Search - Josh Roseman :: New Constellations: Live in Vienna (Dig)

New Constellations: Live in Vienna (Dig)
Josh Roseman
New Constellations: Live in Vienna (Dig)
Genres: Jazz, Pop, R&B
 
US-American trombonist Josh Roseman is one of the most astonishing individualists on the modern jazz scene. Voted # 1 rising star on his instrument (Down Beat), he is a much-in-demand sideman working for Dave Holland, Dave...  more »

     
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CD Details

All Artists: Josh Roseman
Title: New Constellations: Live in Vienna (Dig)
Members Wishing: 0
Total Copies: 0
Label: Accurate Records
Original Release Date: 1/1/2007
Re-Release Date: 9/4/2007
Genres: Jazz, Pop, R&B
Styles: Avant Garde & Free Jazz, Modern Postbebop, Bebop, Funk
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 743431505620, 063757190622, 074343150562

Synopsis

Album Description
US-American trombonist Josh Roseman is one of the most astonishing individualists on the modern jazz scene. Voted # 1 rising star on his instrument (Down Beat), he is a much-in-demand sideman working for Dave Holland, Dave Douglas, Meshell Ndegeocello, Steve Coleman, John Zorn, Uri Caine, Charlie Hunter, Matthew Shipp and many others. As a bandleader, he likes to present projects that are thoroughly different not only from each other but also from everything else you've ever heard. Both his previous albums "Cherry" (a collection of rock covers done with a diabolic wit) and "Treats For The Nightwalker" (a futuristic, psychedelic acid-funk revelation) received highest acclaim and baffled enthusiasm. With "New Constellations: Live In Vienna" Roseman again takes an unexpected turn. He began developing his new ensemble after touring and recording with Tommy McCook, Roland Alphonso and the Skatalites in the tradition of ska mastermind (and trombonist) Don Drummond. Says Roseman: "We traveled cross country and through Jamaica several times, worked at Studio One with Coxsone and many of the original musicians from that era. This meant long hours in a smoky van, with an endless soundtrack the entire time. So I was saturated in deep roots ska music before we hit the bandstand every night -- archival tapes, unreleased tunes." However, the New Constellations are far from being just a reggae cover band. Beside their re-arrangements of Jamaican classics by the Skatalites, Paragons and Abyssinians, listen to their dub version of the Beatles' "I Should Have Known Better" as well as Roseman's own ambitious originals. Featuring three cutting-edge horn soloists (Roseman/Apfelbaum/Akinmusire) and using up-to-date electronics, computer technology and experimental forms, the New Constellations' music takes the ska material as a gateway into the future. On "Live In Vienna", reggae roots turn into interstellar sound excursions.
 

CD Reviews

Music impossibly hard to pull off
Jan P. Dennis | Monument, CO USA | 12/08/2007
(5 out of 5 stars)

"Many have tried it, with limited success.



What's that, you say?



Reggae-jazz.



One thinks of, e.g., Jazz Jamaica. Or various Ernest Ranglin efforts. Or the Skatalites. Or even Dean Fraser.



What's missing? I'm not sure I know, but I'll give it a shot. Reggae's such a stylized music that it almost takes someone completely outside to successfully transfer it into a jazz idiom.



Lemme tell ya, Josh Roseman's the man. Just wacky enough to pursue his own skewed Island vision, just rooted enough to authentically evoke those elusive Jamaican vibes, he manages to retain that essential Rasta sensibility even as he extends the music way beyond the boundaries of Reggae comfort zones.



A lot of it's due, I believe, to the remarkable band he's assembled: young-scary trumpet monster, Ambrose Akinmusire; Bay-area sax warrior, Peter Apfelbaum; Aussie iconoclast keyboardist, Barney McAll; guitar funkmeister, Marvin Sewell; and, two names new to me, but exhibiting monster chops, Johnathon Maron, bass, and Justin Brown, drums. These cats attack and pulverize every motif and melodic suggestion with the aplomb and confidence of major players. What you get, then, is edgy, wacko weirdness steeped in authentic Island vibes.



Very attractive, IMHO."
Live Update: New Creative Music Here
Scott Williams | Oakland, CA United States | 02/02/2008
(5 out of 5 stars)

"This album is a mixture of reggae, jazz, and electronica. You would think that it would be impossible to blend these things in to a cohesive enjoyable album, but somehow Josh Roseman did it, and did it well. I don't think I have anything quite like this in my music collection. At its surface the songs are reggae songs, but there are subtle clever, gurgling electronic music embellishments throughout as well as fiery solos by Roseman and Peter Apfelbaum (sax, organ). This CD has a hipness to it that would let you play it at a trendy party, but yet also has depth to make it enjoyable to listen to it by yourself on headphones. I haven't been a fan or Roseman in the past but he really hit the mark on this album, and I hope he explores this style some more before moving on. Highly recommend for anyone looking for something novel and creative in modern jazz. If you are a fan of both jazz and reggae, you must pickup this CD."