Search - John Zorn, Jamie Saft :: John Zorn: Filmworks XVI - Workingman's Death

John Zorn: Filmworks XVI - Workingman's Death
John Zorn, Jamie Saft
John Zorn: Filmworks XVI - Workingman's Death
Genres: Jazz, Pop, Soundtracks
 
  •  Track Listings (12) - Disc #1


     
?

Larger Image

CD Details

All Artists: John Zorn, Jamie Saft
Title: John Zorn: Filmworks XVI - Workingman's Death
Members Wishing: 2
Total Copies: 0
Label: Tzadik
Release Date: 5/24/2005
Album Type: Soundtrack
Genres: Jazz, Pop, Soundtracks
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 702397734727
 

CD Reviews

Percussion and electronics.
Michael Stack | North Chelmsford, MA USA | 05/31/2005
(4 out of 5 stars)

"One thing about John Zorn, his ability to produce consistently high quality music in literally dozens of different forms never ceases to amaze. This recording, the soundtrack to a documentary titled "Workingman's Death" is no exception. Featuring Cyro Baptista (percussion) and Ikue Mori (electronics) with occasional contributions from the composer (gamelan, organ), Jamie Saft (keys, guitar), and Shanir Ezra Blumenkranz (bass), this is a recording of different moods and feels-- Zorn stated that as the documentary followed workers in different countries, environments, and situations, he wanted the music to sort of follow them as well.



Over 60 minutes long, had the soundtrack been conceptually anything else, it likely would have dragged a bit, but moving through trancey organ pieces ("Gadani Slipway", "Ghost Ship"), circular percussion pieces ("Juju"), aggressive, rhythmic banging ("Sulpher Mining"), scraping, grating noise ("Steel Foundry"), and downright funky electronica ("Horn Carrier", "Slaughterhouse"), this one holds interest well. Zorn evidentally decided for this release to overdub a couple keyboard lines on a few tracks to better pace this for release indepednent of the film-- I'm not certain whether I would have preferred he left it alone. Certainly he coaxes great performances out of Baptista and Mori that I suspect I'd rather hear them shine without him, although at a minimum "The Miners" benefits immensely from the organ line, helping the simple sounds intertwine in an engaging manner.



While its not the best introduction to Zorn's soundtrack work (I'd give that to "Invitation to a Suicide"), all in all, its a good recording, recommended for fans of Zorn's filmworks series."