Allen's Delightful "Twilight Zone"
T. Yap | Sydney, NSW, Australia | 10/09/2008
(4 out of 5 stars)
"Prime Cuts: He's Still Dancing with Her, Elvis Tonight, When I See God
With its cartoonish depiction of the night sky and its puerile looking typeface, based on just the CD cover one could have mistaken this as a kids' album with New Age proclivities. Conversely, though this is a newly recorded country record, it feels like it was made in the bygone era of the 50s where Roy Orbison's retro-rock and Carl Perkins' rockability were the sonic trump cards of the day. Yet far from being designated as archival music, Allen's radio-friendly youthful vocals are what give "Twilight Zone" a contemporary edge. More than just an adept vocalist, this Texas native also co-wrote 10 out of the 12 tracks here. Unlike many singer-songwriters who overindulge in waxing lyrical at the expense of strong melodic tunes, Allen closes such a cleavage most evident in the moving heart wrenching ballad "He's Still Dancing with Her." A narrative song about a lonely man who still visits a tavern every night dancing as if his wife were still alive, this is the type of songs that not only engages the heart but it's a little homily that true love still exists.
Lightening up the mood with a 50s sounding romp is the irresistibly catchy "Elvis Tonight." There's much to boast about "Elvis Tonight," from its retro feel to its thumping steel guitar lines to all the lyrical Elvis references, this is sure to be a Texas dance hall favorite. The title cut "Twilight Zone" has a dreamy swirling quality to it with Allen putting a fresh spin on heartbreak and loneliness. To highlight the breath of lyrical coverage this album tackles, the album closer "When I See God" is do-wop take on a newly penned Gospel number that is reverent yet unforgettable engaging. Taking another lyrical detour is the ultra romantic "You Make My World Go Round." Simple and well-crafted, "You Make My World Go Round" is a slow dance that easily locks love birds together arm in arm right throughout the song.
The most familiar song in this corpus is Allen's cover of Stevie Wonder's uber 1984 hit "I Just Call to Say I Love You." Though Allen tries to transform it into a country shuffle, but still there's very little Allen could do to get out of Wonder's vocal mannerisms. Such is the inevitable result of covering such a well known hit and it's certainly Allen's mea culpa. "Jenny Lou," a duet with Deryl Dodd, brings together two Texans at the outskirts of country music. Though "Jenny Lou" has a likeable melody, but the two men blend so seamlessly that it doesn't make sense for it to be a duet in the first place.
Despite these quibbles, "Twilight Zone" is still a strong record with the pride of place being its strong melodies and easy on the ear production. Unlike some country CDs which are so cluttered with wall of noise that it's hard to enjoy the melodies, here the backings support rather than intrude. With a CD this good, the twilight zone may not be as scary as one would think.
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