"There would be no Miami Vice without Don Johnson, there would be no Miami Vice without Philip Michael Thomas, Michael Mann or Edward James Olmos. The same and not less can be said about Jan Hammer. When he left the series in the last season (1988-1989), even though his successor Tim Truman did a good job, it was like one of the principal characters left. This albun contains the quintessential Miami Vice instrumental music, although, certainly, Jan Hammer did more music than only a single CD or two or three CDs could handle. It would be nice to have a Hammer's Miami Vice collection released one day, a complete one (you can find more Miami Vice music on "Snapshots", Miami Vice I, II, III).All the music on this CD may be heard on Miami Vice, but the booklet informs that "Forever Tonight" (previously heard with vocals in the albun "Hammer") and "Before the Storm" are not Miami Vice tracks. These two tracks are, respectively, from "Child's play" and "Love at First Sight" episodes of the fourth season (after the release of this albun). The hits "Miami Vice Theme" (unfortunately not the rare remix version unavailable on CD) and "Crockett's Theme" are together with great icons of the series not released before. "Rico's Blues" (along with "Flashback" from Miami Vice volume I) could be named as "Tubbs' theme". "Theresa" (from the homonymous episode, an overdubbed version from the material of the first season episode "Nobody lives Forever" - an interesting technique) shows Jan's refined production on combination of sounds. This can also be said about most tracks of the albun, "Before the storm" and its Rhodes piano, "Forever Tonight" (and its remix) with the synth sounds, "Colombia" with the Andean flutes and percussion blocks (actually Farlight CMI samples) are just some examples. A complaint: some differences between what we hear on the episodes and on this albun (mixing differences and sometimes more than that). Most of times what is on the CD is better treated than in the episode, but in the episode there was the first impression. But this does not put the style away, not a bit.One could say that this music is more effective through the episodes action, which is quite non-sense. This music IS the episode action, not the contrary: it was made for that and works like that perfectly well. "The Trial" is the character of criminal judgement of young General Lao Li grandsons, "The Search", in the same way, the mood of Tubbs disappearance or the deadly encouter with druglord Mario Fuente (Frank Zappa). What would be of "Rites of Passage" or "The Prodigal Son" episodes without "Tubbs and Valerie" (one of the most remarkable Miami Vice tunes)? This happens also between "Trust fund Pirates" episode and "Night Talk" (orinally from the "Made for Each Other" episode). And what would be of "One way ticket" without the good vibrated "Rum Cay" and, on the other hand, the extremely dramatic and disturbed "Last Flight"? Possibly those moments would mean much less without those tracks.Jan Hammer's Vice music was exhaustively imitated during the eighties, and even re-recorded by others. But his music character is unique as some of his timbres are. And for sure the musical character one could hear on this albun. We must remember that Hammer is more than just Miami Vice. From Mahavishnu Orchestra to "The First Seven Days", from "Oh, Yeah?" to "Secret Admirer", he passed through lots of musical moments. This CD is one of them, a very important one: the Miami Vice soul."
Great Disc But...
cjf312002 | Charleston, SC USA | 06/25/2002
(4 out of 5 stars)
"If you like Jan Hammer's music for "Miami Vice" this a great disc to own, but I highly recommend that you go to www.janhammer.com and get yourself a copy of his brand new double disc set "Miami Vice: The Complete Collection". It has everything on this disc, plus all his compositions from all three soundtrack albums, plus the four MV tracks from his "Snapshots" disc. And that's just the first disc!! Disc 2 has 22 previously unreleased tracks! It is THE ULTIMATE Jan Hammer Miami Vice CD. Oh, and by the way, They're all digitally remastered, so they sound awesome!"
Jan Hammer Rocks
John B. L. Lambert | Granada Hills, California United States | 10/02/2001
(5 out of 5 stars)
"I bought this CD, mainly because I LOVE Miami Vice, it was my favorite show as a teenager and I still watch the repeats on TNN to this day. Part of what made Miami Vice such an awesom show was the music by Jan Hammer, this music is so relaxing and intoxicating, I made a tape and listen to it while I am driving around. The best tracks are "Crockett's Theme", "Theresa" and
"Last Flight". This is a must have for any Miami Vice fan. I highly recomend!"
Great Album
Joel Kathrens | Cheney, WA USA | 02/08/1999
(4 out of 5 stars)
"I'll let you in on a little secret--I've never seen Miami Vice! I was out of the country during it's run, and had never even thought about looking at re-runs. I first heard 'Crockett's Theme' on the Pure Moods CD. With Oxygene IV it was one of my favorite tracks on the album. Doing a little searching on Jan Hammer, I found this album on Amazon and purchased it. As I have never seen the show, I am not partisan and can judge the CD based purely on it's musical merits. Happily, I found I quite enjoyed the whole thing. As a collector of TV themes, I especially liked the Miami Vice theme and as a fan of synth-pop, I enjoyed both versions of Forever Tonight. These, along with Crockett's Theme (still the best), are my three (well, four actually) favorite tracks. Of the others, standouts are Theresa, Rico's Blues and Before the Storm, though I can listen to this album all the way through without skipping anything. As a final note, I probably would have given this album 5 stars if I HAD seen the series as it would be nice to be able to relate these songs to moments in the programme."
'Escape From Television', by Jan Hammer
dpatton48 | Chattanooga, Tennessee United States | 02/29/2000
(5 out of 5 stars)
""Escape From Television" contains much of the two-hour long body of music Jan Hammer created for the TV series 'Miami Vice'; the rest being found in another Jan Hammer collection, "Snapshots" and the three Miami Vice series sound tracks.Between them, Jan Hammer virtually remade Miami's musical image, at least temporarily, in replacing antiquated New York Big Band and quaint Latin and Caribbean sounds with electronic jazz, projecting distinctive emotional themes----brooding, bright, sentimental, menacing and romantic. Even more than the pop tunes also featured in Miami Vice, Jan Hammer's musical sound defined the climate of the series itself.Jan Hammer's Miami Vice sound is distinctive to the point where you won't find music with the same effect anywhere else, except possibly from Stewart Copeland ('The Equalizer', 'Wall Street' and 'Talk Radio'). The sounds are comfortable and familiar, continuing to entertain after many playings.If you enjoyed Hammer's instrumentals in the series, I strongly suggest you buy the entire collection. His music captured a mind set which now is rapidly fading into the past, and from which we will be all the poorer if it is lost."