Suite for solo cello No. 1 in G major, BWV 1007: Prélude (Moderato)
Suite for solo cello No. 1 in G major, BWV 1007: Allemande (Molto moderato)
Suite for solo cello No. 1 in G major, BWV 1007: Courante (Allegro non troppo)
Suite for solo cello No. 1 in G major, BWV 1007: Sarabande (Lento)
Suite for solo cello No. 1 in G major, BWV 1007: Menuetto I & II (Allegro moderato)
Suite for solo cello No. 1 in G major, BWV 1007: Gigue (Vivace)
Suite for solo cello No. 2 in D minor, BWV 1008: Praeludium
Suite for solo cello No. 2 in D minor, BWV 1008: Allemande
Suite for solo cello No. 2 in D minor, BWV 1008: Courante
Suite for solo cello No. 2 in D minor, BWV 1008: Sarabande
Suite for solo cello No. 2 in D minor, BWV 1008: Menuetto I & II
Suite for solo cello No. 2 in D minor, BWV 1008: Gigue
Suite for solo cello No. 3 in C major, BWV 1009: Praeludium
Suite for solo cello No. 3 in C major, BWV 1009: Allemande
Suite for solo cello No. 3 in C major, BWV 1009: Courante
Suite for solo cello No. 3 in C major, BWV 1009: Sarabande
Suite for solo cello No. 3 in C major, BWV 1009: Boiurrée I & II
Suite for solo cello No. 3 in C major, BWV 1009: Gigue
Talk about legendary! Pablo Casals's "discovery" of this music was not only one of the factors that catapulted him to fame as the world's finest cellist, it had a dramatic effect on the rediscovery of Bach as a composer. U... more »ntil Casals proved otherwise, few believed that these unaccompanied solos could actually be performed as written; many composers and editors tried their hand at adding piano or harpsichord accompaniments, with ludicrous results to modern ears. By proving that Bach meant what he wrote, and by playing the music with such conviction and assurance, Casals really might be said to have ignited the process that led to the "authentic instrument" movement of today, the fundamental principle of which is respect for the composer's original text. Of course, it's another sign of his greatness that these performances have held their own against all comers since the 1930s. If you like Bach, the cello, or both, you must hear them. --David Hurwitz« less
Talk about legendary! Pablo Casals's "discovery" of this music was not only one of the factors that catapulted him to fame as the world's finest cellist, it had a dramatic effect on the rediscovery of Bach as a composer. Until Casals proved otherwise, few believed that these unaccompanied solos could actually be performed as written; many composers and editors tried their hand at adding piano or harpsichord accompaniments, with ludicrous results to modern ears. By proving that Bach meant what he wrote, and by playing the music with such conviction and assurance, Casals really might be said to have ignited the process that led to the "authentic instrument" movement of today, the fundamental principle of which is respect for the composer's original text. Of course, it's another sign of his greatness that these performances have held their own against all comers since the 1930s. If you like Bach, the cello, or both, you must hear them. --David Hurwitz
Robert K. (Gandalf) from DANVILLE, PA Reviewed on 8/7/2006...
Bach from the master
CD Reviews
Not just pretty music
06/09/2000
(5 out of 5 stars)
"The gushing reviews of Casal's performance on this album are deserved, but I think there's an aspect of the recording they leave out: when I first listened to this recording, I had never heard such a pure, simple composition, and Casal's interpretation adds grace and nuance to Bach's beautifully sparse suites. This collection is more than just good music, it's proof of the ability of genius (Casal's and Bach's) to take simplicity and grace and create something beautiful. I would recommend it to anyone with even the slightest interest in classical music.And to anyone trying to decide, I would add as a footnote that I prefer this version the recording done by Mstislav Rostropovich. To my ears, Rostropovich's performance sounds a little too hurried and mechanical."
The best ever
Melanie M. Fedoryka | Virginia, USA | 04/13/2000
(5 out of 5 stars)
"This is really the best recording one could ever get of the Bach Suites! Casals' tone is fabulous! These suites are perfect for relaxing, studying, background music for parties, and tons of other things! DEFINATELY recommendable!"
Some of the greatest music ever recorded
dm | rochester, ny | 11/19/2004
(5 out of 5 stars)
"These suites are absolutely beautiful and Casals conveys an emotion and depth which is unique. Everyone knows how great Casals is, and that these are probably considered his best recordings, so a comment on the sound. I haven't heard the Naxos versions yet, so I can't compare, but the sound on these two volumes is very good, with minimal hiss and popping. The cello stands out and is very bright and clear, so no one should hesitate to purchase these based upon apprehensions on sound quality."