lantzmen was Yiddish vocalist Ed Powell. Mazel Tov, Mis Amigos was far more musically vivid than many of its Latin-Jewish ancestors, laced with flashes of jazz improvisation and montuno vamping. Papirossen, a usually mournful ode to cigarettes, is done as a blazing, quickstep mambo. Yossel, Yossel had become popular as Joseph! Joseph!, a crossover swing-era hit for the Andrews Sisters and Glenn Miller, but the Lantzmen stick with the original Yiddish version only to turn it into a cha-cha. Havah Nagila also gets the cha-cha treatment, and Die Greene Koseene, the classic 1920s Abe Schwartz ode to a greenhorn cousin on the Lower East Side, conjures different 1960s New York immigrant worlds with its makeover as a Dominican merengue.
 

CD Reviews

Clark Terry and Charlie Palmerie SHINE together
David Katznelson | San Francisco | 08/11/2009
(4 out of 5 stars)

"I am a huge Clark Terry fan. Totally underrated trumpeter, always overshadowed by the legends he blew for (ELLINGTON!!) but always on target. To hear him shine with a Latino Beat just slays me. What an amazing concept. Charlie Palmerie.....always in the shadow of brother Eddie? Regardless, he is one of those voices that defined the Latino sound he found. Mazel Tov is a delightful listen...a cultural stew that salutes the soul of two great cultures and all the sidemen that come into their own on this recording."
An excellant Latin album
B. Plotnick | New York, NY | 08/12/2009
(5 out of 5 stars)

"What a remarkable album! I'm shocked that I never heard about it before as it is certainly jam packed with super stars of the Latin music world (Ray Barretto, Charlie Palmieri, Willie Rodriguez). Stand out tracks include a fiery "Papirossen" and the album's only original tune-"Freilach a Nacht". The only thing this album is missing is a little LARRY HARLOW."
This blew my mind
nessa | new york city | 08/11/2009
(5 out of 5 stars)

"the music on this album is as good as the backstory -- i only wish the record label would get it in the hands of a bunch of DJs who could rock remixes."