In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one ... more »of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley« less
In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley
"While I have been very anxiously awaiting the release of M. Night Shyamalan's "The Village", I was pleased to have been able to pick up the soundtrack on the day it appeared in stores. I have come to expect great things from James Newton Howard, as he possesses a true gift of being able to infuse so much character, emotion into each film that he composes for. His insturmentation/orchestration here is lush~ripe with a beautiful, haunting faerie tale-like quality that also evokes feelings of pure dread and fear in several instances. There is a genuine charm and quaintness to the music that really captures the spirit, isolation of the village and its inhabitants. I have no doubt in my mind that once I see the film (which will be soon!), this score will enhance the excitement for me on a whole new level....I have not been able to listen to much of anything else since purchasing it!! :-) This is one of the best movie soundtracks I have heard in a long time...if you appreciate a gorgeous, heady listening experience, don't pass this up!!"
Deserved the Academy Award
N. Winemiller | Finger Lakes region, NY | 06/02/2005
(5 out of 5 stars)
"People seem either to love or to hate "The Village," but it seems that few can deny the power and beauty of the film's soundtrack. I absolutely love it, and I was disgusted when it didn't win the Oscar. It was certainly the most deserving, I think, both because of how much it suited the movie so well (I'd argue that it "made" the movie) and because it's just a masterpiece. Very moving, lovely, wonderful, and memorable. Hilary Hahn, an up and coming young violinist brings her extensive classical music talent and skills here, and they are used marvelously. This soundrack is a masterpiece!"
Gorgeous!
Stacey Peterson | MN, USA | 08/06/2004
(5 out of 5 stars)
"Even if you were disappointed by the film (I for one was not, but I won't go into that here), it is impossible to say negative things about James Newton Howard's score. The more I hear of Howard's work, the more impressed I am with his versatile and unique style to film scoring. Where most composers seem to exhaust every resource both within the orchestra and beyond, Howard reminds us that film music is meant to complement, not cover up, what is happening on the screen. However, the triumph of his score to "The Village" is that it not only works perfectly in the film, but is a joy to listen to on its own as well.
While there are the expected bursts of the percussive and brassy to reflect the tension of the film, most of the score focuses quiet and sensitive orchestration under a solo violin, played to perfection by Hilary Hahn. The wide range of emotions expressed, from subtle anxiety to the beauty of hope, is incredibly intimate and seamless in it's transitions, and is sure to tug at anyone's heartstrings. It's is a must-have for any film score collection."
Elegant and Haunting
M. Zembrowski | Milwaukee, WI | 07/31/2004
(5 out of 5 stars)
"Since the Sixth Sense came out several years ago, people have been heartily singing the praises of James Newton Howard, and the work he has done on M. Night Shyamalan's films. After seeing The Sixth Sense for the first time, I was ready to jump on that very bandwagon until I bought the soundtrack CD and was, quite honestly, disinterested and rather bored for the majority of the time. Once the CD had ended, I found myself thinking "But it sounded so good in the movie..." As is the case with many "thriller" scores, the music from The Sixth Sense did not very readily stand alone without it's source. I felt very much the same way when I listened to "Unbreakable".
Then came "Signs", with it's creepy and pulsating opening titles, ringing in what I thought would finally be the breakthrough soundtrack CD from the Newton Howard-Shyamalan partnership. But for about 20 minutes after the opening titles, I again found myself singing the familiar refrain of "Gee, it worked so well in the movie, why not on CD?" Depsite my ho-hum attitude about the previously mentioned soundtrack CDs, I was, admittedly, very excited about the CD for The Village; And finally I was rewarded. What may or may not have made somewhat of a superficial difference was the fact that I bought the CD before I saw the movie (as of this moment, I have still yet to see it.) But what really differentiates between this CD and the trio that came before was, in fact, good music throughout, not just the opening and closing titles. An even greater asset (and to my surprise) was the solo work by young virtuoso violinist Hilary Hahn, whom I have had the pleasure of seeing in concert and meeting personally on many occassions; I had no knowledge of her presence on this project. Ms. Hahn, who is just 22 years old, arpeggiates effortlessly and glides across Mr. Newton Howard's soaring solo sections with a grace and poise that very few violinists twice or three times her age possess. Thematically, the score lacks an outstanding main theme (ie, Signs) but more than makes up for that with it's continuous beauty throughout. But fear not, despite the relatively short running time of the CD, there are quite a few pulse-pounding action cues mixed in to keep the listener on their toes. And what ultimately works best about this CD is the fact that there are no jarring stingers to wake the listener up, but instead we are given a score that glides seamlessly from pastoral, haunting beauty to driving rhythmic sections that will no doubt take on even greater meaning once the listener gets to see the moments in the movie that the music is meant to accompany. This is the soundtrack that we have been waiting for from this collaboration. As their relationship matures, so does the outcome, both musically and cinematically. I can say without hesitation that I am most looking foreward to their next project, and what will no doubt be afforded another great listening experience."
Great music for the open-minded
mattypotato | Brookline, MA | 12/03/2004
(5 out of 5 stars)
"People should stop trying to criticize "The Village" for what it wasn't in terms of a horror or thriller movie, and look at it in terms of what it DID have. Drama, true love, a deep moral core, and one of the most beautiful and atmospheric soundtracks ever made. Shyamalan and Howard's work together is emotional, inspiring genius.
Five stars to the soundtrack, and five stars to the movie!"