Search - Jon Kennedy :: We're Just Waiting for You

We're Just Waiting for You
Jon Kennedy
We're Just Waiting for You
Genres: Dance & Electronic, Pop
 
Jon Kennedy is a Man on a Musical Mission. What the End Result May Be Remains a Bit of a Mystery, Not Least to the Man Himself ("i Do have a Long-term Goal, It's a Little Hazy Though...") But Rest Assured it Includes an En...  more »

     
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CD Details

All Artists: Jon Kennedy
Title: We're Just Waiting for You
Members Wishing: 0
Total Copies: 0
Label: Import [Generic]
Release Date: 3/18/2003
Album Type: Limited Edition, Import
Genres: Dance & Electronic, Pop
Style: Dance Pop
Number of Discs: 2
SwapaCD Credits: 2
UPCs: 5050491002729, 766482660148

Synopsis

Album Details
Jon Kennedy is a Man on a Musical Mission. What the End Result May Be Remains a Bit of a Mystery, Not Least to the Man Himself ("i Do have a Long-term Goal, It's a Little Hazy Though...") But Rest Assured it Includes an Enormous Bag of Breath-takingly Beautiful Tunes, Copious Rump-shakingly Fine Dancefloor Corkers and a Hatful of Innovative Ideas. This Limited Version features a Bonus EP of Remixes.
 

CD Reviews

Will make it into my top 10 downbeat albums of the year
Princess of Borneo | KK, KL, London & NYC | 06/25/2003
(5 out of 5 stars)

"Kennedy is gutsy in his experimentation, skillfully adding electronic sounds to the rhythms and melodies of his tracks. The trip-hoppy and sometimes jazzy basslines are joined by melodies so beautiful it surprises even me. There is a good layer of acoustic-effects, with intoxicating vocals that are daring and reticent at the same time. The result is a beautiful interplay of fluctuating dynamics that vexes the soul for more of Kennedy's work.Most downbeat artists that are prone to experiment heavily end up making music that sounds more ambient/I.D.M. than downtempo. Jon Kennedy takes away the focal genre, making this album a genre-bending production to rejoice about. Previously under the Tru Thoughts label, Jon Kennedy has signed on with Grand Central (the tasteful indie label that coincidentally is the label behind the last three albums I reviewed).Kennedy uses a lot of acoustic-effects (mind you, not real acoustics) to offset the heavily synthesized production. Most of the time, productions like these sound really cheap, but Kennedy pulls it off not only convincingly, but inspiringly. The acoustic-effects still sound electronic, but we see Kennedy's genius anyway. All he needs are actual acoustic instruments, and the skills to operate them and he would have made history for his generation. Give him a harp, give him a set of gongs (Indomalay metal percussions), give him anything. If he continues to produce works of this caliber, the man will reach godlike status in the downbeat scene. I am sure this will make it into my top 10 downbeat albums of the year. Absolute quality."