The Batte of Yavin: Launch from the Fourth Moon/X-Wings Draw Fire/Use ...
The Throne Roon/End Title
Track Listings (22) - Disc #3
20th Century Fox Fanfare
Main Title/The Ice Planet Hoth
The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight
The Imperial Probe/Aboard the Executor
The Battle of Hoth: Ion Cannon/Imperial Walkers/Beneath the ...
The Asteroid Field
Arrival on Dagobah
Luke's Nocturnal Visitor
Han Solo and the Princess
Jedi Master Revealed/Mynock Cave
The Training of a Jedi Knight/The Magic Tree
Twentieth Century Fox Fanfare - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: Main Title / The Ice Planet Hoth - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: The Wampa's Lair / Vision of Obi-Wan / Snowspeeders Take Flight - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: The Imperial Probe / Aboard The Executor - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: The Battle of Hoth (Ion Cannon / Imperial Walkers / Beneath the At-At / E - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: The Asteroid Field - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: Arrival on Dagobah - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: Luke's Nocturnal Visitor - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: Han Solo and the Princess - John Williams, Newman, Alfred [1]
Star Wars, Episode V: The Empire Strikes Back, film score: Jedi Master Revealed / Mynock Cave - John Williams, Williams, John [Fil
Star Wars, Episode V: The Empire Strikes Back, film score: The Training of a Jedi Knight / The Magic Tree - John Williams, Williams, John [Fil
Track Listings (12) - Disc #4
The Imperial March (Darth Vader's Theme)
Yoda's Theme
Attacking a Star Destroyer
Yoda and the Force
Imperial Starfleet Deployed/City in the Clouds
Lando's Palace
Betrayal at Bespin
Deal With the Dark Lord
Carbon Freeze/Darth Vader's Trap/Departure of Boba Fett
The Clash of Lightsabers
Rescue from Cloud City/Hyperspace
The Rebel Fleet/End Title
Track Listings (15) - Disc #5
20th Century Fox Fanfare
Main Title: Approaching the Death Star/Tatooine Rendezvous
The Droids Are Captured
Bounty for a Wookiee
Han Solo Returns
Luke Confronts Jabba/Den of the Rancor/Sarlocc Sentence
The Pit of Carkoon/Sail Barge Assault
The Emperor Arrives/The Death of Yoda/Obi-Wan's Revelation
Alliance Assembly
Shuttle Tydirium Approaches Endor
Speeder Bike Chase/Land of the Ewoks
The Levitation/Threepio's Bedtime Story
Jabba's Baroque Recital
Jedi Rocks
Sail Barge Assault [Alternate Take][*]
Track Listings (12) - Disc #6
Parade of the Ewoks
Luke and Leia
Brother and Sister/Father and Son/Fleet Enters Hyperspace/Heroic Ewok
Emperor's Throne Room
The Battle of Endor: Into the Trap/Forest Ambush/Scout Walker Scramble
The Lightsaber/The Ewok Battle
The Battle of Endor 2: Leia Is Wounded - The Duel Begins/Overtaking ...
The Endor 3: Superstructure Chase/Darth Vader's Death/The Main Reactor
Leia's News/Light of the Force
Victory Celebration/End Title
Ewok Feast/Part of the Tribe
The Forest Battle (Concert Suite) [*]
Given that it's largely credited with reinventing Hollywood--or at least fostering its overweening box office expectations--it's hard to imagine that the genesis of George Lucas' sprawling, multi-billion dollar Star Wars ... more »franchise was once considered a risky studio proposition at best. But Lucas himself has wisely singled out the robust, retro-romantic music of composer John Williams as the unlikely artistic linchpin that holds all of the saga's disparate dramatic, thematic and technical elements firmly together. Boxed together here then are three of the most successful and influential film scores of modern Hollywood, work that draws as much on Williams' masterful sense of classical music history as it does his own well-studied melodic and arranging instincts. Each of the three double-disc collections here contains all of the music written for Star Wars: A New Hope, Empire Strikes Back and Return of the Jedi (and even Alfred Newman's intyroductory "Fox Fanfare"), newly upgraded via Direct Stream Digital remastering that adds stunning new presence and clarity to Williams' rousing, epochal scores. Each chapter also features a lenticular 3-D cover and newly designed fold-out film poster, as well as encoded disc features allowing online access to elaborate new Star Wars screen savers; the ultimate musical compendium of the original Star Wars triptych. --Jerry McCulley« less
Given that it's largely credited with reinventing Hollywood--or at least fostering its overweening box office expectations--it's hard to imagine that the genesis of George Lucas' sprawling, multi-billion dollar Star Wars franchise was once considered a risky studio proposition at best. But Lucas himself has wisely singled out the robust, retro-romantic music of composer John Williams as the unlikely artistic linchpin that holds all of the saga's disparate dramatic, thematic and technical elements firmly together. Boxed together here then are three of the most successful and influential film scores of modern Hollywood, work that draws as much on Williams' masterful sense of classical music history as it does his own well-studied melodic and arranging instincts. Each of the three double-disc collections here contains all of the music written for Star Wars: A New Hope, Empire Strikes Back and Return of the Jedi (and even Alfred Newman's intyroductory "Fox Fanfare"), newly upgraded via Direct Stream Digital remastering that adds stunning new presence and clarity to Williams' rousing, epochal scores. Each chapter also features a lenticular 3-D cover and newly designed fold-out film poster, as well as encoded disc features allowing online access to elaborate new Star Wars screen savers; the ultimate musical compendium of the original Star Wars triptych. --Jerry McCulley
CD Reviews
The Star Wars Trilogy's scores return in spectacular box set
Alex Diaz-Granados | Miami, FL United States | 10/31/2004
(5 out of 5 stars)
"Say what you will about the Star Wars Trilogy DVD set, but one undeniable fact is that one thing that has not changed is the enduring appeal of John Williams' classic scores for the 1977-83 trio of films that pitted Luke Skywalker, Princess Leia, Han Solo, and Obi-Wan Kenobi against the forces of the evil Empire and the Jedi-turned-Sith Lord, Darth Vader.
To mark the release of the 2004 DVD set, Sony Classical has revamped and reissued the 1997 Special Edition soundtracks and created a beautiful box set that complements the packaging of the Widescreen Edition DVDs. In an elegant silver and black slipcover, the three slimline 2-CD jewel cases include holographic cover art that matches that on the DVD cases, a collectible poster/track list, and the scores on newly remastered Digital Stream Discs (which have improved sound quality and clarity, especially on top-of-the-line stereos) , as well as exclusive screensavers accessible through Sony Classical's Star Wars web page.
As expected, John Williams' music for A New Hope, The Empire Strikes Back, and Return of the Jedi is brilliantly performed by the London Symphony Orchestra. With 74 tracks and over six hours of music, this six-CD set is arguably the most complete collection of original soundtrack material yet released.
If you own the 1997 RCA Victor Special Edition soundtracks, however, there is no new unreleased material here. Indeed, track sequences and titles are identical, and there are no detailed program notes.
Still, the box set is reasonably priced; it's actually cheaper than buying each soundtrack album separately, so if your older CDs are getting worn out or you just want these CDs for their extra features, then it's certainly worth considering."
Good remastering, but blatant repackaging
Yi-Peng | Singapore | 01/02/2005
(4 out of 5 stars)
"This reissue of the original Star Wars Trilogy soundtracks was released to coincide with the DVD debut of the original films. However, there is really little to gain in this reissue over the RCA special edition releases. Of course, the music is presented with all the integrity it needs, with every note of the score in a seamless chronological presentation, so that's one basic requirement cleared for this reissue. Plus, it has been remastered with Sony DSD technology, which greatly improves the sound. So what's wrong? Well, I'm sure that many collectors miss the in-depth booklets from the 1997 reissues with a comprehensive and lucid soundtrack annotation and full-colour photo stills from the three films. This would mean that those who listen to the music might not be able to follow what happens. At least the music is presented in chronological order, which is a tremendous asset. In its place we get a fold-out poster for a CD insert, which is in itself as useless as the 3-D covers. Also, the Enhanced CD features are perhaps junk, because the screensavers and book covers are not entirely necessary on soundtrack reissues. They are merely a marketing gimmick so that fans can spend more money, despite the fan requests. But even though these two gripes are subjective, this can't stop many fans from enjoying the music in all its glory and integrity. And perhaps, with the release of Revenge of the Sith, Sony, George Lucas and John Williams might allow the entire unedited scores for all six films to be released in a seamless chronological presentation, with extensive booklet notes. Maybe that will give the STAR WARS soundtracks some integrity than this skimpy reissue does, and maybe we will be able to see the Ewok Celebration finale from Return of the Jedi, as well as Lapti Nek, restored."
Star Wars Trilogy Sound Track Boxed Set
Christian | from my dorm room at college | 12/06/2004
(5 out of 5 stars)
"I personally have found the trilogy boxed set to be of generally high quality. The CD's are basically the same as the 1997 Special Edition releases. Their pictures are different and they are said to contain extras such as screen savers, but so far I have been quite unsuccessful in discovering them. The CD's themselves are much the same in quality as well. There is little noticeable improvement over the 1997 releases, except that you can, in some places, hear less background noise and hissing. I personally enjoy all the extra music and alternate takes. For those who merely want some of the music without all the extras and alternate takes the 1993 boxed set release would be a better purchase. The three CDs as a set, all told, have a total running time of just under six hours, which provides plenty of listening time. However, there is one rather annoying problem. The cases for the CD's are rather flimsy, so I would strongly advise putting the CD's themselves in another place to conserve the cases, which have some neat pictures on them. On the whole, this was worth its cost in my mind. For those who already have the 1997 releases and don't care about packaging or screen savers this set would be a pointless purchase. However, for someone such as I who wishes to buy the whole lot for a cheaper price this is just the thing."
Masterful
Matt Schoepf | Orange, CA | 01/12/2005
(5 out of 5 stars)
"John Williams has got to be one of the best composers today. A New Hope is a great soundtrack because it introduces all of the classic themes. His work on The Empire Strikes Back is arguably the best soundtrack in this set. It's almost if he has a theme for everything that happens in the movie. For Return of the Jedi, Williams captures the climactic battle scenes between the Ewoks, the Empire and the personal battle between Luke, Vader, and the Emperor. A great way to end this brilliant 3 Disc Set! Highly Recommended!"
Best movie scores ever
Joseph Stembler | Tampa, FL USA | 09/28/2004
(5 out of 5 stars)
"Simply put, these three movie scores are the best ever composed. Not only does each movie score hold its own, but taken as a trilogy, they are astounding. John Williams was clearly at his peek during this time period, his use of light motif and lack of any real `filler' music throughout each score make them superb. If you love John Williams of the 70s and 80s and want his finest work-- this is the CD set to get."