"For an artist with such a deep catalog of charting singles, Jerry Wallace has gotten very little love on CD. Previous anthologies were larded with B-sides and album tracks, and at least one collection remastered critical sides at the wrong speed. So while Varese's 16-track CD only scratches the surface of Wallace's catalog, it finally delivers many of his seminal sides. Focused primarily on country hits from 1971 through 1974, this set only provides a cursory view of Wallace's earlier pop sides. A broader view awaits a double-CD or box set, but what's here is terrific, covering work for Challenge, Decca, MCA and 4-Star.
Opening the disc is a pair of sides that Wallace recorded for Challenge. The lightly orchestrated, mid-tempo rendition of Cindy Walker's "In the Misty Moonlight" (#19 pop, 1964) features a romantic lead vocal with a winning spoken interlude and cooing background chorus. The pining B-side "Even the Bad Times Are Good," was good enough to be re-released as Wallace's next single! Both tunes find Wallace adding country inflections to easy listening pop; it wasn't yet countrypolitan, but the piano, string arrangements and backing chorus were heading that direction.
By the early '70s Wallace had moved from Challenge to Decca and began finding success on the country charts. Interestingly, he didn't really have to change his music much. 1971's "After You," again featuring light orchestration and a smooth ballad vocal, pulls country to pop, rather than the other way around. The following year's "The Morning After" finally moved more towards country, with a shuffle beat and rolling acoustic guitar. Wallace's biggest commercial success came with the 1972 chart topper, "If You Leave Me Tonight I'll Cry." As with all his '70s work, Wallace croons smoothly, sounding a bit like Nat "King" Cole, with only a hint of twang to be heard in the guitar.
Wallace continued to find success on Decca with arrangements from Bill Justis; this set hits most of the commercial highlights. His 1972 #2 "Do You Know What It's Like to Be Loneseome" sounds like it might have been written for the latter-day Elvis, and the Mexicali-influenced "The Song That Nobody Sings" bears influences of Marty Robbins. All four of Wallace's top-10 country hits are here, including 1973's "Don't Give Up On Me" and 1974's sentimental "My Wife's House." Also included are several lower-charting singles and a 1973 remake of his early hit "Primrose Lane."
"Finally. 20+ years after CD's made their debut we get a decent Jerry Wallace compilation. Great audio sound from Varese, an informative insert, and a relatively solid overview of his hits.
Would be 5 stars if they'd have included two important hits:
"Shutters & Boards" from the early years
"Guess Who" from the later years
Ever notice how record companies often short change us at least one hit
on a best of collection?
Frustrating."
What You Need To Know
Cary E. Mansfield | Studio City, CA USA | 11/02/2007
(5 out of 5 stars)
"Jerry Wallace was a well-known "smooth" singing pop star in the 60s ("Primrose Lane," "How The Time Flies") who easily made the switch to country in the early 70s with his 1972 #1 country and Top 40 smash "If You Leave Me Tonight I'll Cry." The following year, he charted "Do You Know What It's Like to Be Lonesome" and "Don't Give Up on Me" both reaching the Top Five, and "My Wife's House" (Top 10, 1974).
This is the first Jerry Wallace hits collection to document his biggest country hits.
Ten tracks are making their CD debut.
Includes a 1973 reworking of his 1959 top 10 pop hit "Primrose Lane" produced by Bill Justis"
Decent compilation, misleading title
Zub | Forks Twp., PA | 01/14/2008
(4 out of 5 stars)
"This is a mixed bag from the reliable Varese Vintage reissue people. This collection includes a good representation of Wallace's country tunes from the '70's heretofore not compiled and that is a definite positive. Unfortunately, and in spite of the title, only one of his early Challange-label pop hits appears here. And for that reason, labelling this piece as "Best of" could only be justified if it added "Country Years" or some such qualifier acknowledging its focus is narrowed. This reviewer has a bone to pick with music companies when they mislabel their products in this way, and would otherwise knock off two stars for that action alone. But what this piece does, it does well and the title faux pas can be somewhat forgiven here. Among the 16 tracks are 11 country-charting tunes and three album cuts including a remake of Wallace's signature pop tune, "Primrose Lane". The two other tracks are the a- and b-sides of his final charting Challange single, namely "In The Misty Moonlight" and "Even The Bad Times Are Good." Varese has maintained is usual high standards here with good sound quality, all tracks in stereo and an eight-page liner notes booklet with a musical history of Wallace provided by Bill Dahl. Interestingly, and in something of an acknowledgement of the importance of Wallace's pop-era recordings, a greater part of the text is devoted to the recordings not covered by the CD itself. Given the opportunity, Varese would very likely do a Challange-era recording compilation on Wallace if the owners of the catalog would license it. For whatever reasons, they will license only individual recordings to other companies, yet have not issued Wallace's Challange tunes themselves. Until this changes or an overseas company (Ace and Bear Family - are you listening?) is able to properly reissue Wallace's Challange catalog, we are stuck with the lame product now on the market, exemplified by the horrific Curb wrong-speed Wallace "Greatest Hits" debacle or dodgy rerecordings passed off as "best-of's". Meanwhile, here Wallace fans can at least pick up part of the genuine article and it is worthwhile. We can only hope the rest of Wallace's pop recordings will someday see the light of day and we won't have to wait as long as we did for ABKCO to issue the Cameo-Parkway catalog."